hard

cheeers.

Experimental

The sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to an intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLIN" mode. The second multi-output was sent to a 4ms QCD output green channel 4, set at a division trigger time of 16. This would trigger single notes on the "Elements" module, that begins at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. The final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare was created from the "grey" noise output from the SSF Quantum rainbow running through the right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice uses the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by an 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then playback in spurts of timed randomness. The mode was set in the pitch-shifter/time stretcher configuration, where the grains were spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges were selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These were being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs were also sent to channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter-clockwise, low bit mode.
The "Shelves" module was processing the acid-like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green, and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by an intellijel ￼µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from an Intellijel Dixie (synced) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output was sent to a MakeNoise Optomix for short quick plucks.

Clouds & Streams

How to Explain Music to the Dead

3/11 from "Long Awaited Journey": https://fanlink.tv/long-awaited-journey

Get closer to my work: https://www.patreon.com/alonmor/membership

- Composed, written and produced by Alon Mor
- Recitation by Alon Mor

I really can't wait
What are you doing tonight?

Long Awaited Journey

Presudeos

Listen/Purchase

Full track playback for Pitchfork - Read article here : bit.ly/Pitchfork_LM

Kilchhofer / Hainbach - Acosta
Cat. no.: Marionette-LM01
Format: 12” Vinyl EP (180g) + Digital
Release Date: May 2017
Artwork by Benjamin Kilchhofer
Distributed by : Rubadub Distribution

Little Mary strays from the pack, floating from one rock to another, in the midst of the narrow cascading river stream. Feeling the respirating leaves ebb and flow, she caught a glimpse of a pagan rain dance, a drum circle within a pocket of sunshine – where all mantras come to life.

This captivating split EP (titled ‘Acosta’), sees Kilchhofer’s second 12”, after his ‘Dersu’ EP on ‘Marionette’. The flip side features Hainbach who gets his work pressed on vinyl for the very first time – after a few tape releases, his latest being on Ted Butler & Cortini’s ‘Limited Interest’ label. This is truly something wonderful from two very gifted and unique artists.

Little Mary is a series by Marionette (a spin-off Marionette artists) – focused on split EPs and collaborative works.

Marionette-LM01

Acosta

Kilchhofer - Suckfuell [Marionette-LM01]

Acid Disk EP

EPROM - Dark Souls

EPROM - 666-ACID

Music and Lyrics written by Marcus Marr
Additional Synth by Ken Chic

Produced and Mixed by Marcus Marr
https://marcusmarr.bandcamp.com

Lyrics : 
I got up
About a quarter to nine
I got up
And to my surprise
I found a new finger
On the familiar five
I found a new finger
On the familiar five

I went out
Zig zag down the street
I went out
And all the people I meet
They said 'how are you?'
I said 'I'm doing just fine
I found a new finger
On the familiar five'

Yes i'm ugly
I'm your newborn freak
Yes I'm ugly
Ugly but unique
I can assure you
That the pleasure is all mine
I came to show you
Let me come inside
I'm gonna show you
What I'm capable of
I found a new finger 
On the familiar five
I found a new finger
On the familiar five
I found a new finger
On the familiar five

Familiar Five

released on Kerm Records's '10 Jaar gekerm'

Phjsal GZOoLI

Experimental trio Giraffe crystalize time on ‘Desert Haze’, their new LP on Marionette. Giraffe is the musical project of Sascha Demand (guitar), Juergen Hall (keys), and Charly Schoeppner (percussion). With only a couple of releases to date on the wonderful Meakusma imprint, little is known about Giraffe.  After letting go of other artistic projects, the trio now focuses solely on Giraffe by continuously searching for and finding their own unique language.

Sascha, Juergen and Charly have quite diverse musical backgrounds, though morphing into Giraffe they tower into one single composer. Their music is a critical statement, not in a political sense but rather an artistic one. The trio is mindful about what it means to create and how to position themselves as artists nowadays and in no way are concerned with the constant hassle of being en vogue and short-lived trends - affirming their rather rare and stoic artistic stance, an expression that has developed ever so naturally and refreshingly honest to witness.

On Desert Haze, they’ve created a vibrant and minimalistic tribal sound that feels inspired by the Saharan traditional music of the Tuareg, Jazz, and German psychedelic krautrock. Giraffe themselves list the radical music of the Viennese School (Schoenberg along with his pupils Berg and Webern) as well as the Köln School with its early electronic experiments as their main influence and inspiration. More precisely the composition process and the organization of musical material within space and time, where a conceptual and intellectual approach melds with an experimental yet expressive sound searching method.

Side A focuses on the trios studio work; it is built around tone color and pitch analysis of resonating prepared guitar sounds. Through a unique mixture of free improvisation and a serialism "rule set”, Giraffe develop instrumental layers and structures to form their tracks. Side B sees Giraffe playing more freely with a reduced setup - representative of what you may hear when listening to the trio live.

Desert Haze, along with its track-titles, showcases an almost mimetic approach to art. The haptic music grabs the listener not as a passive recipient but as an active resonant body to vibrate through. One can almost feel the Elements, pressure and heat forming a diamond, hypnotic overtones ringing through windy caves, shamanistic rhythms conjuring up mysterious and ancient landscapes - where the constant cycle of sedimentation and erosion reveals structures of fragile beauty - always gentle to the hand’s touch and the mind’s eye. 
Desert Haze will be released on vinyl and digitally end of October 2019. The Artwork by Benjamin Kilchhofer may very well be the entrance to the entombed sounds we hear on this album. Thanks Sascha, Juergen and Charly!

02 Deception

Tony Peppers - Metropolitan

WITHERY 2020

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Clouds & Streams

RichardDevine