Buzzing to have a Josey Rebelle tape out there! Big thanks to Josey! : )
Catch Josey at TTT @ Strange Brew Bristol 3th December!!!

TTT MIX

TTT CLOTHING

Josey Rebelle – TTT Mixtape

Recording of Carlos Souffront's set at Dekmantel festival 2022.

TASCAM DR-40X

Carlos Souffront at Dekmantel Festival 2022

Charles Green B2B Alex Downey - 12 April 2025

Expansive dub vibrations from the On-U Sound maestro.

Adrian Sherwood has spent nearly five decades reshaping how dub is heard and felt. From absorbing reggae and funk as a teenager at the Newlands Club in High Wycombe to cofounding On-U Sound in 1979, he’s been a restless force in British sound system culture. His debut production, Dub From Creation, signalled his instinct to twist the Jamaican form into bold, experimental directions.

That spirit defined On-U Sound, where reggae collided with post-punk, industrial and synth pop to forge a catalogue still unlike anything else. Sherwood became a crucial bridge, producing for legends like Prince Far I, Bim Sherman and Lee “Scratch” Perry, while also working with Depeche Mode, Nine Inch Nails and Sinéad O’Connor.

His RA Mix (yes, you read that right) arrives at a moment of renewal—RA.1001 is the first in a new era for the series. (After 1,000 editions of the RA Podcast, we're updating the name to better reflect what it's become.) 

Recorded at his Ramsgate studio, the 76-minute mix folds in cuts from The Collapse Of Everything alongside material from across the On-U Sound universe, plus collaborations with Panda Bear, Sonic Boom, Coldcut and Spoon. It's Sherwood doing what he's always done: stretching dub into endless new shapes.

Find the interview and tracklist at ra.co/podcast/1019

RA.1001 Adrian Sherwood

Mike Servito's closing set from 10:30am until noon at No Way Back, May 25, 2025, Day 2 of Return to the Source at Tangent, Detroit. 

"Mike Servito is an artist intertwined with his Detroit origins. No matter how far he travels and how long he lives elsewhere, the essential imprint of this city remains in everything he does.

If you asked where this mix was recorded, I would say "Detroit" without hesitation and if I thought about it for a bit, I would guess that it was most likely one of Mike's legendary closing sets at No Way Back at Tangent Gallery. The level of care and reverence that go into these sets is very evident in this mix from start to finish. The track selection moves effortlessly from past to future playing with darkness and light, depth and joy, tension and release. It's a remarkable demonstration of taste and skill but also a paean to Mike's personal artistic history that calls to the creative power center that Detroit comprises. This mix provides a true glimpse into Mike's long-term dedication to the art of working in tandem with the dancefloor, creating a shared journey where the challenge is to let go and just trust the DJ." 
– Michelle Erfer, Beyond Booking / The Bunker


Buy Cassette

IT.podcast.s14e05: Mike Servito closing No Way Back 2025

A rare mix from the critically acclaimed experimentalist.

Lucrecia Dalt isn't your typical electronic artist. The Colombian singer and composer approaches music-making in the way a fantasy writer builds worlds. Over the past two decades, she's produced a catalogue that reads more like a bookshelf of strange, interlinked novels, each with its own laws, characters and textures, extending the one before it.

Dalt's RA Mix is a fascinating entry into the series (and will sit comfortably with RA's recent archival playlist, <a href="https://1000.ra.co/playlists" target="_blank">Mixes From Artists Who Don't Call Themselves DJs, But Probably Should</a>). Take the opening track, "Cellophane," by Beak>, the band led by Portishead's Geoff Barrow. The lyrics set the tone for the hour to come: "Now the wind has blown down / Now the truth is laid out there." 

True to Dalt's oeuvre, RA.1005 has little regard for convention. Kick drums and beatmatching are nowhere to be heard; instead, she offers a collage of inspiration, drawing connections across eras, moods and geographies. 

The mix includes the work of close collaborators (David Sylvian, Juana Molina and Niño de Elche) as well as excursions into psychedelic jazz (Lloyd's Miller's "Gol-E-Gandom"), sombre downtempo (Muslimgauze's "Enchante, Monsieur") and Korean pop (Leenalchi's "Magic Pocket). Spanning just over an hour, it unfolds like another chapter in Dalt's ongoing project of world-building through sound. 

@lucreciadalt
Find the tracklist and interview at https://ra.co/podcast/1023

RA.1005 Lucrecia Dalt

Recording of Plaid's live set at the UFO II stage during Dekmantel Festival 2025.

Plaid (live) at UFO II - Dekmantel Festival 2025

In a book about the Japanese tea ceremony, the author explains:

‘Great attention should be given to a tea gathering, which we can speak of as "one time, one meeting" (ichi-go, ichi-e). Even though the host and guests may see each other often socially, one day's gathering can never be repeated exactly. Viewed this way, the meeting is indeed a once-in-a-lifetime occasion.’

It is very similar with DJing. Each time it is different and distinctive. I was so happy to have this ‘once-in-a-lifetime occasion’ on Saturday at the Moon stage of Draaimolen Festival 2025. It was a wonderful opportunity to share a lot of music full of meaning and memories. My sincere thanks to all those who joined and made this gathering possible. I hope you enjoy listening to what happened.

Chris SSG

Chris SSG at Draaimolen Festival 2025

@Iamdjali D*ck Her Past x Can't Get Enough Mashup

This week's podcast is an exclusive live set from Canadian dub techno producer Deadbeat.

RA.072 Deadbeat

160 BPM footwork from a New York dynamo.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=732

@kush_jones

RA.732 Kush Jones

Resident Advisor