Hip Hop Kulture - The Podcast is a podcast that explores the cultural aspect of HIP HOP. The host and guests will engage together in a fun, light-hearted and educative conversation. Looking deep into all forms of art practice in Hip Hop but also how Hip Hop interacts and adapts itself to the rest of the world. I will focus mainly on Senegal and the continent but I will have guests from all around the world. 

SHip Hop Kulture The Podcast est un podcast qui explore les aspects culturels de la culture HIP HOP. Avec les invités, je vais engager une conversation éducative et joviale. Il examinera en profondeur toutes les formes de pratique artistique dans la culture Hip Hop, mais aussi la façon dont cette culture interagit et s'adapte au reste du monde. Les discussions porteront principalement sur le Sénégal et le continent, mais j'aurai aussi des invités qui viendront de partout dans le monde.

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Label : Neegurap Music Group
Booking and inquiries : contact@neegurapmusicgroup.com || +221772074683

Diss-Crimination, né sous le nom de Sidy Talla, est un compositeur, arrangeur et beatmaker sénégalais. Nourri de plusieurs influences, le style unique de Diss offre un véritable kaléidoscope instrumental où s’entremêlent sans le moindre accroc résonnances urbaines et classiques de la musique sénégalaise. Ce goût prononcé du sample lui a valu le sobriquet très gratifiant de « Bricoleur ».
Natif de Pikine, dans la proche banlieue dakaroise, Sidy Talla grandit dans le quartier de Mousdalipha. Il y résidera de nombreuses années avant d’aménager en 2003 à Sacré-Cœur. Frère du leader du Bat’Haillons Blin-D, Fou Malade, c’est presque naturellement qu’il bascule dans l’univers bouillonnant du rap. Nous sommes en 1998 et le rap sénégalais est à son apogée, le PBS, Daara-J, Black Mboolo, Pee-Froiss, Jant-Bi, entres autres, occupent le haut du pavé. C’est par le biais du graffiti que l’initiation du futur Diss au rap se fera. Au sein du Bat’ Blin-D, entouré des siens, il affûte ses armes et prend progressivement pied dans le monde du Hip-Hop. Changement de cap en 2000, il range bombes, marqueurs, feutres et peintures pour enfiler sa tenue de breakeur.

Rhapsod ( Youssoupha Féhé Sarr) is a young artist born in Dakar plateau. His story to music dates back to his childhood as he was the youngest of musician (artist) brotherhood. he discovers music thanks to his older brothers that have diverse musical genres and played guitar. He found himself in love with hop-hop when he came accoss a T.V show called HIP-HOP FEELING.
He began to be familiar to freestyle and chose Rhapsod as stage name refering to those antiquity poets travelling from cities to cities. Rhapsod considers himself the same way wandering from one soul to another leaving the poems that life inspires him.
The thing really happened in 2011, when he met at university friends with who he founds a band. They gave themselves the mission to make ( produce, create) a live hip-hop issued from their diverse musical influences (afro,jazz, rock, blufunk, soul...) Then the band with Rhapsod as vocal lead (singer) and guitar participate to many events in Saint-louis as in Dakar. While the Saint-Louis university adventure goes to its end, the musical adventure continues. Some musicians took other paths and new musicians came.
Rhapsod wants to bring a significant contribution with a roots HIP HOP made of diverse sounds and deep sought lyrics in diverse languages (wolof enflish french serer) engaged socially, which also deal with humanity, spirituality and decolonisation of minds within other themes. He wants to make a HIP HOP free from the standards imposed by neoliberal establishment that african actors most the time undergo unconsciously, a HIP HOP with an identity that reflects his hybrid culture, away from the clichets. That's what explain his stage name Afreekindman (African man), the name he gives to his musical genre Afreekind HIP HOP (African hip hop) and his independant label Afreekindmind (African mind).


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