What a great voice and guitar playing, Richard, you remind me of the young James Taylor in the Apple days...

Fantastic one! Awesome composition and performance!!! 😊 I knew right away that you were also a guitarist. But now I know that you are a very good guitarist :)) Great playing and singing. Very relaxing atmosphere in this and other pieces :)) 🍀

thr backing vocals are great ... not a Reason Neptune facility ?

When https://soundcloud.com/ipg1, historical SC member, offered this open collab from one of his pages: https://soundcloud.com/level-one-up1/unused-multiples-140-bpm-open-for-collab, I was immediately inspired by the modern sound where I felt some rock wanting to get out!
IPG1: Try the link above to find his great prog-nu-hop-trap-track!
RUIZZOIDMAN: guitars, bass, added drums, lyrics from an old poem, vocals, choir.

Letra  /  Translated lyrics

TU AUSENCIA  /  YOUR ABSENCE

(Tu ausencia, tu ausencia…)  /  (Your absence, your absence...)

Hoy que la noche es oscura,  /  Today that the night is dark,
(y estridente)  /  (and strident)
hoy que la noche es brumosa,  /  today that the night is foggy,
hoy que la luna se oculta,  /  today that the moon is hidden,
(largamente)  /  (for long)
la soledad es odiosa.  /  loneliness is hateful.

Hoy que he roto la sonrisa,  /  Today that I broke my smile,
(del pasado)  /  (from the past)
hoy me grita la conciencia  /  today my conscience screams
para acrecentar la prisa,  /  to increase the hurry,
(demasiado)  /  (too much)
careciendo tu presencia.  /  lacking your presence.

El frío de esta noche que ya no es clara,  /  The cold of this night that is no longer clear,
¡el frío de esta noche me llueve tanto!  /  the cold of this night rains on me so much!
y estas gotas que ruedan por mi cara,  /  and these drops that roll down my face,
¿son gotas de lluvia, o son de llanto?  /  are they raindrops, or because of crying?
(¿Son gotas…)  /  (Are they drops...)

Un pasivo gris inunda mi mente,  /  A passive grayness floods my mind,
un gris silencioso que empaña el cielo,  /  a silent grey that steams the sky,
y estos tonos muertos que nadie vierte,  /  and these dead tones that no one pours,
¿son de la tormenta, o por mi duelo?  /  are they from the storm, or from my mourning?
(¿Son de la…)  /  (Are they from the...)

La gélida oscuridad que me viene  /  The cold darkness that comes to me
es la nube fatal de mi existencia,  /  is the fatal cloud of my existence,
pero el frío afilado que me hiere  /  but the sharp cold that hurts me
¿es frío por la noche, o por tu ausencia?  /  is it cold of night, or because of your absence?
(¿Es frío…)   /  (Is it cold...)

Tu Ausencia (with IPG1)

HAGE PARADISE

Our first new song as Watchglass reunited. This started as a single idea that came to me through pondering another duo, Moon and Aries, who make music, separated by half a planet and yet not separate at all in their vision and shared passion. We hope you enjoy!  
PS Mark made a YouTube video for this one and we would love for you to stop by and let him know what you think. He's a quiet achiever but he's really proud of this and ought to be so.
https://youtu.be/sm6s5wXZqbw

It's not every day
It's not every lifetime
Something like this comes along
Hold it close
Feel it breathe
You have each other now.
She's come back to you.
There could be worse things
And better still to come.

Copyright Gina Graham 2022

If you love me keep me

Eons Romance

THE SEA WAS WATCHING US

modern day

photos are memories I keep within my mind
stored in the basement in a crate I’ll never find
songs are the stories and the places I have been
authored before this mental knot I’m tangled in

modern day is here to stay
and all that was will fade away
heavens rain and hell will pay
our eyes are wet with tears

poets and prophets weave our words into their art
read in dramatic mien and spoken from their heart  
unseal the parchment let the words escape their cage
left with a book with seven hundred empty page

styles we made are old and frayed 
where all the past is filed away
a quill, a pen I’ll write the end
the sky is wet with ink

modern day is here to stay
and all that was will fade away
heavens rain and hell will pay
our eyes are wet with tears
modern day is bland and beige
remembrance of the golden age
a quill, a pen I’ll write the end
my heart is black as ink

Modern Day

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings my SC friends. I have a fun one to share with you today. In fact, it might exceed the legal limits for perky and quirky… so don’t go driving under the influence. :D

So here we are, choking down the remainder of January 2023 (try it with the honey mustard. It goes down a lot easier). Here in the US, many of us are trying to make the most of this potentially quieter year, as we count down to what I like to call Apocalyptageddon (otherwise known as the 2024 Presidential Election).

Despite (or perhaps in the face of) the ‘OMGHOLYSHITARGH!!!’ going on everywhere, I’m seeing the most interesting evolutions in this community. And it’s not just me noticing this. I’ve recently read quite a few comments about how much people have grown creatively. I’m seeing huge strides in the musical skills and songs of so many of our SC friends, many in just the past year. And I have a theory for why that is… and I am prepared to demonstrate…

Imagine for a moment that you are a human being with feelings. Someone comes up to you and says “I love who you turned out to be. You have a great mind and a great imagination. Your creations are quite magical. And I really want to spend more time in your space, seeing what you do next.”

If you’re like me, and I know I am (line blatantly stolen from a favorite MST3K), positive reinforcement like that is tremendously motivating. I can’t wait to get back to my creative space to see if I can make something even more awesome the next time. I know to a certain degree, that’s just me feeding my ego. But let’s face it. Ego is the Operating System we have been provided in this lifetime; and it does love to feed (it’s overfeeding that leads to bloating, so just try to keep to healthier serving sizes).

