#deephousebeats #undergroundsound #acidhouse #afrohouse #melodicsound #housevibes #melodicvibes #andweras #daytonabeat #deephouse #electronicmusic #futurehouse #housemusic #deephousemusic #edm 

andweras - yeahyeah

My response to this week's challenge by @naviar-records. To learn more about this challenge see https://www.naviarrecords.com/naviarhaiku580-quiescence/

On YouTube at (https://www.youtube.com/watch?v=_LydFFurEFk)

touching not the blossoms [naviarhaiku580]

190 — Modulation

On April 15, the last remaining hospital in Gaza was destroyed. To date, 50,000 civilians have died, of which 15,000 are children and another 34,000 children have been injured. (source: Unicef).
Due to the almost total displacement of the population in refugee camps where food and water are scarce, the lack of hygiene, of medical facilities, it is predicted, with a very conservative estimate, that in the end the civilian deaths related to the conflict will be four times as many (source: Lancet).
+
An update: According to new estimates from UNICEF, as of October 8, 2025, 64,000 children have died in Gaza in the last two years. Sixty-four thousand innocents. A disgrace for all humanity.

Thanks to my dear friend @Rosindust at violin.
Here the other collaborations with Tatiana: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

Who cares - with Rosin dust

In these hot summer days, some fresh wind to cool us down. Thanks to my friend @georg-boehme who, despite his many commitments, participated with his fabulous saxes.
Here you can listen to our previous collaborations: soundcloud.com/francescocartocci/sets/danke-georg
For this song we played two tenor saxes, two electric guitars, keyboards and electric bass.
Composition and all arrangements: Francesco Cartocci

To the wind - with Georg Boehme

instruments and voices: Jeff Gardiner and jo richter (and one outside voice generated via magix hub and some further artefacts that just manifested during the process)
further reading: How Forests Thinl: https://www.anth.ucsb.edu/sites/secure.lsit.ucsb.edu.anth.d7/files/sitefiles/Kohn%20-%20How%20Forests%20Think%20-%20Introduction.pdf
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter


whilst I was looking
for some kind of semblance
of something somewhere in the tangled undergrowth of
silent thoughts and bellow-voiced persuasions
that might be well described as somewhat sidewinded akin
to the kinesthetics of the barnacles and brambles and
cliffside-dangling while still clinging, perspiration hope
I met the transcendental hobo drifter
down in the scalar fields , tied with a rope
to roaming notions of delusion
and love and love and running from a mistress,
his or mine, known to be crow of crowleyan dimensions

endowed with much renown among the locals
for telling truth and spitting frogs
and hailing hail and splitting rocks
and all the while the transsedential drifter
ate from his open can of beans upon the pitted fire

and whispered ruthless, patient, cunning, sweet
on repeat:

[in the sonic version, the following 
icaro is overlaid by a voice-
over explaining the term "icaro"]

„the tunnel of dances
the funnel of trances
the fuel for chances
the focus of tidal glances
paint eyes on your forehead
wide eyes on your forehead
so the jaguar knows
so the jaguar knows
that you are not dead
not asleep and not dead
not asleep and not dead yet.“



and all I heard and all I got and all I simply understood
was to hush that voice, that voice within my head
to hush that voice, that voice within my head

it was then I noticed, not without bewilderment
the wooden spoon in his left hand
a spoon not made of silver
not silver and not gold but wood
and it was then I very nearly understood

scalar fields pt 4 talon'd heels

scalar fields pt 4: talon'd heels - with stonerjazz

Well - composition, synths and beats
Llanpsych - guitars, bass and production

https://on.soundcloud.com/aHPP0hJE7dFCo7jpXO

Psychedelic Dance

Well - composition, synths and beats
Llanpsych - guitars, bass and production

https://soundcloud.com/llanpsych

Llanpsych and Well - Psychedelic Dance

The Stars are Calling.... 

Look Up, Listen... 

and simply sense the Entanglement between every photon and quark in your body and every heavenly body in the Universe. 

Destiny awaits us all.


Composed Arranged and Produced by Anomon
Vocals by 'O'

© Gary Courtland-Miles  2025

The Stars Are Calling *

what a complex paradoxical mix of counter currents flow through each of us. On one hand we write poetry and on the other hand we have a club. We are brutally savage and deeply empathetic at the same time. Somehow we need to tame the evil and let the good prevail

lyrics

refrain: good vs evil, helping vs hurting,selfish vs sharing, trust vs fear

in each of us a hurricane
a number 5 storm
each day tears our soul to pieces
so we never have the puzzle whole

how conflicted we are
how sick and twisted we are
all distorted and tortured inside
never finding peace never finding rest
always do the worst when we try to do our best

how inconsistent we are in what we do and say
yet how predictable we are in the mistakes we make
we always seem to tell the same sad story
never looking back to learn from our history

refrain

how brilliantly savage we are
how effective we are
when it comes to death and destruction we are number one by far

yet how slow we are
how inefficient we are
when it comes to showing others any love or affection

refrain

so how do we solve this terrible riddle that is us?
what sword can be used to cut this Gordian knot?
the answer lies in a simple phrase
one we say and hear almost every day
but something it seems to hard for us to do
that is: treat others as you hope that they would treat you

if you follow these simple words
you will find peace in the eye of your storm

how strange we are

Space Gate

I play the piano. Unless otherwise noted, everything is played and recorded on a Kawai ca99.


Once upon a time I programed, people called it hacking, I called it learning, I can still do it, but I prefer music, etc., 

The profile picture was taken when I was a teenager in the 1990s. I just liked the old washed out look of it. They were actual physical things back in the day. And phones had cords.

I started playing around age ~8-10 (who remembers, I know i started with the violin but moved on). Over the years I've had to re-teach myself the piano many times due to life getting in the way and not allowing me the time to work on it. The repetition of re-learning has helped with the style and technique I used to play here.

It's sort of like what happens when you learn multiple programming languages.. the syntax, etc., stop mattering as much and you just think about what you need.. works in music too I guess. :)

I have visual snow 🌨️🌨️🌨️ 



190 — Modulation

Rich Schuler — Pianist

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