Name: Grey Matter - Reaktor 6 - Experiment by RichardDevine in cloud.selector volume 13
Duration: 2 min
Description: GreyMatter - Big Kick Drum and created using the "Machine Gun.ensemble" playing slow at 60 BPM, then layered with the "Newscool.ens" for the clap in verb type sounds. Tiny snare and hi-hat made with the "SineBeats2.ens. The high spiral/phasey noisy effects where all from two instances of the "TG-8H" ensemble. The knocking wooden sounds in space are from Rick Scott's "sampleThrasher_v1.ens".

Inspiring stuff and, dare I say it? Massive!

my SoundCloud marks in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 13.

cloud.selector volume 13

Three Oscillators - Hypnagogia

W&P: @herbalistekmusic
Master: @qqantt
A&R, artwork: @emiliagrima

Sentium

W&P: @herbalistekmusic
Mastering: @qqantt
A&R, artwork: @emiliagrima

Patterns Beneath the Eyelids

Offkilterado

Featuring Janelle Monáe, Deep Cotton, St. Beauty, Jidenna, Roman GianArthur, and George 2.0.

Hell You Talmbout

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Track from the new Carter Tutti Void studio album f (x). 
Released 11th Sept 2015.
Pre-Order Now UK: http://cargorecordsdirect.co.uk/products/carter-tutti-void-f-x
Pre-Order Now USA: http://www.forcedexposure.com/SearchResult.html?SearchType=Basic&Type=artist&Key=CARTER%20TUTTI%20VOID

Details at http://www.industrial-records.com
YouTube link: http://youtu.be/zsRL5xUC-c0

f (x)

2.6.2 (edit)

Carter Tutti Void - f=(2.6.2) (edit)

Artist: I.B.M. (Insane Black Man)
Album: From The Land Of Rape & Honey (The Suppressed Tapes) 1995 - 2005 
Label: Interdimensional Transmissions
Catalog: IT 35

Jamal Moss (aka I.B.M. - Insane Black Man) is a lost warrior of sonic truth. We first uncovered his music through his own Mathematics Records, where we were shocked to find a unique permutation of the Chicago Jack gene. We came to find out that Jamal was educated in the biz by Adonis and Steve Poindexter, and the last of the line of producers directly inspired by two pillars of influence: Ron Hardy at the Muzic Box and the club Medusa’s. This makes him uniquely qualified to write a new chapter of Chicago's history.
 
Digging through shoe boxes of cassettes, video tapes, and mini discs, we have collected the secret tapes of one Insane Black Man. This is an archive of the impetus of his genius, containing perhaps the holy grail of all Jamal Moss tunes “The Land of Rape and Honey” and “Tribal Retribution”. Artists on labels like LIES are still searching for these originals. We have taken them from their dusty and damaged condition and painfully & meticulously restored them, using the mastering labs of Neel’s Enisslab Studio in Rome, and for the few that even he couldn’t do, we had Carl at TruTone finish the restoration. Now we can present these fragile raw and pure visions with the greatest level of quality. Finally the full impact of these ideas can be felt. 

Jamal describes his music as “post industrial angst in an urban environment.” His first experience at the Muzic Box was standing outside the warehouse space on 326 Lower Michigan Ave just watching people come outside to catch air, fascinated by the energy he was experiencing. At a later location he was finally able to get in and describes the experience as “overstimulating, I never saw anything like that, you could see the heat, it was like a sauna of raw sweat.” Later, he would spend much of his formative years at Medusa’s experiencing the city’s more alternative culture. Many people may find this surprising, going from the Muzic Box to Medusa’s, from the roots of House Music (and Techno) to the home of the Industrial sound that perhaps Wax Trax best represents. But that kind of stereotypical thinking doesn’t allow for the truth of what actually happens, people cross boundaries, experience other scenes and cultures, absorb them and add to them. No one should be prescribed a set of interests because of where they are from or what race they are born.

Jamal reminds me that Duane Buford, creator of the first record on Dance Mania and co-writer with Jesse Saunders and sometimes Vince Lawrence of such early house songs as “Funk-U-Up” (Jes’say 1984) and Le’ Noiz’s horror house bad trip jam “I’m Scared” (Trax 1985), was also a member of the Revolting Cocks and Ministry. Before Mathematics took off, Jamal was in talks with 4AD to make an industrial record for the label. These towers of influence collide easily in the mind of the Insane Black Man. Why must we call him insane? That may be society’s futile view, which would prefer to put everyone in easy boxes, whereas we would be more likely to call him a visionary. 

In his own words:
Purpose & Reasoning of Collection of Works None just for therapeutic purposes 2 Exercise The Demons 2 keep oneself from going over The edge. 
All material collected from various cassette tapes / VHS / Mini Disc stored Away in Old grey shoe boxes.
Genre : Industrial / Experimental / Art / Tribal Noise / EBM / Social Distortion 

All Compositions created between 1995 - 2005 


09 Hate The Truth And Live The Lie

Wall Erected Side A

GreyMatter - Big Kick Drum and created using the "Machine Gun.ensemble" playing slow at 60 BPM, then layered with the "Newscool.ens" for the clap in verb type sounds. Tiny snare and hi-hat made with the "SineBeats2.ens. The high spiral/phasey noisy effects where all from two instances of the "TG-8H" ensemble. The knocking wooden sounds in space are from Rick Scott's "sampleThrasher_v1.ens". 

Grey Matter - Reaktor 6 - Experiment

Track 3 from 'Hidden Structures', released on Leisure System

Thin Shell, Inner Void

Out now on Outlier Recordings! Also available on Spotify, Tidal, et al.

https://outlierrecordings.bandcamp.com/album/out-66-book-of-leaves-remixes

Robot Love - Filament (Woulg  Remix)

From the Transition EP, due to be released 23/02/18 on Mesh.

Also as part of the EP release, I've made an algorithmic summary of my entire musical output since I started writing in 2003.

You can listen/watch the A/V experiment here:
robclouth.com/transition/

The artwork is based on growth-rings in trees and is a data-visualisation of my entire back catalogue. You can read more about it in the link above.

Buy / Stream

Like A Second Sun

Fahrenheit Fair Enough

5schim closing track on the new Systik EP.

Pre-order is open and the second track preview of my new EP Systik is now live! Full release on Wed November 11th. 

richarddevine.bandcamp.com/

BL_K Noise is proud to announce that Richard Devine - Systik will be released on November 11 with pre-orders starting today. Systik is comprised of four acid tracks produced, performed live, and mastered by Richard, not originally intended to be released. Richard debuted his acid set at BL_K Noise in Los Angeles in January 2020 with the original goal of crafting and performing it throughout the rest of the year - but, as we all know, this year had different plans for us. Sinscur, the ever-evolving fractured acid track is available to stream and download on Bandcamp now.

Richard Devine’s influences, inspiration, and roots come from many sources - and this release is a homage paid to classic acid albums that inspired him in his early career but with a more modern approach and arsenal.

Every purchase in the pre-order period is entered to win a set of HEDDphones by Hedd (Heinz Electrodynamic Designs) valued at $1,899. A winner will be announced on November 11th.

The artwork and all visual assets were created by Simona Noreik. The physical presentation was under the guidance of BL_K Noise.

blknoise.bandcamp.com

hedd.audio/heddphone/

Released by:
BLKNoise
Release date:
10 November 2020

5schim

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Grey Matter - Reaktor 6 - Experiment

RichardDevine

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