This track was created for the Naviar Haiku group.
598
https://www.naviarrecords.com/naviarhaiku598-after-the-typhoon/

after the typhoon (Naviarhaiku 598)

Elegy for a solitary trumpet and string orchestra. In this part the Pandemic Suite reaches its deepest melancholic expression. The track grapples with loss—what is gone and cannot be reclaimed, inconsolable sorrow and irrevocable regret. The everyday painfull questions:
- Where were you when I searched you ? 
- Where were I when You searched me ?
- Where were you when I needed you ? 
- Where were I when you needed me ?
- Where were we when we got lost ?

Pandemic Suite – 15. Where You Were

Finding Peace

People

Horcrux 4 (Dr Federico Ruisch)

Sillage 
(SEE-yahz)
(n.) The lingering sense of someone's presence, like a perfume left in a room, evoking memory and absence.

Sillage

For the 603rd haiku from @naviar-records. 

In spring sunlight the rose of tea bushes ripple like waves

by: Tōge Morita

Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

Tea bushes (naviarhaiku604)

In spring sunlight
the rows of tea bushes
ripple like waves



Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

Haiku by Tōge Morita

Picture by Kyle Bushnell

avaunt weightless - naviarhaiku604

Now out!

https://cousinsilas1.bandcamp.com/album/emporium-drone-018

Cousin Silas - Emporium Drone 018 (Edit)

en pensant à Platon ( peu de Socrates aujourdhui, à l'heure où règnent pourtant et pullulent les nouveaux sophistes, je veux dire les "experts" autoproclamés qui tout en ne sachant rien, peuvent parler de tout, et préfèrent en tout la force de l'opinion immédiate à la recherche lente et assidue de la vérité

Dialogue avec l'Idée

Do you know those carefree summer evenings? Maybe just yesterday was one of them. When the air is warm, everything is calm, and the only sound is gravel under your feet as you walk an empty track across the fields. "Silence" is for that feeling.

I started working on it back in early spring, when evenings like that were still far away. Adding some of my own recordings (like birds chirping and the crackling of fire) already brought a sense of nostalgia and made those moments feel closer.

Musically, it’s simple: a few piano chords from an improvisation, layered with more piano and some airy synths. The atmosphere and most of the percussion come from everyday sounds: for example, a bicycle rack as a hi-hat, a watering can as a snare, and an incoming train turned into a riser.

The goal: music that feels like silence. I hope you enjoy.

Silence

The Bluebox

Composer with music in shows on National Geographic, Animal Planet, Netflix, Discovery, NBC, TBS, FOX, A&E, The History Channel, VICE TV, TLC, Oxygen and others. Written score for BMW, League of Legends: Wildrift, 《中国奇谭》, various short-films, commercials, and games. 

photo is me, 2004.

I also create 3D art, you can find my work here: https://www.artstation.com/artwork/r9zkrE
rhettericsondahl@gmail.com 
audio-axis

Thank you for the support, you know who you are.

The Bluebox

Rhett Dahl (Composer)