Schöner Tempowechsel, ideal für eine Steigerung :) Find es schön, dass es mit Cello ausklingt :)

sehr nice, erinnert mich stark an den soundtrack von Kingdom of Heaven | Film... anfangs ;)

This needs to be everywhere...pleaseeeee🖤🖤🇬🇷🇬🇷🇬🇷

Musique exceptionnelle qui met bien dans le thème. Bravo.

Featured tracks

"On Madness at Sea" was created in collaboration with investigative reporter and journalist Ian Urbina (The New York Times, The New Yorker, The Atlantic, and more). Each track features field recordings gathered during Ian's reporting at sea.

On Madness at Sea

❤️ Buy Here

Little Voices

The single ‘Redes’ taken the name of album, is available now like a 2nd advance.
The album 'REDES' will be out on September 16 on CD as on all streaming platforms through ad21. 
Pre-save digital now here: https://ampl.ink/RedesAlbum 

"A looping synth arpeggio sets the tone for the calm, contemplative ‘REDES’ while neat orchestral details swim in and out of focus. Mournful brass, spectral woodwind, and extended string notes add depth and emotion, creating a rich mix of textures and moods"

‘REDES’ – it means ‘Networks’ in Spanish – may be a departure from Sanfilippo’s usual, piano-led compositions, but it’s no less captivating or thoughtful. Deeply emotional and tender, it’s one of his most profound works to date – nine tracks full of gentle synth washes, soft intricate details, and warm electronic textures.

"I often", Bruno explains, "tackle universal themes in my music, expressing emotions that aren’t easily defined. We have never been as connected to each other as we are at this point in history. Ephemeral but extensive, our bonds have multiplied thanks to social media and new and fascinating technologies; ‘connectivity’, ‘signal’, ‘followers’, ‘crypto’… We are increasingly defined by those connections and bonds, both real and digital, and ‘REDES’ is my deconstruction of that idea"

The music was written and recorded during winter 2021/22 at Onix II Studio, in his mountain house on the outskirts of Barcelona.

Analog Mastered by Ian Hawgood (U.K)
Cover by Neema Gary (Russia)
Layout & design CD by Javier Guglielmi (Spain)
www.bruno-sanfilippo.com
linktr.ee/BrunoSanfilippo

REDES

Redes

Spotify/Apple Music

Nostalgia

Westworld: Season 4 (Soundtrack from the HBO® Series)

A Message

Orchestral track recorded by the Budapest String Orchestra.

Crescent Moon

Official Soundtrack suite for the 3D Animation movie ‚Heroes of Bronze‘. 

Making-of the soundtrack on YouTube:
https://youtu.be/t2DlmZBKTRM

The full movie ‚Heroes of Bronze’ on YouTube: https://youtu.be/75R4g08ImzY

#soundtrack #composer #ancientgreece #filmmusic #epic #musicianslife #composerslife #ancientgreece #greece #ancienthistory #athens

Heroes of Bronze Soundtrack Suite

Sonate No. 1 In F Minor, Op. 2 No. 1

Beethoven's First Sonata in F Minor, Op. 2, No. 1: A Triumph of Early Brilliance

Introduction:
Ludwig van Beethoven, one of the most influential composers in the history of Western classical music, left an indelible mark on the world with his captivating compositions. Among his remarkable early works is the Sonata No. 1 in F Minor, Op. 2, No. 1. Written at the turn of the 19th century, this sonata stands as a testament to Beethoven's emerging musical genius and foreshadows the revolutionary path he would later embark upon.

A Masterpiece Unveiled:
Composed in 1795 when Beethoven was just 25 years old, the Sonata No. 1 in F Minor was dedicated to his teacher, Joseph Haydn. It was part of a set of three sonatas, marking a significant departure from the classical style of his predecessors, particularly in terms of scale and complexity.

Structure and Form:
The sonata follows the traditional three-movement structure of a classical sonata, consisting of a fast first movement, a slow and lyrical second movement, and a lively finale. The opening movement, marked Allegro, immediately commands attention with its dramatic and forceful character. The second movement, Adagio, provides a contrasting emotional depth and showcases Beethoven's ability to evoke profound expressions of tenderness and introspection. The final movement, marked Menuetto-Trio, is a spirited and energetic dance, filled with intricate melodic lines and rhythmic vitality.

Innovation and Musical Significance:
What sets this early Beethoven sonata apart is its departure from the conventional norms of the time. Beethoven boldly infused the composition with novel harmonic progressions, rhythmic variations, and unexpected tonal shifts, challenging the established musical conventions of the era. His innovative approach and fearless experimentation laid the groundwork for the profound musical revolution that would characterize his later works.

