Pavane Chromatique

Intermezzo n°2 - Pavane Chromatique

163 — 104 — Harpsichord

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. Thank you so much for listening :) 
Original picture by https://www.pexels.com/de-de/foto/monochrome-fotografie-von-menschen-die-hande-schutteln-814544/

I´ll Be There

“Butterflies are nature's angels. They remind us what a gift it is to be alive.” 
- Robyn Nola

Chasing Butterflies

"Reason to Believe" is a song written, composed, and first recorded by American folk singer Tim Hardin in 1965. It has since been recorded by many artists, most notably by the Carpenters on their album Close to You in 1970, and Rod Stewart first for his album Every Picture Tells a Story in 1971 and again for the live album Unplugged...and Seated in 1993.
Image:  Özge Taşkıran

Reason to Believe-Tim Hardin/Rod Stewart (Cover)

Dedicated most especially to L.K.A.--our new little grandson so freshly arrived from the face of God.

Oh, that all children were loved.

Thank you, dear Oddrun, for the color and depth of meaning you bring to my music.  
Thank you, Arne, for your help and encouragement.



Melody composition, poem and voice: @Oddrun-Eikli
Piano and Composition: Debra Buesking (Inspired by Bach's "Sheep May Safely Graze") 
Studio Mix: @Arne-Hiorth


Let Nature Embrace you.

Wrapped in red, orange and blue
The little baby in mothers arms
Tiny white jasmin growing in her garden
Mother Nature dressed in spring
From magic skies of mint
Every color spins new
In future clear as aquablue

Let Nature Embrace you
Gently
So gently

Life`s colors flow from gold to umber
In crocuses, Petunias
In Asters and in Pansies
A thousand shades of reds
In yellows and in brown
From Magic skies of mint
Every color spins new
In future clear as aquablue




May Nature Embrace you
Gently
So gently

Gently: Oddrun Eikli and Debra Buesking

On April 15, the last remaining hospital in Gaza was destroyed. To date, 50,000 civilians have died, of which 15,000 are children and another 34,000 children have been injured. (source: Unicef).
Due to the almost total displacement of the population in refugee camps where food and water are scarce, the lack of hygiene, of medical facilities, it is predicted, with a very conservative estimate, that in the end the civilian deaths related to the conflict will be four times as many (source: Lancet).

Thanks to my dear friend @Rosindust at violin.
Here the other collaborations with Tatiana: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

Who cares - with Rosin dust

Geiger Counter

Photo taken and edited by me.
https://www.deviantart.com/leehon/art/Well-Utilized-Privacy-1182145888

Why Do You Keep Speaking In Riddles?

Peregrination

Cogito Vestrum - The Day After
when a heart falls silent, one that walked beside you for so long.
When the place once filled with life now echoes with absence.
When even the wind seems to whisper,
because silence suddenly says everything.

“The Day After” is a musical farewell.
A journey through emptiness, memory, and grief –
for any soul that once brought light
and now lives on within our hearts.

A continuation of Cogito Vestrum –
a quiet tribute to the beings who touched our lives
and left behind a soundless ache.

Part of the album Tides of Melancholy.
No AI.
Just feeling. Just music. Just truth.

Created with the following instruments:

EastWest Hollywood Strings: Chosen for their cinematic depth, creating grandeur and melancholy, perfectly expressing the contrast between loss and the lingering presence of loved ones.

Spitfire Audio Solo Violine: A solo violin that evokes vulnerability and sorrow, ideal for quiet moments of reflection and grief.

Virharmonic Bohemian Cello: With its warmth and expressiveness, it captures the human element of grief, adding depth and continuity as the cello’s voice lingers on.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord Since 2012

Cogito Vestrum - Der Tag danach
wenn ein Herz schweigt, das dich so lange begleitet hat.
Wenn der Platz leer bleibt, an dem einst Leben war.
Wenn selbst der Wind zu flüstern scheint,
weil Stille plötzlich alles durchdringt.

„The Day After“ ist ein musikalischer Abschied.
Eine Reise durch Leere, Erinnerung und Trauer –
für jedes Wesen, das gegangen ist,
und doch in unserer Seele weiterklingt.

Die Fortsetzung von Cogito Vestrum –
ein stiller Tribut an all die Seelen,
die unser Leben berührt haben und uns fehlen.

Teil des Albums Tides of Melancholy.
Ohne KI.
Nur Gefühl. Nur Musik. Nur Wahrheit.

Erstellt mit den folgenden Instrumenten:

EastWest Hollywood Strings: Für cineastische Tiefe und Ausdruck von Verlust und bleibender Präsenz.

Spitfire Audio Solo Violine: Eine Solo-Violine, die tiefste Emotionen wie Trauer und Sehnsucht ausdrückt.

Virharmonic Bohemian Cello: Wärme und Ausdruckskraft, die das menschliche Element des Abschieds verstärken.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Künstler & Verlag: Matthias K. / DestKorn
SenneRecord seit 2012

Cogito Vestrum - The Day After

I play the piano. Unless otherwise noted, everything is played and recorded on a Kawai ca99.


Once upon a time I programed, people called it hacking, I called it learning, I can still do it, but I prefer music, etc., 

The profile picture was taken when I was a teenager in the 1990s. I just liked the old washed out look of it. They were actual physical things back in the day. And phones had cords.

I started playing around age ~8-10 (who remembers, I know i started with the violin but moved on). Over the years I've had to re-teach myself the piano many times due to life getting in the way and not allowing me the time to work on it. The repetition of re-learning has helped with the style and technique I used to play here.

It's sort of like what happens when you learn multiple programming languages.. the syntax, etc., stop mattering as much and you just think about what you need.. works in music too I guess. :)

I have visual snow 🌨️🌨️🌨️ 



163 — 104 — Harpsichord

Rich Schuler — Pianist

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