Blues

The Big Trouble EP

36HTZ096A4 - Luke B - Way Back - 36 Hertz Recordings CLIP

I've tried (without much success) to untie a complete mess of incompatible instruments.. lol

Unbunch

This song was a started a couple of years ago when I was in quiet desperation from being sick of all the walls it felt like I had to put up. 

I was craving the type of connection that I didn't have to hide my real self from. 

little did I know it wasn't really about that but hey you gotta learn somehow right? 

I wasn't in a relationship at the time I don't think. I would have been living in North Melbourne and been feeling pretty aimless. (mid covid). 

I did however notice that I could never make myself feel fully comfortable around someone. 

I wanted that. 

That's what this song is about.

__________________________________________________________

This song features LeechKing. We met up randomly one night whilst I was in the city and then he ended up coming over to my house to record and he recorded this verse. I loved it and then the song was complete.

Seth Freeman, my current housemate, wrote the second hook...THANK YOU SETH.

Barak Remalli helped make the intro a little more interesting and the structure of the song less boring. THANK YOU BARAK

This journey of being an artist has been a windy road. I've felt on track and more recently I felt off track. 

Now though I don't give a fuck ABOUT the track. I'm just walking.

Love Song

LOVE SONG FT. LEECHKING SRD 3

On many levels, this is a tune about flying ...

UNREAL MUSIC

BRACE

Installment 2, rogue resonator guitar.  For more info, see http://way.net/waymusic

telephone blues

two years ago i learned what is a kalimba so i made a beat

it took me a while to found the original file cause instead of "kalimba beat" i named it "drum exercise" for some reason

dear kalimba

Escape Darkspace is like a super cool SCFI scene(Trying to escape the dark of space while being chased is how it feels to me). All tracks were played by me from start to finish with expressive instruments, no loops or repeats just a journey mixed spatially  esp for headphones. Come take the journey with me & escape all you space pursuers!

Escape Darkspace(spatial mix)

Art: Watercolor con paper by KineTypes
Drafted Life v1 
--
0:00 In Time
2:50 In Dreams
5:00 In Water
--
Take a journey to the drafts of life. Arranged in order to create a deep feeling. Listen with earphones/headphones for the best experience.

Drafted Life v1 (Mixed)

Denna

open curtain

Sonically Spoken 003 ∞ Ameeva & Mordio (Live) @ameeva @mordiomusic

Live improvisation session performed and recorded by Ameeva and Mordio.
Photography and editing is also by Ameeva and Mordio.

Sonically Spoken 003 ∞ Ameeva & Mordio (Live)

Starts quiet and contemplative and picks up steam.
Recorded on a Marantz PMD671 field recorder, 2 Oktava mics, Rogue resonator guitar with Beard resonator and ebony bridge.Post-processed in Sonar x1.

adios sierra madre

99 Percent Blues

OK, so what's a blues song without some words, so I finished my tribute to Jimi Hendrix's “Red House” by cutting some vocals for it dedicated to the (de)Occupy movement and the ninety-nine percent struggling to wake up from the nightmare the one percent is inflicting on us every day with corruption, oppression, and greed.  

Beretania and Ward is the location of the (de)Occupy Honolulu camp at Thomas Square.  Thomas Square was the site where on July 26, 1843, Admiral Richard Darton Thomas returned the Kingdom of Hawaiʻi to the Hawaiians after the first illegal takeover, by the British.  King Kamehameha III said “Ua Mau ke Ea o ka ʻĀina i ka Pono” (meaning "the life of the land is perpetuated in righteousness”)  in his speech at the ceremony marking his restoration. The sentence has become the state motto of Hawaii, incorporated into its seal.  The second illegal overthrow was of course the one under which Hawaiʻi eventually became part of the United States.  That is why we cross out “occupy” in our name, to show solidarity with the already occupied kingdom, otherwise known as the most heavily militarized state in the Union.  

Come down and show some love for (de)Occupy Honolulu if you are in town!   Food not bombs has a jam there every Sunday afternoon/evening


99 percent blues

Goin for that post-trip 13th-floor-elevators-turned-up-loud-but-played-all-quiet-and-soaked-in-spring-reverb sound, gotten from linux with open source wonder-amp Guitarix's Ampeg tonestack.

Slide 160925

The trials and travails of (de)Occupy Honolulu.  A more rocking acoustic version of 99 percent blues, with several more verses that reflect what  happened over the course of 100 + raids on the (de)Occupy encampment that was at Thomas Square for two years.

99 percent blues (acoustic)

I learned this from a book a zillion years ago and then had to reconstruct it without the book from memory.  I thought it was Lowell Fulsom's reconsider baby, but it doesn't seem to be so I am just reconsidering what it is altogether.  Everything is guitar and guitar synth.  The horns (including a tuba for a bass!) don't sound too cheesy as long as I keep it simple. 

reconsider

ambient punk
I listen back! if you listen to more than one song  @richrath or @rreplaymusic, make a comment, follow, or like, I will listen to your music. If I like it, I'll put it on the "all my relations" playlist.  If you share it with others, I'll listen to their stuff too!

telephone blues

rich rath

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