DJ, producer and Kapsela label head Objekt comes by for a visit. 

https://www.instagram.com/objekttt 
https://www.soundcloud.com/keinobjekt



Objekt @ The Lot Radio 05-12-2025

naff0007 is from a close friend and one of our favorite DJs @livwutang

In Liv's words :

For this mix, I tried to find the sweet spot between sultry and haunting; cerebral yet somatic. It came together almost on its own—a gently cascading rabbit hole of tech and dubstep, guided by indulgent pads and dubbed-out chords.

Third track blends crafted for headphone listening : )

naffcast007 ⦾ ------  ࿔ ᶫwͥuͮtang ࿔ -------

CZ Wang

Based in New York, CZ Wang is a DJ, producer, and engineer with deep ties to Vancouver’s influential Mood Hut collective. Over the past decade, he has played a pivotal role in shaping underground sounds, both as a selector and behind the scenes, contributing his skills to collaborations with artists like Huerco S, Nick Len, Okay Kaya, Daniela Lalita, DJ Python, Ana Roxanne, Jack J, and untitled (halo).

He holds residencies at Public Records and Eavesdrop, and regularly performs at renowned festivals like Sustain-Release and Warm Up MoMa PS1. His sets can also be heard at iconic clubs including Nowadays, Bar Part Time, Sunday Sunday, and Renate.


CZ Wang 是一位駐紐約的 DJ、製作人與工程師，擁有深厚的 Mood Hut 廣受讚譽的溫哥華音樂集體背景。在過去十年中，他作為選曲人和音效工程師，對地下音樂場景產生了深遠的影響，並參與了 Huerco S、Nick Len、Okay Kaya、Daniela Lalita、DJ Python、Ana Roxanne、Jack J 和 untitled (halo) 等藝術家的合作。

他目前在 Public Records 和 Eavesdrop 擁有駐場 DJ 位置，並在 Sustain-Release、Warm Up MoMa PS1 等音樂節上演出，此外，還常常出現在 Nowadays、Bar Part Time、Sunday Sunday 和 Renate 等知名俱樂部。

CZ Wang @TOHA Radio 2025.04.29

Thrilled to be welcoming NAP aka Daniel Rincón to series, the CDMX based DJ and producer with a unique gift for capturing the wonky, hedonistic feels of the after-hours in his signature extended mix styles. Packed with sleazy twists and turns, there's never a dull moment with NAP at the wheel! Electro-fied highway rollers masterfully sliced and diced for that maximum long haul recharge! @napmusick

Q. What sounds/feelings did you draw upon when gathering inspiration for this mix, and what environments could you imagine it being best enjoyed in?

A. I wanted to make a driving mix that featured a lot of vocals but in mutated and affected ways. Either as a centerpiece of the tune or via chops and sampling, the vocals carry a lot of the tension and thread of the mix which I wanted to balance across a mix of sleazy and dubby sounds. Perfect for a night drive or an afters with some bffs.

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. Blacklight Sleaze (Dyed Soundorom Remix) by Peace Division’. I put it earlier in the mix as it's a bit of a fire starter in getting the mix boiling. This track is also an example of the use of the human voice in a classic but psychedelic/ experimental approach; many voices swirling around atop a sexy driving groove. 

Loose Control by Dino Lenny. Been playing this one a lot and I’d like to make mention to it because it hits a lot of the things that I like when playing a peacetime burner; driving arpeggiated Italo style baselines without being too garish, some dramatic silence drops that make you think the track stopped and then the use of the human voice as a melodic element displaced from language. 

Heart Misses - Heart Misses. This one is definitely in the pocket of  sassy/ minimal sleaze tune which encompasses the vibe of many of the other tracks in the mix as per the concept I had. Perhaps this one is also an evolution of my digging from having been really into electroclash growing up and playing a lot of that stuff across my DJ experience. This hits the reference points of that sound I grew up up with but perhaps actualized? More reduced, minimal but still sexy, driving, irreverent and trippy. 

Q. Tell us about the projects you’ve been most immersed in since moving to Mexico City, I know there’s a few!

A. Oh man, lots of collabs since I've been here! All a by product of new friendships and amazing connections I’ve made while being here. Stuff is still percolating and getting finished but Im very excited to put out new collab projects with Primordial Oh, Reedbriefcase and Tristan Arp; whenever the time is right. On the other hand I’ve also put the finishing touches on a collab project with my friend Pablo Arangoiz who I started jams with when he visited Mexico 4 years ago. Since then we’ve been working on a thesis on a specific type of experimental cumbia forward pieces which we’ve spent a lot of time and care on. 

As far as ACA, Phran and I have a lot of things on the pipeline which will hopefully get some releases this year. It's tough to get a lot of the projects we want to do out when we live in different places but we’re damn excited about all of them and aligning on getting a digi release out from Venezuelan Miniteca legend ‘El Mago. We also got some homie comps cooking up and some sassy merch coming up.

On the Ambien Baby tip, Soph and I have been jamming a lot every time we have the chance to but again, not living in the same place makes it a bit hard to wrap stuff up. Still the past year has yielded a lot of sick fire starter jams that hopefully we can zinch up before the end of the year. We also have a collaborative sound piece we made with our friend Florence Scott-Anderton some years ago for a show she had at the ICA some years ago. This one is a very dear collab for all 3 of us and I hope we can get it out before the end of year as well. Lots of stuff coming up and cooking up!

MDC.312 NAP

Expansive dub vibrations from the On-U Sound maestro.

Adrian Sherwood has spent nearly five decades reshaping how dub is heard and felt. From absorbing reggae and funk as a teenager at the Newlands Club in High Wycombe to cofounding On-U Sound in 1979, he’s been a restless force in British sound system culture. His debut production, Dub From Creation, signalled his instinct to twist the Jamaican form into bold, experimental directions.

That spirit defined On-U Sound, where reggae collided with post-punk, industrial and synth pop to forge a catalogue still unlike anything else. Sherwood became a crucial bridge, producing for legends like Prince Far I, Bim Sherman and Lee “Scratch” Perry, while also working with Depeche Mode, Nine Inch Nails and Sinéad O’Connor.

His  RA Mix (yes, you read that right) arrives at a moment of renewal—RA.1001 is the first in a new era for the series. (After 1,000 editions of the RA Podcast, we're updating the name to better reflect what it's become.) 

Recorded at his Ramsgate studio, the 76-minute mix folds in cuts from <i>The Collapse Of Everything<i> alongside material from across the On-U Sound universe, plus collaborations with Panda Bear, Sonic Boom, Coldcut and Spoon. It's Sherwood doing what he's always done: stretching dub into endless new shapes.

Find the interview and tracklist at ra.co/podcast/1019

RA.1001 Adrian Sherwood

for the love of dub

https://www.instagram.com/richardakingbehin
https://www.instagram.com/deep_creep
https://www.instagram.com/__pi_pi_pi_____



pi pi pi with deep creep b2b Richard Akingbehin @ The Lot Radio 09-18-2025

livwutang live from The Beach Stage at Love International festival 2025

Live from the Adriatic 2025: livwutang

Techno for weirdos 

https://www.instagram.com/djoverland
https://www.soundcloud.com/jodieoverland




Overland @ The Lot Radio 09-25-2025

@clarkdprice live at Gimme A Reason in New Orleans, Louisiana September 20, 2025.

Clark Price Live at Gimme A Reason

Hypnotic Formula EP

Tiger Musik - Hypnotic Formula

The ever-evolving artist shows yet another side of his sound. 

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=650

@keinobjekt

RA.650 Objekt

Resident Advisor