Available on Apple Music and Spotify:
Apple Music: https://tinyurl.com/2s3cms7d
Spotify: https://tinyurl.com/2jfmz8nc

A short 5 track album consisting of five of the most popular pieces of music from DOOM, originally composed by Bobby Prince.  A handful of actual hardware synthesizers and drum machines, including a MOOG and an LM1  Linn Drum, were used to create these tracks.  The final result is retro 80s horror and sounds like a lost John Carpenter score. 

Before any of you ask "Will you do the rest of the tracks??" (no) and/or "Why didn't you do ALL of the tracks??"  The answer is simple, 1.) time... and 2.) tons of bobby prince's music for Doom (while cool) was much more upbeat and rock oriented and honestly not really a good fit for a project such as this.  I ran tests and experiments... it just didn't work or add anything to the originals.

DOOM - E1M3 - Dark Halls (retro synthesizer cover)

Parodi Fair - James Bond Theme (Goldeneye)

Short Version Of The James Bond Theme arranged, produced and performed by Starr Parodi & Jeff Eden Fair

James Bond Theme - Die Another Day

Mission Impossible II - Parodi Fair

This is my updated version of the Main Title from John Carpenters awesome Escape From New York score.

Escape From New York

Escape from New York - Main Title (re-recording)

The title track from the 1978 horror film Il Terrore Di Notte.  Performed entirely on an ARP Odyssey synthesizer.

Il Terrore Di Notte - Title

A track done solely with a vintage ARP Odyssey synthesizer using an outboard analog sequencer and pedals.

Shuttle

Rich Douglas has been playing Another World since it was released in 1991. We talk about how he created a symphony from the original music by Jean-Francois Freitas, and about his OST for Stranger Things: The Game

Rich Douglas: Creating Another World in a Symphony

14 - Golden Eye - Norman & Altman - Tank Chase

"Melodies Unleashed, Richly Composed."

I am Rich Douglas, an accomplished and innovative composer known for my exceptional contributions to the world of music. With a deep passion for storytelling, I blend genres to create captivating and emotionally charged soundscapes.

I have composed for various media, including notable game scores such as "Shadowgate VR," "Insurgency," "Stranger Things: The Game," and "Lifeless Moon." My music enhances narratives, capturing the essence of each project and leaving a lasting impression on audiences.  Formerly the audio director for Paradigm Entertainment, a THQ company, I have collaborated with renowned filmmakers, game developers, and TV producers. My professionalism, dedication, and exceptional musical prowess have earned industry recognition. Graduating from the Guildhall at SMU in Cohort 2 with a focus on game design, I have a versatile approach, seamlessly blending orchestral arrangements with electronic textures and ethnic influences. This creates a distinct and immersive sonic experience.

With boundless creativity and an unwavering dedication to my craft, I continue to captivate audiences with evocative compositions. My ability to blend diverse musical styles, coupled with my storytelling expertise, cements my position as a revered composer in the world of music.

★★ Follow Me! ★★
Website: https://www.richdouglas.net/
Facebook: https://tinyurl.com/yctgmp7o
Twitter: https://tinyurl.com/ybfgr87j

★★ Listen To My Music ★★
Bandcamp: https://tinyurl.com/y722f463
Spotify: https://tinyurl.com/y8zp2d7u