@ccl-url blasted us all into space in their closing set atThe Grove on Saturday night.

Campout Mix Series: CCL

Studio Session w/ KW & eeliyx (07/02/25)

Mesmerising dance floor tapestries from a singular experimental musician.

Can you reinvent the human voice? The oldest musical instrument in existence, our voices are the foundation of music as we know it, and few push its limits in electronic music today like Lyra Pramuk. On her masterful debut, Fountain the Berlin-based, US-born artist's voice was the only instrument. No drums, no synths—just her voice warped, synthesized and layered to achieve orchestral-like electronics.

Five years on from her breakout, Pramuk's practice has steadily evolved, with a continued interest in ideas of folk and futurism, and how technology can enable us to build community beyond boundaries of time and space. There’s a holistic nature to her artistry, one that extends seamlessly into her DJing.

As she explains in the Q&A accompanying this week's RA Podcast, she sees her work as "part of a continuum of sacred, folkloric, and communal music represented by many different subcultures and communities across the world."

It's an approach that, like much of Pramuk's output, feels explicitly choral in nature. The first voice we hear on the mix comes from Lonnie Holley, his woozy Southern drawl calling out, "Earth will be there to catch us when we fall." (Although, you have to wonder, if we keep flogging the Earth, will it?) 

More voices follow across an eye-catching tracklist, from the poetry of friends (Nadia Marcus) to esoteric French chantresses from the ’80s (Anne Gillis), while Pramuk wraps an extensive amount of her own forthcoming material around tracks from SD Laika, Leyland Kirby, rRoxymore and 33EMYBW, to name just a few.

By the end, voice and noise become indistinguishable—stammering, glitchy vocals colliding with an orchestra of instruments. The effect is mesmerising.

Unfolding as one continuous composition, RA.979 exists somewhere between an ambient set at Kwia and the main stage at Unsound, voices and textures blurred into a fluid tapestry of sound. It's a singular offering to the series from a singular artist.

@lyra_songs

Read the interview and find the tracklist at ra.co/podcast/980

RA.979 Lyra Pramuk

@dgradeknockoff on the 2nd of November 2024 from 6pm - 9pm in the North Woods.
This set was recorded on Boonwurrung & Gunaikurnai country.
Always was, always will be.

D-Grade in the North Woods – Zeerust 2024

ED047: Markus Live at Nowadays

@djbabyleo and @relaxerelaxer stop by the station to melt our faces with insane selections. 

Fine Homebuilding 11: Baby Leo & Relaxer

TRISTAN ARP 23.9.25

sustain release recording 2025 (#devilhornsdoll)

It's Red Hot, STICKS (sustain yr 11)

Powell: We Do Recover 011025

Using one baseline and an array of drum machine patterns. A monochromatic bassline resonates throughout. Overtones, undertones and motivational propriety. Paying tribute to the days of the analogue cassette. Give it a spin – connect with the old school.

Analogue Cassette

Techno, gqom and synth pop, live from Taipei.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=741

@tzusing

RA.741 Tzusing

Resident Advisor