Expression and Emotional Depth:
Beethoven's emotional depth shines through in the Sonata No. 1 in F Minor. From the stormy and turbulent passages in the first movement to the introspective and contemplative moments in the second movement, the sonata encapsulates a range of human emotions. Beethoven's ability to convey such powerful emotions through music was truly groundbreaking, leaving an enduring impact on future generations of composers.

Legacy and Influence:
The Sonata No. 1 in F Minor serves as a testament to Beethoven's boundless creativity and unwavering determination to push the boundaries of musical expression. It foreshadows the monumental achievements that lay ahead in his illustrious career. Beethoven's innovative spirit, displayed vividly in this early work, would go on to reshape the course of classical music, inspiring countless composers and leaving an indelible mark on the evolution of musical language.

Conclusion:
Beethoven's Sonata No. 1 in F Minor, Op. 2, No. 1, stands as a testament to the composer's early brilliance and sets the stage for his future musical innovations. Through its structural daring, emotional depth, and artistic originality, this sonata foreshadows the immense impact Beethoven would have on the classical music landscape. It serves as a compelling example of the composer's ability to transcend the conventions of his time and forge a new path, forever changing the course of music history.

#MoonlightSonata #BeethovenClassical #MusicalGenius #EtherealMelodies #EmotionalDepth #ClassicalMusic #PianoMasterpiece #TimelessBeauty #Inspiration #BeethovenLegacy #MusicAppreciation #SoulfulComposition #MoonlitTranquility #MusicalJourney #ArtisticBrilliance #MusicalInnovation #BeethovenInfluence #MusicalMastery #LegendaryComposer #MusicLovers #HarmoniousMelodies

Ludwig van Beethoven : Sonate No. 1 In F Minor, Op. 2 No. 1

Video; https://youtu.be/pgoKHvNSS-4

Made in April 2025

No War

INTERMISSION

TEIKE

I took the constant humming of my fridge as a starting point to write a song for piano. The humming is perfectly tuned to G, accompanied by irregular noises. Could my ordinary fridge actually be an essential instrument in a beautiful piece of music? Find out in my first piece written for piano and fridge as my first part of the series 'Reality Spices'. 

#pianoday

'Reality Spices' is a series about writing melodies to everyday noises. 

Get in touch with me: 
Twitter: https://twitter.com/richie_albert
Facebook: https://www.facebook.com/richiealbertmusic/

Richard Albert

Piano Vs Fridge

From the original Soundtrack of The Last Night Inn (USA; USA; 2016)

The Last Night Inn

Buy full Soundtrack

The Last Night Inn - End Credits

At the Cannes Film Festival 2016 I was invited to a small gathering at the Village International. Somebody gave me a glass of champagne and with this in my hand I felt confident enough to say hello to the famous film composer Atli Örvarsson. 

My first thought was ‚I didn’t know Atli is that young‘. After we have talked for a minute or so he said to me ‚I think what you just mentioned is how Atli Örvarsson approaches projects.‘ - For a second I thought he was talkin about himself in third person. But then I realized I actually wasn’t talking to Atli. Well I just knew I was talking to some composer from Iceland. And to hide how confused and embarrassed I was I just asked ‚Um I have to talk to somebody else. Are you on facebook?‘. This was when I learned I was talking to Ólafur Arnalds all the time. And I learned what a great composer he is (how was it possible I haven’t heard anything about him before??). 

Now with the new sample library OLAFUR ARNALDS CHAMBER EVOLUTIONS by Spitfire in my hands I thought I may share this story and dedicate a short instrumental song to it ;-) The song is called ‚How I met Ólafur Arnalds and thought he was Atli Örvarsson‘. Enjoy.

How I met Olafur and thought he was somebody else

Piano Works is the second installment of Lucy Claire’s ‘Works’ series. It is an eclectic take on what piano music can be. Featuring cellist Ren Ford (Keaton Henson’s Romantic Works) and violinist Marie Schreer (The Royal Northern Sinfonia) and surrounded in atmospheric binaural soundscapes, the piano is far from lonely. The work features a collection of pianos from grands and uprights, to electric keyboards, toy and thumb pianos. It is grounded in the real world but hints strongly at the magical and supernatural, it absorbs, transports, then delivers you back to reality with new perspective.

Nettle

I help filmmakers telling their stories through music. Until now I did so for people from Los Angeles, New York, Paris, Berlin and other creative parts of the world.

Heroes of Bronze Soundtrack Suite

Richard Albert

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