Steve Barsotti is a sound artist and educator who lives in San Diego. He has ventured into various approaches to art making including photography, printmaking, performance, invented instruments, improvisation, object recording, location recording, phonography, electro-acoustic-pull-strange-sounds-from-everyday-objects, and there is sure to be more. The common thread has always been a close examination of easily bypassed details; image from angles that you would not normally see, sounds that can only be heard through contact mics and amplification, sonic qualities of materials that are used in everyday life. 

He was a member of the Seattle Phonographers Union, a field recording wielding group of improvisers. The Union is described as " moving beyond habitual experience of sound and uncover what is foreign in the familiar and familiar about the foreign; to explore what we hear and relearn what we know" They have been performing together for 20 years. (www.seapho.org)

Based in Portland, Oregon, John Hartog travels throughout the Pacific Northwest to record natural sound.



Richard Bitting is an artist, composer, and teacher residing in Cincinnati, Ohio. 
He makes soundscape-based audio compositions, concert music, visual artworks, photographs, and sound art installations.

Born 1960 in Vienna. Austrian composer, improviser and performer. He studied composition with Friedrich Cerha and musicology in Vienna. Besides writing experimental instrumental music, he performs on his own electronic instrument m@ze°2, develops software environments for computer-aided composition and creates generative sound and video environments. Since 2007 professor of composition for electro-acoustic and experimental music at the University of Music in Vienna.

Karlheinz Essl performs on a laptop computer that he has transformed into a live electronic musical instrument. The result is exciting and musical. You just won't hear these sounds anywhere else. He performs solo and in duets and trios, responding with sensitivity to fellow musicians, producing fascinating sound transformations, creating spontaneous surprises, and moving quickly from loops to cacophony to tiny clips of vocal sounds to all kinds of textures and ideas. He does all this with his m@ze°2(Modular Algorithmic Zound Environment) performance software. (Joel Chadabe, CDeMusic, Januar 2002)


✨ Soundscape & Ambient 

info.sem.zeeman@gmail.com

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Sem Zeeman is a field recordist and sound artist, who embarks on a auditive journey to capture the essence of our existence through the medium of sound. With a passion for auditive narratives, Sem ventures into uncharted realms, using sound as his brush to paint vivid pictures of our world. Each recording is a registration of a specific moment in a specific place, allowing listeners to transcend their surroundings and immerse themselves in a unique sonic experience.

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💿 RELEASES
- "A Soundwalk Through Budapest 
[47.499553° N, 19.054739° O]"
- "Noorderhoofd [51​.​98021° N, 4​.​11153° O]"

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🍃 Organic Dance Music as https://soundcloud.com/okin-omis

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Compositor brasileiro, pesquisador, professor. Menção honrosa no Prix CIME 2021, 2⁰ prêmio no concurso de Bourges, 2015, 1⁰ prêmio no concurso Villa-Lobos, 2008... Músicas tocadas no Brasil, Cuba, Suécia, Chile, México, Alemanha, Coreia do Sul, Irlanda, Lituânia, dentre outros. Professor de composição do Instituto Villa-Lobos, UNIRIO. Trabalha com Jocy de Oliveira desde 2010. Artigos e capítulos de livro publicados no Brasil, Inglaterra, Mexico, Argentina. Co-editou o livro Perspectivas actuales en la creación y el análisis de la música electroacústica pela Editora da Universidade de Quilmes, Argentina, junto com Daniel Quaranta.

Composer, researcher, professor. Honorable mention at Prix COME 2021, 2nd prize in Bourges Competition 2015, 1st prize in Instituto Villa-Lobos contest 2008... Music played in Brasil, Cuba, Sweden, Chile, México, Germany, South Korea, Ireland, Lituany, and other countries. Professor of composition at Instituto Villa-Lobos, UNIRIO, since 2010. Works with composer Jocy de Oliveira since 2010. Articles and book chapters published in Brazil, England, Mexico and Argentina. Recently published the book Perspectivas actuales en la creación y el análisis de la música electroacústica at Quilmes University Publishers, Argentina, with Daniel Quaranta. 

Pete Smith is a professional field recordist and sound designer with a keen interest in wildlife and conservation. 

I am a sound recordist, specialising mainly in nature recording. I have been involved in countless TV documentaries and radio with over 150 feature films to boot. I have recorded in over 40 countries. If you were able to upload all my sounds to an iPod it would play for over 1137.5 days continuously.
Vist my website at http://naturesound.org/?page_id=18 and www.thelisteningplanet.com take a look at my facebook fan-page for more details. http://tinyurl.com/6czrhqg

Leah Barclay is a sound artist, designer and researcher who works at the intersection of art, science and technology. Leah's research and creative work over the last decade has investigated innovative approaches to recording and disseminating the soundscapes of terrestrial and aquatic ecosystems to inform conservation, scientific research and public engagement. Her work explores ways we can use creativity, new technologies and emerging science to reconnect communities to the environment and inspire climate action.

Leah has been the recipient of numerous awards and her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including the Smithsonian Museum, UNESCO, Ear to the Earth, Streaming Museum, Al Gore’s Climate Reality and the IUCN. Leah’s augmented reality sound installations have been presented across the world from Times Square in New York City to the Eiffel Tower in Paris for COP21.

Leah leads several research projects including Biosphere Soundscapes and River Listening that focus on advancing the field of ecoacoustics. The design of these interdisciplinary projects are responsive to the needs of collaborating communities and involve the development of new technologies including remote sensing devices for the rainforest canopy and hydrophone recording arrays in aquatic ecosystems.

Leah is a lecturer and researcher at USC Sunshine Coast, Australia.

I am learning to play music just for the delight of it, also doing field recordings and growing plants.

richbitting is following