Written by me with Chris Duncan co-writing; recorded with my band Gravity Blinks - Kristen Huete on drums and backing vocals; Chris Duncan on electric guitar, bass, and backing vocals.

Lines (Can't Get Your Thoughts Out Of My Head)

Lines (Can't Get Your Thoughts out of My Head) by Gravity Blinks

These recordings are all demos.

Interested in the dark side, the quirky side, but mainly in that buttery biscuit bass.

Bassist and composer from Belfast.

Fancy a collaboration? Drop me a line.

Ever had that dream where an insect invades the ear and sets up home to mercilessly tease and torment thereon in? If so, a form of similar reality is about to be unleashed as the Reverse Family step forward to announce themselves with a sound which trespasses and festers in the psyche. The difference is that this is set to be the most welcome invasion of ears as it crawls with relish into the imagination.

Reverse Family is the solo project of Dermot Illogical, aided by a fluid band of collaborators from time to time, this debut offering is a lo-fi exploration into an experimental DIY web of sounds and flavours which is hard to pin down but certainly embraces everything from post punk and noise pop to indie and old school punk.  

The first song we came up against was Alchopoppers on Fast Food, a brief and gentle yet deviously engaging song which instantly entices thoughts of seventies bands like Swell Maps and The Shapes but with the melodic natures of The Freshies. It is captivating stuff even with a drop into calmer waters which does not quite connect with personal tastes. We are not sure of the album's track order but if this is to be the opener it provides a potent start though the brilliant Way It Goes is an even bigger pull. Carrying an early Adam and The Ants feel to its magnetic stroll, the song is pure addiction with a funk revelry bubbling under its pop punk surface, Dermot as vocally mischievous as the guitar led sounds around him. 

There is great variety to the songs too; Bit Slits for example flirting with the senses through keys which manage to sound like the brass flames of Essential Logic while guitar and vocals veer towards the Nikki Sudden school of discord blessed minimalistic seduction while Electronic 6 entangles portentous keys and winy guitars with fuzzy vocals for a Dalek I Love You/Artery scented melancholy. It is fair to say that Dermot wears influences openly yet each song develops its own distinct character under often familiar hues.

Hand of God has a darker and meatier nature to its predacious swing, contagious hooks and a great grumbling bassline aligning with melodic enterprise for a proposal which swiftly grips ears and appetite; a success just as easily won by the lively pop bounce of One Eyed, a seemingly early Television Personalities seeded encounter and the hypnotic I Can Sense Their Watching Eyes. This too has a flavour of Dirk Wears White Sox to it but with funky beats and another irresistible post punk guitar jangle in its off kilter dub teased shuffle, the track blossoming into another unique proposition within My Songs About Life Mid Crisis.

Other tracks in the mix are Business or Pleasure, a delicious song which sounds like Weezer soaping The Piranhas while recording it all in the bath, The Legend of Pierre with its haunting keys wrapped sultry croon, and Odd Mix Newgates, a seductive magnetic monotone tone spawned track surely inspired by Mark E. Smith.

The collection of tracks are completed by Higher Power with plaintive melodies and dour yet emotionally suggestive vocals and the outstanding May Number 10 Dream which again hints at bands like The Fall, Marc Riley and The Creepers, and The Mekons, as well as the criminally catchy Sods Law. Hips and feet beware as even in its low key nature it will have you swinging in an instant.

There are so many highlights offered by the Reverse Family songs; each track connecting with an ever eager hunger for punk fuelled, post punk spiced imagination. Plastic Punks epitomises this perfectly, its Fire Engines toned melodic jangle and Spizzenergi devilry sheer temptation again emerging as something specific to Reverse Family.

With a tongue in cheek lining to the lyrical reflection shaping songs which spreads into the music itself, Reverse Family is a beguiling adventure with a nod to the past and a grip on an imagination as fresh as it is, well quite simply a touch loco.

https://kevindellinger.net - (If you Like please Repost ) Kevin Dellinger began his composing producing journey as an #indie #electronic #alternative artist and expanded into original #trance #edm #soundtrack genres. Kevin Dellinger also has a history of Song writing. He began recording as an artist in 1990. He has a background in post-punk electronic music. He is also known as an artist that composes and writes many genres of music. Check out his official website to hear more.

Performing singer-songwriter and recording artist in the central Gulf Coast region of the U.S.
Recording original progressive rock music and and playing rock and blues covers with Gravity Blinks Band.

New Album MJK 7 ON S P O T I F Y
https://open.spotify.com/album/1D93qDZQ1bgOuevl9yGa3Z?si=mrTNrtllRnuKJDJSpNS7uw&dl_branch=1

New Single/EP featuring Ugochill, Juxta, The Turtle Project and Billy Korg - Ride of Your Life
dedicated to the Rising Star Game #OutNow !
risingstargame.com

album.link/i/1747212210

Ugochill is an indie music project spearheaded by Alex Rado, musician and veteran of the independent music scene, based in Amsterdam, Netherlands. 
Launched as an innovative and creative outlet, Ugochill reflects Rado’s multifaceted talents as a multi-instrumentalist and producer, embodying a DIY ethos while embracing collaborations with artists and friends from across the globe. 
The project’s sound is a fusion of hard and retro rock, guitar-driven instrumentals, and chilled-out vibes, often layered with influences from artists like Pink Floyd, Joe Satriani, and Mike Oldfield, creating a distinctive blend that balances power and relaxation.
At its core, Ugochill is about independence and artistic freedom. 
Over the years, Rado has adapted to the digital age, distributing music across streaming services like Spotify and Bandcamp, and even exploring innovative avenues like blockchain-based platforms (e.g., Musicoin) and music NFTs in the Rising Star Game. 
The project’s appeal lies in its authenticity and versatility—offering hard-hitting guitar riffs, ambient textures, and a feel-good energy that resonates with listeners worldwide. 
Ugochill isn’t just a solo endeavor; it’s a global collaboration hub, a nod to Rado’s belief in music as a shared, borderless experience. Whether delivering head-banging rock remixes or soothing instrumental tracks, Ugochill remains a testament to creative independence and the enduring power of indie artistry.

Downloads and merchandise available at https://thedisorderlyfashion.bandcamp.com/
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Follow us at:
YOUTUBE: https://www.youtube.com/channel/UC6P3cFAVCLG3iVXv_rmOLCg
INSTAGRAM: the_disorderly_fashion
FACEBOOK: https://www.facebook.com/michaelritchiandthedisorderlyfashion
TWITTER: @TheDisFash
REVERBNATION: https://www.reverbnation.com/michaelritchiandthedisorderlyfashion
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Contact us at theroboticsheep@hotmail.com

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Lunatic Soul, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard …

Keep uploading great music and keep smiling!

Lines (Can't Get Your Thoughts out of My Head) by Gravity Blinks

Rhonda Huete