The sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to an intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLIN" mode. The second multi-output was sent to a 4ms QCD output green channel 4, set at a division trigger time of 16. This would trigger single notes on the "Elements" module, that begins at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. The final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare was created from the "grey" noise output from the SSF Quantum rainbow running through the right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice uses the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by an 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then playback in spurts of timed randomness. The mode was set in the pitch-shifter/time stretcher configuration, where the grains were spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges were selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These were being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs were also sent to channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter-clockwise, low bit mode.
The "Shelves" module was processing the acid-like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green, and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by an intellijel ￼µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from an Intellijel Dixie (synced) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output was sent to a MakeNoise Optomix for short quick plucks.

Clouds & Streams

From 'Gateway' by @lakker
Get it here: https://lakker.bandcamp.com/album/gateway

"With these tracks we were simply doing what we love doing - no concept, no overriding idea, no overthinking, just approaching each track based on what we felt and letting the sounds guide us. The music tells us where to go. Like most of our releases it's heavily influenced by club and dance styles with our love of metal shining through too. Techno is present but we've also explored faster styles like jungle and even gabber. We had fun on this one. Big ups to Yuku for putting this out."
—Lakker

Gateway

Punctureproof

Get Me

Lakker - Punctureproof

These Heavens

Occam's Razor

wabi sabi

A track 100% Made on the M8 Tracker using only 4 tracks.
Watch the video here : https://www.youtube.com/watch?v=E2prN7MQpE4 
Download the M8 bundle here : s8jfou.com/sources/ItWillLastForeverM8.zip

It Will Last Forever [M8]

SERA023: @satellite_era presents “Aetherial Pulses EP” - a futuristic sound collage by Mhamed Mansouri, best known as Disektor.

Wrapping up our most active year at the Satellite Era HQ finds us taking a glimpse into what is to come. With 2025 looking to be even busier, we call upon an old friend to guide us into the unknown by setting a strong sonic precedent, while still paying homage to the formative style of our vast audio museum.

Over two years since his label debut on our acclaimed Distant Arrays series, we welcome back Moroccan based producer, sound designer, programmer, and visual artist. He first landed on our radar as a standout in SoundCloud’s experimental niche back in early 2020, the same year as our imprint’s conception. Complementing his production are interactive live performances that utilize creative coding, which generate varied results with each passthrough and are repurposed back into his workstation - a feedback loop tested for success. Founder of Geometric Corruption, the collective works in tandem with us and our friends at glitch.cool to tend to the international community, bringing together experimental electronic enthusiasts from around the world. Rather than conforming to a set approach, he builds on the high-fidelity hyperglitch subculture with a twist of his own - songs that feel more musical and intricate overall. This attribute has ultimately led him to his next offering to the consumers of computer music.

“Aetherial Pulses EP” finds Disektor teetering between digitized realms & the natural world, taking the form of a sonic poem that exhibits glitched maximalism & melodic tones alike. The project still delivers stuttering drum patterns meant to engulf the listener, but also paints the rest of the stereo with a coating of lush ambiance. The project begins with “Reflections,” a mellow entry with a grueling bassline that progresses into a preview of the complexity ahead. The title track serves its purpose as a clear summary of the EP, while heightening the energy with vocal chops that feel almost psychedelic at times. The pulsating synths really begin to take form in “Lush Deviation,” a middle-ground between heavy low-end presence and percussion riding higher frequencies. “Emergence In Motion” recruits frequent collaborator Tenebral Cortex to deliver a seven-minute cinematic experience of its own, which feels like a separate story within the entire narrative. “Waves” is a formidable end to the project, with an eerie yet beautiful piano melody in the outro that leaves it open-ended.

Although “Aetherial Pulses EP” is only Disektor’s second-ever extended play, the project is easily his best and most emotive work yet - a stepping stone for what is next on his musical agenda. The undertones speak of finding senses of tranquility in the decaying Earth around us however we can. It perfectly contributes to our DNA as servants of the experimental intersection and delivers a memorable, sometimes challenging journey.

Written & produced by Mhamed Mansouri
Mastered by Amir Mashayekhi
Cover art & visual designed by Nic Juister

Disektor - Waves

“As a producer, I have a tendency to categorise my tracks into Serious tracks and Fun tracks. Serious tracks are usually complicated and full of moody instrumentation, whereas Fun tracks are more straightforward and have lots of wacky sound design. This set is a collection of Fun tracks, both released and unreleased.“

Melbourne’s Amaranth_Todd has quickly blazed a trail as one of hyperglitch’s pre-eminent awe-inspirers. From early tracks on Dreamcode & Geometric Corruption, an array of bootlegs & remixes plus two pivotal 2023 EPs, all these culminated in Amaranth’s 2024 album Liminal in Hospital Turquoise & Blood Mask. A record that soars & simultaneously searches an astronomical darkness, LIHTABM was a Realist favourite & one of the most startling releases in recent electronic music.
       Cross-stitching cybernetic techno, with tinges of atmospheric electro & a surplus of tunes balancing that relationship of sublimity & sensuality which characterises hyperglitch, Amaranth’s RA mix sounds something like an extra-planetary portrait. But a portrait that never shies from placing aside the galactic the granular, of setting abundant and unresolved emotion against the sounds of a world in its entirety. And serving, amidst all this, as a document of a talent flagrantly ascending.

tracklist:
[all tracks by A_T unlise otherwise noted]

00:00 - Squabble Flex
01:18 - 339 (unreleased)
04:34 - Omnitone - Insitu (amaranth_todd remix) (unreleased)
08:26 - 22222sleeper (unreleased)
12:27 - SABIWA - My Life Is Pink (amaranth_todd remix)
16:04 - Antiwarm (unreleased)
18:21 - She Was (unreleased)
20:30 - Belle Laide (unreleased)
24:08 - Gitdown
26:27 - amaranth_todd & Z² - SIGMA (amaranth_todd remix)
30:46 - Ego Shift (unreleased)
37:25 - On Being Human

Realist Alive Radio 002: amaranth_todd

Taken from: https://m1murk1.bandcamp.com/album/shli-m1-untitled-001

Shli & M1 - A1

Need U

ARBOU-The Trip [DARK NATURE CONCEPT]

ángelos (demo)

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Clouds & Streams

RichardDevine