This track is from the album Nocturne and is available for purchase on Bandcamp: https://rhondataylor.bandcamp.com

Liner notes:

NOCTURNE

I began work on what became NOCTURNE in the fall of 2012. As a classically trained saxophonist living in the 21st century, I am painfully aware of the awkwardness, the anachronicity, of choosing an acoustic instrument built in the 19th century that barely had a chance to find its place in the established classical music world before that world started to deconstruct itself as my primary means of expression. There are modern classical works for saxophone that I love, and works yet to come that I will love, but often, I am hungry for music to play that I find compelling, interesting, memorable, and so on. It was time for me to create something on my own.

I am relatively new to free improvisation, and I am lucky to have played with a handful of experienced people over the last few years. My friend and mentor, Ron Stabinsky, explained to me once when I asked about how does one begin improvising, to "play the music that you think is missing". With that in mind, I recorded myself improvising every week for about a year, with that simple goal in mind - to create something I want to listen to.

I am also somewhat new to electronic music. I took my one class as a grad student about electronic music a long time ago and that was about it for me. Parallel to the improvisation project, I contacted Jack Sterbis, a person I remembered from my student days as incredibly passionate about electronic music and gear. The more I learned from Jack, the more I wanted to experiment with sound by electronic means in addition to playing the saxophone. Although I have created this album on my own, both Ron and Jack have been constant sources of support, information, and inspiration while I worked on this project: deepest respect and thanks to you both.

NOCTURNE consists of my five favorite tracks from those weekly improvisation sessions, that I later electronically manipulated one way or another using Ableton. For the third track, 3 A.M., I also included radar signals from space that I recorded live off of Space Weather Radio late one summer evening. I titled the album NOCTURNE because this is music I've made alone at night, during those special hours where it's dark, and quiet, and time feels different. I hope you listen, and I hope you enjoy.

-RT

Bandcamp!

3 A.M.

alien.3

Live recording of ensemble recherche at Harvard University, 21 May 2016.

Martin Fahlenbock, Shizuyo Oka, Barbara Maurer, Åsa Åkerberg, Melise Mellinger, Jaime González, Klaus Steffes-Holländer, Christian Dierstein
— ensemble recherche

Clara Iannotta, John Pax
— guest performers

James Bean
— audio engineer

Anthony DiBartolo
— recording engineer

http://chrisswithinbank.net/2016/05/union-haze/

union|haze

union|haze (ensemble recherche)

Alicia Keys & John Mayer - If I Aint Got You/ Gravity (Medley)

Alicia Keys & John Mayer - If I Aint Got You/ Gravity (Medley) [Live]

Alicia Keys & Maren Morris - Once (LIVE From The 59th GRAMMYs)


(C) All rights and credits to the copyright owners and real publishers.

(C) This audio is fair use under U.S. copyright law because it is non-commercial, transformative in nature, uses no more of the original work than necessary for the video's purpose, and does not compete with the original work and could have no negative affect on its market.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for -fair use- for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Alicia Keys & Maren Morris - Once (LIVE From The 59th GRAMMYs)

Download / Stream ‘See Without Eyes’ [Deluxe]: https://smarturl.it/SWEDELUXE
Shop Limited Edition Merch & Vinyl: http://shop.theglitchmob.com

Shows // Tickets on sale now at http://theglitchmob.com/ctrlaltreality
———————————
9.08 // Dallas, TX
9.09 // Austin, TX
9.10 // Houston, TX
9.11 // Same Same But Different Festival // Perris, CA
9.16 // Brooklyn, NY
9.17 // Nashville, TN
9.22 // Washington, D.C.
9.23 // Charlotte, NC
9.29 // Des Moines, IA
9.30 // Detroit, MI
10.01 // Minneapolis, MN
10.04 // Las Vegas, NV
10.05 // // Denver, CO
10.06 // Denver, CO
10.07 // Denver, CO
10.08 // Atlanta, GA
10.14 // Los Angeles, CA
10.15 // Portland, OR 
10.21 // San Francisco, CA

FOLLOW THE GLITCH MOB
——————————————
Text Us: +1 (323) 210-3654
http://instagram.com/theglitchmob
http://spoti.fi/1rkv39e
http://youtube.com/glitchmob
http://twitter.com/theglitchmob
http://facebook.com/theglitchmobmusic
http://soundcloud.com/theglitchmob
http://theglitchmob.com

See Without Eyes

I Could Be Anything

Download / Stream

I Could Be Anything (feat. Elohim)

Classic recordings from 1989-1991 by Derrick Bostrom and Cris Kirkwood

Cris and Derrick Present the Great American Songbook

Beyond The Sea

Haumea (2017) by Adam Kennaugh (1989)
for Saxophone Quartet.

Commissioned by Christopher Murphy
Recorded on April 8, 2018 at the Conrad Choral Room in Bowling Green, OH
Recording Engineer/Mixed by Stephen Hennessey

Segetem Saxophone Quartet:
Soren Hamm, soprano sax
Claire Salli, alto sax
Jonathan Kierspe, tenor sax
Piyaphon Asawakarnjanakit, baritone sax

Haumea

Free improvisation based on the second track from my album Necropolis. Recorded live at my NMSU Faculty Recital, January 2016. Solo soprano saxophone. Buy the album here: https://store.cdbaby.com/cd/rhondataylor13

Rhonda Taylor: Improvisation: Idiot (solo soprano saxophone live at NMSU)

Two improvisations based on selections from The Samurai Creed. Rhonda Taylor, baritone saxophone. Recorded live at the University of Arizona's Region 2 NASA Conference, hosted by Dr. Eddie Goodman, March 2019.