Any artist is welcome to send us a track via freshonthenet.co.uk anytime between Monday lunchtime and Wednesday evening (or when we receive 200 submissions, whichever is sooner) - and all our moderators, including Tom Robinson, will listen to every track. This is our full inbox from the week beginning Mon 12th May 2025 from Friday afternoon you'll be able to hear our shortlist and pick your favourites on this week's Listening Post which will appear at freshonthenet.co.uk/batch569

If a track you submitted does not appear in this list, it’s probably because another of your tracks appeared in our Fresh Faves or on the BBC Music Introducing Mixtape during the last three months — we ask that artists featured on either wait three months before resubmitting to give others a chance. 

We also don’t accept short previews or SoundCloud Go tracks that can only be heard as 30 second previews, and tracks made private after submission, which cannot be included in playlists. You will be able to resubmit the track in future. Tracks (and remixes of tracks) that have been previously submitted, and tracks from banned artists will also be removed.

Entire Inbox: Batch 569

This track was written in the middle of the first lock down and it echoes the frustration, fear and confusion I felt at the time, with themes of claustrophobia, escapism and liberation running through it, its a positive track in a time of complete uncertainty.

Asleep At The Wheel

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

Drive - not just for the summer a perfect song to leave stress behind ... get to your car, put the radio on and let's go ...

Pete Lincoln - Drive (Video Remix)

A.S.N is a journey of a night out, from a woman's inner monologue of how the night is going from pre's to being at the club making the most of their night with their closest friends.

Another Saturday Night

The wacky adventures of Inspector Looso - New Fetchflix TV Show

soundcloud.com/user-461764443/sets/the-wacky-adventures-of


Leïla Pignon, the dazzling daughter of François Pignon and Marlène Sasseur, is a star auditor at the Ministry of Revenue, just unlike her old man, François. Now, here's where it gets juicy. Inspector Luc Looso bumped into the enchanting Leïla in a stable near the quaint village of Brouage, France. Luc, always the sneaky fox, was pretending to investigate the "mysterious disappearance" of a horse that, surprise surprise, had never actually vanished. Meanwhile, Leïla was there to dig into the finances of the stable's owner.

In a move straight out of a rom-com, Luc invited Leïla to gallop with the most stunning stallion in the stable. His plan? To seduce her and, more importantly, create one heck of a diversion. As they trotted through the countryside, Cupid went full throttle. Sparks flew, hearts raced, and it was love at first sight.

But plot twist! Looso was one of the very owners of the stable and had conveniently "forgotten" to declare his horse rental income to the Ministry of Revenue. Uh-oh. Here's hoping he can pull a rabbit out of his hat to wiggle out of this one!

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.”

Music: Syrel
Photography: Syrel, France 2018
 
Musical Notes: This music illustrates the moment when Luc and Leïla ride stallions together and lovingly in the Brouage countryside in France. It is inspired by the music of Emmanuel Chabrier and David Arnold in Casino Royale James Bond movies.

The wacky adventures of Inspector Looso

Luc and Leïla Love Theme

Played on last nights BBC radio Newcastle introducing show!
8:00pm - 31/01/15

BBC Radio Newcastle - AIR PLAY - Ice KreamBoy -After Party

DONT MAKE THIS WEIRD

late night technicolour

See - Saw

I Don't Feel....

Ricky Clark - I Found The Devil

Having written a piece on Precious Hall which you can read above(see the blog button), I thought you might enjoy the first part of my set there on Oct 5. 

I was playing alongside Toshio Matsuura who as I walked in the club was playing some electronic bits that sounded so heavy, I threw a few in myself… Hope you enjoy.

Blog here

Gilles Peterson DJ set - Precious Hall, Japan (5th Oct 2015)

'Something More' is the debut single of award winning singer-songwriter Jon Page, which he released in 2018 to mark his return to making music. Jon wrote the song during the breakdown of his first long-term relationship, during a daunting period of change. The song covers the struggles that come with feeling hurt and falling in love again, and the surprise you feel when you finally do.

Jon Page - Something More

My Version of George Borowski's  fabulously wonderful country waltz

Ally Lee -  Blue Guitars Of Texas

Fresh On The Net is a music blog hosted by Tom Robinson and Team Freshnet, offering independent artists an open door and a level playing field for their music. Our inbox is open at http://freshonthenet.co.uk every Monday to Thursday morning - if you share a track with us there it will be heard by every member of our moderation team.

IMPORTANT: 
Only send ONE track, and make sure the dropbox says "OPEN".  Sorry, but tracks sent while the dropbox is closed - or shared drectly with this Soundcloud account - will not get heard.

Whether it was supporting Les Battersby from Coronation Street in a Lionel Richie covers band, being sandwiched between the bingo and Sticky Vicky as one of The Blues Brothers or even playing his acoustic upside down in the middle of nowhere before heading off to work all night in a car factory...Ricky’s rite of passage continues to be a colourful one!

Ricky began his musical journey when he was still at school as a bass player playing in bands in the North East and London before moving on to Spain and slowly gravitating from the shadows to the centre stage.

Years spent travelling around the North playing at endless different venues and events honed his craft and reputation as a solid performer and in March 2020 he released his debut album ‘The Right Light’ to critical acclaim, having three tracks from it played on BBC Introducing, including one track of the week for ‘Coming Up’.

Ricky Clark - I Found The Devil

Ricky Clark

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