Now imagine again that you are one of those peeps with feels. Someone comes up to you and says “You suck. You’re worthless. You always will be.”

I personally find this slightly less motivating. And if you already have a less than ideal self esteem, that kinda crap sinks in deep and destroys confidence.

I think the point I’m trying to make is, the human experience isn’t meant to be a hermit-like adventure. I’m pretty sure loving ourselves for just being us may be one of the highest achievable goals. But as long as the ego is in the pilot’s seat, we need interaction (both verbal and physical). We need validation. We need to feel like our lives are meaningful. And we get that from each other. But it’s important to remember a subtlety… we also have the privilege of giving that to each other. And giving might actually be more beneficial to the soul than getting, where this gift is concerned.

This is where so many of you come in. You are the kind and loving voices, letting people know they’re doing great. You take the time to remind them, their creative explorations are worth the effort. Many of you motivated me to try harder through positive reinforcement, and even direct guidance. And I happily watch as you continue to do the same for the folks just starting up. You’re a beautiful bunch of people, and I admire you greatly. 

So please, you wonderful souls, keep doing what you’re doing; both being creative and being supportive. We all benefit from the kindness this group generates. We are all inspired to be better people through the actions of those who help us out along the way. You are all a huge positive influence in my life, and I hope I can be the same for you. Let’s make 2023 obnoxiously loving, friendly and funny. Let’s brighten this world again, dancing naked on the dining room table, a rose clamped tightly between our teeth.

I hope you enjoy my latest sonic meandering ‘Choosing Our Own Adventure’. :)

WTF! The Musical

Choosing Our Own Adventure

Super stoked to be working with my good friend and awesome guitarist and composer, Per Jensen aka PJ Project (https://soundcloud.com/user-474544459) in our first collaboration.

Guitars: PJ Project
Original Composition, mix/master: Electrometis
Vocals: Megan (Ghosthack)

Free download if you like it :)

Thank you for listening ♥

Save Me From Myself

Save Me From Myself (feat. PJ Project)

Here's the youtube link:
https://www.youtube.com/watch?v=jUlwhp5GX2g&t=187s
A new acoustic tune ....... 
Thanks for listening
Richard :)

Ready To Go

“How Deep Is The Sky?” (Paploviante Open Collab) – Download for Free
Written by Chris Barnett for Questionable Enterprises LLC. © 2023
Music by Paploviante 
Vocals by Wild Christopher
If you want the dry vocals, send me a DM

Paul’s Open Collab Offer (Sweet Dark Sky)
https://soundcloud.com/paploviante-and-friends/sweet-dark-sky
If you publish it, you have to mention Paploviante in the description and title!

A love in the heat of summer
But remember seasons change
In the cold of the winter
Feelings often fade away

She left me in the moonlight
She left me with the rain
Something meant to be forever
Will never be again

How long is the dark night
How deep is the sky
Does her voice still carry 
An eternal goodbye

How deep is the sky
How deep is the sky
Memories of sailing
But clipped wings never fly… fly

When I awoke it was from a dream
A heavenly body floating over me
But the nightmare is in the waking
To a ghost that still speaks
Even though she never returns
There’s a fire that still burns

She left me in the moonlight
She left me with the rain
Something meant to be forever
Will never be again

How long is the dark night
How deep is the sky
Does her voice still carry 
An eternal goodbye

How deep is the sky
How deep is the sky
My memories of sailing
Clipped wings never fly…

How deep is the sky
How deep is the sky
Does her voice still carry 
An eternal goodbye… goodbye

How Deep Is The Sky

How Deep Is The Sky? (Paploviante Open Collab Free Download)

The Valuable Friends:

@janinelevinson - Incredible Vocals and Voice Effects
@rick-4-1 - Beautiful Drums
@phil-mcwalter - The Other Stuff

WAITING FOR THE RAIN

And the vines abide
And lean on old familiar ways
From Hadrian to the Satellite Empire
You can feel it in your soul
Standing on Dryhill
You can feel it in your soul
Standing on Dryhill

The hidden lines and lives
Walk their natural time above the plain
From hill fort to the bunkers underground 
The hill can quicken up your pulse
Standing on Dryhill
You can taste it on your breath
Standing on Dryhill
Looking from Dryhill
Waiting for the rain 
Waiting for the rain

Aeons old and yesterday
In a scintillation (Standing on Dryhill)
A breathless moment under 
The curious twinkling stars (Standing on Dryhill)
The water moves beneath us
It moves below the ice

(below, be-low)

A long-gone, summer swift scream
The hill is not dry
The vines do not wither
Rippling the waters of our many lives
The heart of the hill 
Beats on
Pushing the sleeping rabbit to awake and run (run, run, run)
Seize the seasons
Hang the reasons
In a thousand years the hill will not remember us or its many names…
Our heads boiled, eaten down to the white bone

And the vines abide
And lean on old familiar ways
From Hadrian to the Satellite Empire
You can feel it in your soul
You can feel it in your soul
Standing on Dryhill
Standing on Dryhill
Waiting for the rain
Standing on Dryhill
Looking from Dryhill
Looking from Dryhill
Waiting for the rain
Waiting for the rain

Standing on Dryhill…

Phil McWalter Jan 2023
Recorded at Dryhill, Upper Rissington, Coventry and California
Art: My own manipulated image from the top of the hill...

Waiting For The Rain

Spotify

tenebrous

Email: gilesr1@outlook.com

First album, CLOUDLINES now on Spotify:
https://open.spotify.com/album/2gZj30ywvxB6fHKiRWR2Kw

Richard John is a guitarist/ songwriter from the south west of England. 
His guitar based tunes shift in style from solo acoustic guitar, ambient, dream pop, folk and lounge music to warm latin sounds.
Always searching for that elusive ‘perfect melody’.

Ready To Go

Richard John

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