Faixa composta lá por 1984/85, por Frank Jorge e Luís Henrique Tchê Gomes; tocava junto com a gente na época o baterista Bayard Duarte. Ficou um tempo como um tema instrumental até que o amigo Paulo Diehl que tocava na banda Cóccix fez esta letra. Esta gravação, no entanto, deve ser dos anos 90. Sei que toquei, baixo, guitarra base/solo, piano e o vocal, e o batera vish... não tenho certeza, vou descobrir e coloco aqui depois. Abraços.   

Uma Canção

Música  letra de coioteflores.

I guess that I have made the same mistakes again
I guess I almost drove a fellow friend astray
Too sad I've cause much fuss this time
Just hope it's not too late for me to fix my mind

Go along not to look back
just go along not look back
I'm sad but it doesn't matter

It's time for me to learn to grow on my on
And find out how to find the limits to my bound
I guess I've lost so much so you just go along

Go along and find your way
I'm sure we'll never meet again
It's lonely but I'm hopeful for a brand new day

Go along I've lost my way
Can't see as far as that new day
But hopefully your nights will shine

goaglong

letra & música de coioteflores

I guess that I have made the same mistakes again
I guess I almost drove a fellow friend astray
Too sad I've cause much fuss this time
Just hope it's not too late for me to fix my mind

Go along not to look back
just go along not look back
I'm sad but it doesn't matter

It's time for me to learn to grow on my on
And find out how to find the limits to my bound
I guess I've lost so much so you just go along

Go along and find your way
I'm sure we'll never meet again
It's lonely but I'm hopeful for a brand new day

Go along I've lost my way
Can't see as far as that new day
But hopefully your nights will shine


D.J., Valeu! Tem como tocar mais uma?

Divertimento IV for Clarinet and Harp - Pastorale

Folhas de Outono - Versão orquestra

Lascia ch'io pianga - II Version

I wrote this festive, Renaissance-style piece for my daughter Eleanor. I had been singing some actual Renaissance madrigals to her at bedtime and decided I wanted to try writing one of my own! The overall structure is loosely A, B, A, ending with a coda that combines the A material (in 2/4) on top of the B material (in 3/8) in counterpoint. It's scored for fife, soprano and alto recorders, two Uilleann bagpipes, shawm, mandolin, acoustic guitar, celtic harp, and (somewhat anachronistically) a Latin American harp and ukulele.

A Madrigal for Eleanor

Memórias

Memórias n°3

False passacaglia  (Polyphonic song XVI)

This is kind of a neo-baroque piece, inspired by some of the music I've sung in my early music choir, the California Bach Society. The harmonies and polyrhythms are contemporary, but it contains a lot of antiphonal passages inspired by 17th-century polychoral music, as well as an emphasis on imitative counterpoint. Much of the motivic material for the piece as a whole is derived from the initial solo clarinet melody. I created this virtual "performance" through Finale, using its sound files.

False passacaglia (Polyphonic song XVI)

Ricardo A. Longhi Frantz

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Jeff Schwegman

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