UGLY, THE ALBUM - PRE-ORDER NOW 👁️
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beats: beatsforslowthai@gmail.com

‘Did you know that there’s a tunnel under Ocean Blvd’ 

The New Album Out March 24th, Pre-Order – 
 http://lanadelrey.lnk.to/oceanblvdID  

Listen to ‘Did you know that there’s a tunnel under Ocean Blvd’ – http://lanadelrey.lnk.to/oceanblvd_sID

http://lanadelrey.com

EUROPE TOUR TICKETS ON SALE

https://www.twofeetmusic.com/tour

DJ EZ (pronounced DJ EEE ZED) is widely - and rightly - regarded as one of the finest, most gifted DJs on the planet. The “DJ’s favourite DJ”, EZ has been a musical force of nature for over two decades, saluted by the industry for being a creative mixer with an unparalleled instinct and technical prowess - not to mention one of the quickest fingers in the trade with his trademark cue button action displays during his sets. A set of decks simply isn’t the same without DJ EZ.

For Bookings:
info@reggaeroast.co.uk

Reggae Roast, one of the UKs leading Reggae Soundsystems & party starters, have forged a reputation as the leading light in the resurgence of the British Reggae, putting on some of the best parties and festival stages across the country. Having recently signed to the world famous Trojan Records they are at the forefront of the UK Reggae and Bass Music scene.

Reggae Roast’s first release on Trojan, went straight in at #1 on the Juno Reggae charts, while getting good radio support from the likes of David Rodigan (1 Xtra) and Ras Kwarme (Capitol Xtra) and Don Letts (6 Music), while their follow up single ‘Real Reggae Music’ featuring the legendary Tippa Irie, was included in the Trojan Records 50th Anniversary box set, selling thousands of copies. 

2019 will see them pick up were they left off with releases on Trojan Reloaded featuring  General Levy, Rankin Joe, Mr Williamz, Burro Banton, Charlie P and many more.

In 2015 Reggae Roast built their own custom Soundsystem pushing the boundaries of soundsystem aesthetics, taking soundsystem design into the 21st century. Their soundsystem remains the cornerstone of their events and with it they have run stages at prestigious festivals such as Glastonbury, Outlook Festival (Croatia), Secret Garden Party, Eastern Electric, Boomtown, Telerama Dub Festival (France) and many more. 

At their events they have hosted some of the biggest names in Reggae including  Horace Andy, The Wailers, Lee Scratch Perry, Sly and Robbie, Collie Budz, Mad Professor, David Rodigan, Suggs (Madness), Channel One, Trojan Sound, Gappy Ranks, Finley Quaye, Aba Shanti I, Mungo’s Hi Fi and many many more. 

Reggae Roast have built a strong fanbase over the years with nearly 200,000 social media followers. They have racked up over 8 million plays on Soundcloud alone and their monthly podcasts receives 10s of thousands of plays. They have played all over the world from India and Thailand to the UK and back. This year they were personally asked by Shy FX and Chase & Status to play at their events.

Reggae Roast are dedicated to bringing reggae and soundsystem culture to a new generation and are steadily building a formidable catalogue of releases and achievements.

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

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Download music: dubfx.bandcamp.com
Merch: 3rdeyeq.com

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