This track made for the  KVR One Synth Challenge #163 using only sounds made by the Modular Synth Cardinal. All FX and mastering done with Cardinal FX as well.

Tracks:


Bass 1: Cardinal Synth, Host MIDI, LifeFormModular  Additive Vibration, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, BogAudio PEQ, Host Audio

Bass 2: Cardinal Synth, Host MIDI, BogAudio XCO, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, BogAudio PEQ, Host Audio

Harpischord: Cardinal Synth, Host MIDI, Bacon Music KarPlusStrongPoly, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, stocaudio delay, BogAudio PEQ, Host Audio

Strings: Cardinal Synth, Host MIDI, Befaco evenVCO, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, stocaudio delay, BogAudio PEQ, Host Audio

Reed: Cardinal Synth, Host MIDI, Audible Instruments macro oscillator 2 VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, stocaudio delay, BogAudio PEQ, Host Audio

Flute: Cardinal Synth, Host MIDI, VCV Cloud Generator, VCV ADSR, BogAudio OFFSET, VCV VCA, ChowDSP Werner Filter, Host Audio

Buss: Reverb: Cardinal FX, Host Audio, Valley Plateau

Master: Cardinal FX, Host Audio, 2 * BogAudio PEQ, RackWindows TAPE, BogAudio Pressor, 2 * Rackwindows RASP, CF PEAK, BogAudio LMTR

LUFS: -15.2
DR: 12

Modular Baroque - OSC #163 - Cardinal Modular

Entry for the 163rd edition of KVR's One Synth Challenge - everything made using instances of Cardinal.

(Came second - thanks everyone!)

Finding My Voice - OSC 163 (2nd)

NOTE: this is _not_ my track, but from our friend @IV who was seemingly unable to access SoundCloud.

IV - The Sunlight and The Moon Night

Trench has discovered that her combine harvester goes faster when she plays drum n bass. Who knows why? Perhaps there's some sort of spiritual connection between the clutch and the bass? The build is great - the cutter starts up and there's a steady stream of grain into the hopper. When you get to the drop, it seems to be racing through the fields. 

The only problem is the breakdown...

My entry for the 164th edition of KVR's One Synth Challenge. All sounds made using Ghost, a forthcoming synth by exacoustics. As of October 2022, it's still in beta.

No machines were harmed in the making of this track.

Machine in the Ghost - OSC 164 (2nd)

Created for KVR One-Synth Challenge October 2022 using Ghost by ExAcoustics.

Made with a Single Instance of Ghost. No external Fx used.
 
Played as a mono synth using LFOs for rhythm, sequencing and pitch mods. All mixing done by playing the four macros and modwheel, then editing the recorded automation on the timeline.

DAW - Bitwig Studio

KVR OSC 164 Ghost

One Ghost

Here's my one synth challenge track made with GHOST vst from exacoustics.

Made in bitwig with 20 instances of Ghost.

Plugins:
Free VST:
GClip
Kilohearts Transient Shaper
Limiter no6
TDR Nova
Valhalla Supermassive

Bitwig:
EQ+
FX Selector
Instrument Layer
Loud Split

Out Of Smoke

OSC entry for Oct 2022. All sounds made with 30+ instances Exacoustic's "Ghost" virtual synthesizer in Ableton Live.

Polygeist (OSC 164 Ghost)

Track for the KVR One Synth Challenge #OSC164 using only Ghost  by Exacoustics
Video of the project: https://youtu.be/p1eVV2923Lk
No extra waveforms added
15 instances of Ghost, 
Effects used from the synth: Compressor, Reverb, Delay, Filter, EQ

DAW: Renoise
External Effects: JB Broadcast
Effects from Renoise: Stereo Expander and Digital Filter

One Synth Challenge 164

Ghost in the mirror (OSC 164)

Morning Gateways

Vibration

Want You 2 (Club Mix 2)

Inside Your Mind

I am a solo artist, creating tunes in my home studio using synths and soundfonts. I like Jean-Michel Jarre, Chicane, trance, ambient and traditional instrumentals.

One Ghost

Richard Semper