"all good things come to an end but the memories live on."

this is the live recording of my set at the final edition of @velvetfestival in june 2025. I loved this intimate festival on the beautiful island of krk, croatia. playing freely, house, disco, gospel with a heart warming message.

suze ijó @ velvet fest 2025

Part two of RA.996 comes from a modern-day house luminary. 

As part of our countdown to RA.1000, a milestone in the 24-year history of RA's weekly mix series, we're switching up the usual format. The next few editions will pair two acts who compliment each other's strengths, offering a fresh take on a particular community, scene or style.

This week, we're zeroing in on two names who fly the flag high for old-school, US  house—a foundational pillar of the electronic underground. The first half comes from Ron Trent, which you can read more about here. 

On the B-side is Ash Lauryn. Hailing from Detroit, she's a modern-day house savant. Her comprehensive understanding of the genre's history—knowledge gained from the Detroit greats who that inspired her—and her own inimitable blend of old-world soul meets new-school grooves make her a force to be reckoned with. 

A former RA contributor, Lauryn keeps it <i>real</i>, whether in the booth or beyond. A role model to a new generation of DJs, she can just as easily be found teaching workshops at Underground Music Academy in Detroit or sharing tricks of the trade in the green room at some of the best clubs in the world.

An unwavering champion of Black dance music, the Atlanta resident makes it a point to play as much Black American music as possible, as she told us in her 2019 podcast. Not much has changed since then. Her contribution to RA.996 spans favourites like Larry Heard, Mood II Swing, Byron The Aquarius, Moodymann, Ron Trent and plenty of Detroit heavy-hitters.

Listened to together, both mixes are a powerful snapshot of house's timeless elegance and, most importantly, understated yet innately euphoric joy.

Find the tracklist and interview at ra.co/podcast/998

RA.996 Ash Lauryn

my official summer mixtape contribution
recorded at the wonderful fidelity for subject dublin on july 4th 2025 - what a night - thank you!! <3<3<3

move d @ fidelity, subject dublin 25-07-04

Part of the NTS family since day dot, Moxie has held her Wednesday show since the stations first broadcasts. Inviting esteemed guests for interviews & mixes and breaking new, unreleased music, she’s got your Wednesday afternoons covered... Tune in to hear anything from Soulful House, Garage, Afro beats and all the way through to rolling techno. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/moxie/episodes/moxie-23rd-july-2025

Moxie 230725

Utrecht-native CARISTA returns to The Lot Radio for an hour of new/forthcoming music from her label United Identities and rediscoverd gems!

https://www.instagram.com/__carista 
https://www.soundcloud.com/iamcarista



CARISTA @ The Lot Radio 08-01-2025

Part of the NTS family since day dot, Moxie has held her Wednesday show since the stations first broadcasts. Inviting esteemed guests for interviews & mixes and breaking new, unreleased music, she’s got your Wednesday afternoons covered... Tune in to hear anything from Soulful House, Garage, Afro beats and all the way through to rolling techno. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/moxie/episodes/moxie-6th-august-2025

Moxie 060825

https://www.instagram.com/thejuanmaclean


JUAN MACLEAN @ The Lot Radio 08-11-2025

Full tracklist: https://bleep.com/bleep-mix-307-on-u-sound

The versatility of On-U Sound shines in this generous mix from the label crew, “90 minutes of deep cuts, lost classics and non-label Sherwood productions, recorded using two turntables and a stack of original vinyl.” There’s the classic fluttering horns, hot sticky bass and guitars, from the likes of Lee ‘Scratch’ Perry and Dub Syndicate, and then there’s the leftfield grooves of African Head Charge with whirring, rattling, thunking drums and percussion, the drilling industrial soundscape of Mark Stewart & The Maffia. Sitting in between are the psychedelic jazz dub fusions of Playgroup with slick dextrous bassline and ricocheting drums, the reggae inflected synth funk of Shara Nelson, and Little Annie’s sensual spoken word drowning in idiosyncratic desire.

Bleep Mix #307 - On-U Sound

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the RA Podcast's history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will DJ sets—or any of this—be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan, Editor (RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For the penultimate RA.1000, we take it back to the source with unreleased tapes from the private collection of Frankie Knuckles, the Godfather of House.

This is Pt.I, from 1989. The mix is provided courtesy of the Frankie Knuckles Foundation.

For RA.1000 Frankie Knuckles in full and all information on this unearthed audio, head to https://ra.co/podcast/1018 or 1000.ra.co

RA.1000 Frankie Knuckles Pt.I (1989)

One half of Ectomorph and Interdimensional Transmissions shines a light on the understated, trippy side of electro, squeezing maximum vibes out of skeletal arrangements.

A message from Erika: 

"2011 was the year that No Way Back got shut down by the police at the Bo House, just after midnight, as it was beginning. The next morning I opened the Made in Detroit stage at Movement, feeling very emotional, we were all super upset about how everything had gone down just a few hours prior. Derek Plaslaiko was there from before the first record, and everyone else trickled in – in just as crazy a head space as I was. As I saw each friend appear in the audience, I played a record just for them, so the set became a string of dedications to the people of the No Way Back that never was."

RA / Movement Archive: Erika (2011)

Resident Advisor