Axis Shift / Solarized Formation

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Kryptic Minds - Sleeper - Axis Shift - OSMUK033

The sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to an intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLIN" mode. The second multi-output was sent to a 4ms QCD output green channel 4, set at a division trigger time of 16. This would trigger single notes on the "Elements" module, that begins at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. The final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare was created from the "grey" noise output from the SSF Quantum rainbow running through the right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice uses the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by an 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then playback in spurts of timed randomness. The mode was set in the pitch-shifter/time stretcher configuration, where the grains were spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges were selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These were being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs were also sent to channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter-clockwise, low bit mode.
The "Shelves" module was processing the acid-like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green, and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by an intellijel ￼µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from an Intellijel Dixie (synced) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output was sent to a MakeNoise Optomix for short quick plucks.

Clouds & Streams

The Supreme A

Rynth

Magnitude

SERA027: Satellite Era presents “Dissociated Mutant Subculture EP” - an analysis of thoughtful experiments by Uge Ortiz, best known as AZ-Rotator (@solomute-labs)

Out now on all major platforms: https://ffm.to/sera027

The world begins to surround us in its warmth for yet another summer that is certain to be abundant of fresh music. Five lengthy years since our label’s conception, we find ourselves returning to our experimental roots again and again. This time around, we circle back with a familiar face and household name in the cyberspace we occupy.

20 years have gone by since the release of “Science of Chance,” the debut album of our longtime friend AZ-Rotator. Over the last two decades, the Madrid based producer has undergone a series of stylistic mutations that only continue to feed his curiosity for sonic studies. The foundational ‘germ’ of his origins still withholds its essence, meaningfully scribbled into his lab notes - yet his latest experiment “Dissociated Mutant Subculture EP” is a promising turn of the page. It builds on the idea of using randomness as a principle while still feeling full of intent - a clear mutation rather than ripping the journal in half. We begin the deep-dive with “Escal” and are immediately met with metallic percussion and eerie synths painting the soundscape. “Imstra” increases the energy further than the intro and flexes his masterful drum programming while welcoming a distorted, hardcore-like kick. Hidden beneath the clever progression and shuffling rhythm of “Sundmirex” is a tribute to oddball footwork; this Madrid-to-Chicago connection is only made possible by the power of our niche on the web. “Masthenod” explores the depths of frantic, high-octane breakcore with a weary tone throughout the track. “Elunnomticom” pulls the observer back into a warmer setting while still displaying an array of modular and generative sounds. The project is concluded with “Artificialle,” a track that not only stands out due to its freeform jazz-influenced nature, but also as an intriguing and potential preview of what the future may suggest for the fabled scientist.

With formative releases on some of our favorite offbeat imprints such as Ad Noiseam, Evel, and Detroit Underground, AZ-Rotator’s sonic spacecraft has returned to the Satellite Era universe. His latest offering “Dissociated Mutant Subculture EP” is a delightfully twisted contribution to our core collection of experimental electronic music, while leaving space for listener interpretation. It serves as a forward-thinking testament to the longevity and continuous improvement of his artistry. 

Written & produced by Uge Ortiz
Mixed at Paranoise Gallery
Mastered by Amir Mashayekhi
Designed by marutonkun

www.instagram.com/marutonkun

BUY / STREAM

AZ-Rotator - Imstra

A cloudy romance of life.
---
credits:
Written & Produced by: Nthr1
Mixed & Mastered by: teádor monk
Artwork by: thanakí

PANOPTICON x LEZVANI

Take

Nthr1 - 4AM

dsundre - 528 intentions instra

Nightling

Knock me off my feet

5schim closing track on the new Systik EP.

Pre-order is open and the second track preview of my new EP Systik is now live! Full release on Wed November 11th. 

richarddevine.bandcamp.com/

BL_K Noise is proud to announce that Richard Devine - Systik will be released on November 11 with pre-orders starting today. Systik is comprised of four acid tracks produced, performed live, and mastered by Richard, not originally intended to be released. Richard debuted his acid set at BL_K Noise in Los Angeles in January 2020 with the original goal of crafting and performing it throughout the rest of the year - but, as we all know, this year had different plans for us. Sinscur, the ever-evolving fractured acid track is available to stream and download on Bandcamp now.

Richard Devine’s influences, inspiration, and roots come from many sources - and this release is a homage paid to classic acid albums that inspired him in his early career but with a more modern approach and arsenal.

Every purchase in the pre-order period is entered to win a set of HEDDphones by Hedd (Heinz Electrodynamic Designs) valued at $1,899. A winner will be announced on November 11th.

The artwork and all visual assets were created by Simona Noreik. The physical presentation was under the guidance of BL_K Noise.

blknoise.bandcamp.com

hedd.audio/heddphone/

Released by:
BLKNoise
Release date:
10 November 2020

5schim

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Clouds & Streams

RichardDevine