Download: http://www.xlr8r.com/mp3/2013/08/no-prisoners-alan-johnson-remix

Download at XLR8R

Sandman "No Prisoners (Alan Johnson Remix)"

From "Loose Ends"

Bits from across the years. 2017-2021.

Spanning the Dancehall/Chuggers/Sludge thing to pingy UK Techno and Original Recipe Hard Drum.

Available from Bandcamp

Loose Ends

From Stun To Kill

@2napmusick
@sim_mtl
@sonidoisla


The sounds across these four tracks were made by SIM and NAP from 2021 to 2023 with lots of love and bass... the sessions started from the first time they met at NAP's studio, point always to kick it, jam and see what happens. After a couple months of that of course a sound develops, a process shines and a friendship grows. After a year or so trust built and a language made present. Transcending the spoken word and feeling unique to both...things start to really go off and the jams turn to songs. Two years pass and it’s time to celebrate with the marker and archive of all those deep sessions, now in edited form to be shared with all. And yeah, you can have all in common with someone when it comes to digging wubs, riddims and drum machines but add vulnerable earnest meetings with meals in between and good conversation about things other than music (or maybe how other things relate to it) and then you get something really special, something like SINNAZ. SIM and NAP journeying into collaboration with a debut EP of rhythmic noise, driving bog beats, swampy dembows, radioactive Dancehall and unhinged experimentalia.

Bandcamp Pre-order: https://isla.bandcamp.com/album/sinnaz
Pre order 12" through One Eye Witness:
www.one-eye-witness.com/release/1678807540/SINNAZ-EP
credits

pi pi pi premiere: SINNAZ - Con Sentido (ISLA)

Chief Cabasa is back with a collection of belters with indecent amounts of bass.
The A-Side houses the epynomous Oody Fnk, sporting a mystical nostalgic arpeggiated synth, laser bleeps, thick kicks, riddim, and scatting. Yes, scatting. Bear with us. On the B-Side, things go faster and thicker still.  B1 Moonra is a breaky tech-housey stepper, with a subaquatic feel. An uplifting deep dive, spookily playing with that one break we all know. But from really far away.  
B2 Grad has 2-step garage feel. One for the MCs. Erratic, energetic, hectic. But with a reassuringly repetitive bassline. Wait, we got one more ting:  The digi-only Ringtone is a dynamic, high-energy, digital xylophone excursion. Like Donkey Kong on ecstasy. And in space, somehow.
~
Music by: Cabasa (BE)
Mixed by: Steve Allard (BE)
Master/cut: Beau @ Ten Eight Seven (UK)
Distribution: Rubadub (SCO)
Manufacturing: Handle With Care @ Optimal (GER)
Design: Studio Taquin (BE)
Font: Ribosoma by Studio Triple (FR)
Liner notes: Hirsto (LUX)
Release date: June 2023

Oody Fnk

Pre-order now

05ET - Cabasa - Oody Fnk EP (Preview)

Pre-order now:
https://earlyreflex.bandcamp.com/album/flex004

Flex004

OUT NOW

Flex004 V.A. [Preview Clips]

@renslink - !85 EP
Label: Infinite Machine
CAT#: IM103
Format: Digital
Release: May 26th, 2023
Mastered by Fausto Mercier
Artwork by Luis Tomita

UK producer Renslink calls IM103 his first effort focused on the dancefloor, but it belies a lifetime steeped in it. This is prime material for the most advanced of DJs.

The first cut, Static, blends heavy, droning atmospheric sound design with the half-time template of dubstep, complete with jungle vocals. Before reaching the first half, however, it goes into a healthy techno gallop, making the track a perfect set opener if drama is your thing.

From that we go into the three-on-two mindbend of In My Mind, full of beautiful rhythmic trickery and rave culture nods in the sampled female vocals.

Cenotaph feels like a Pinch & Mumdance dub that they kept for themselves around the Control/Strobelight era, all rolling, persistent kick, dubbed-out dready vocals and dystopian hoover.

In Touching The Void we find a moment of drama and relative tenderness, as cinematic strings and choir soar over a busy rolling breakbeat. Occasionally, the proceedings are punctuated by a reese bass and bleeps fill that keep it fresh (an you on your toes).

Closer Silence is a mutant dembow wobbler with alien vocals by Nivalis, like dancehall for after the nuclear apocalypse, when we’ll have all the extra limbs we’ll need to dance to music like this.

Renslink - Cenotaph Corner

You Can't Save Me

Keita Sano - You Can't Save Me [RC-R001]

My entry for the Yuku Bom Klakk Creative Challenge!

enjoy

thank you to 

@yukuwax

for the opportunity!

 https://yukumusic.bandcamp.com/album/bom-klakk-yukus-supersick-sample-pack-free


YUKU – Bom Klakk Creative Challenge (laceprint Entry)

CRUCIFIED (1)

freee

YELLOWCANE

Xozgk - skllpt [CC002] out 08/01/2020

All tracks written and produced by Xozgk between 2018 and 2020.

Additional production and mixdown by anabasine at Autoland.

Mastered by Pierre Guerineau.

Artwork by Bruno Lauzon Tanzi in collaboration with artist Marilou Lyonnais Archambault.

CC ↻ 2020

Xozgk - kli_6

Amsterdam-based music platform, artist agency, record label and event organization representing music culture since 2016.

Artist roster:
AliA (@aliamusicc)
askmelater (@akaaskmelater)
King Kami (@kiingkami)
Lieke TR (@lieke-tr)
Lolo Batten (@lolobatten)
Low End Activist (@lowendactivist)
Max Abysmal (@maxabysmal)
Narathip (@narathip-ams)
Nathan Kofi (@nathankofi)
NPLGNN (@nplgnn)
ojoo (@ojoogyal)
Photonz (@photonz)
Teqmun (@teqmun-microbyome)

Head of music: brendan@rhythmicculture.com 
Bookings: tim@rhythmicculture.com
PR: pr@rhythmicculture.com
General inquiries: info@rhythmicculture.com

Keita Sano - You Can't Save Me [RC-R001]

Rhythmic Culture

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