Deadline: 15th November 2023

All submissions to Haiku 514:

https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #514: gale in the mountains – / watch how the fallen blossoms / carpet the water

My contribution to Naviar Records Haiku Challenge 508.

Haiku by John Hinks
Deep, dark summer night
A Sudden shatt of moonlight 
Blesses the temple
stepping stones

::::>>>>::Moonlight Discord::::::Naviar Haiku 508

I was moved when I read this weeks Haiku from Naviars own Marco Sebastiano Alessi.
There was an idea in my head almost straight away, a repeating piano set to a echo delay effect that could potentially never end. Anf then the feeling of an empty house, an old distorted 78rpm record playing as if from a distance (of time?) and the feeling of a place of memory but now all gone.

-----------

Endless echo
footsteps on an empty house
once full of life

Third poem written by me that gets featured in the haiku challenge. As always, I hope you’ll find it inspiring.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 1st November 2023

Haiku by Marco Sebastiano Alessi

Picture by Raya Mal https://unsplash.com/photos/closed-window-ggeI8TyPeZM

Audio Obscura - Echo Footsteps (naviarhaiku512)

I've been exploring scanned synthesis - and this is a glitchy little number using that approach to interpret the latest haiku from Naviar Records ... Enjoy!

gale in the mountains –
watch how the fallen blossoms
carpet the water

Haiku by: Den Sutejo [Translated by Makoto Ueda] https://wkdhaikutopics.blogspot.com/2007/03/den-sutejo.html

More information: https://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF carpeteD [naviarhaiku514]

naviarhaiku514 – gale in the mountains

gale in the mountains –
watch how the fallen blossoms
carpet the water

A contemporary of Basho, Den Sutejo was the eldest daughter of a distinguished samurai family living in the mountainous area northwest of Kyoto. After her husband’s death, she became a nun and spent the final years of her life as a Zen devotee.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 15th November 2023

Haiku by: Den Sutejo [Translated by Makoto Ueda] https://wkdhaikutopics.blogspot.com/2007/03/den-sutejo.html

Picture by Gariele Wright https://unsplash.com/photos/closeup-photo-of-pink-petaled-flower-uSkJ0rk9OBE

flores courgette - naviarhaiku514

This track was created for the Naviar Haiku group.
514
https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/

2023-11-10

Gale In The Mountains   (Naviarhaiku 514 )

An electronic composition, sounds from various sources.

Mountain Gale (naviarhaiku514)

11Nov23

My naviarhaiku514 submission;
https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/
:D

watch how the fallen blossoms carpet the water [naviarhaiku514 ]

TRANSMISSIONS    X1

Carpet the Water-naviarhaiku514

Emerinst

Disquiet Junto Project 0620: Beat Accrual Accrual
The Assignment: Turn someone’s slow-build beat into a finished track.

Step 1: In the previous project, people built beats that accrue slowly over time. Familiarize yourself with the instructions at disquiet.com/0619 5.

Step 2: Several of the musicians who participated last week have allowed their tracks to be reused for this project. The majority are in this playlist. If you’d like your track from the previous project included this week, just get in touch and let me know.


For this test I used 2 pieces from the previous compilation:
1) GoingModular - Disquieting Polyrhythm
2) fakeg3nius - [disquiet0619] Rhythm
 I was particularly fascinated by the loop, which with very few notes and chords manages to create this suspended sensation of strong melancholy and, at the same time, of hope. On the other hand, the response, dry and peremptory, of the phrasing and timbre of the drums. I added, at the beginning and end of the piece, some "disturbance" lines, always rhythmic.

Going Fake(disquiet620)

Unsticking

All music written, recorded and performed by Ryan J Raffa in Taipei, Taiwan during late 2021 on moog matriarch, modular, fender rhodes, snare drums, cymbals, percussion, op1, tape machines, and field recorders.

Every sound was captured for this specific occasion

Mastering by Taylor Deupree
Vinyl cut by Barry "Baza" Grint at Alchemy
Layout by Drew Heffron
Photographs by Ryan J Raffa

4 e and a is about the infinite spaces between. As a classically trained percussionist, Raffa sat in front of a metronome for the majority of their life. And in their mind, they would play with the spaces between those clicks. In especially challenging times, Ryan would attempt to expand and stretch those spaces into forever. Just existing in the between. This record is about these moments (and places) when we are living in those infinite spaces.

That time of intense musical focus was also Ryan's first introduction to an analog synthesizer. As a teenager, their drum teacher was Herb Flower, an incredible human with light beams of creative energy pouring out of him and his musical family at all times. A parent of another student of Mr. Flower’s was an electrical engineer who had recently been laid off during large cutbacks at Carrier, one of the major employers at that time in Syracuse where Raffa grew up. This parent, with their newly acquired free time, hand-built a drum machine, housed in a large wooden cabinet with 8 or so unmarked knobs, and they gave this synthesizer to Mr. Flower. The sound from that machine was glorious. And Mr. Flower, their drum teacher, would turn a few knobs, make a pattern and have me play along with it during rehearsal. These moments were such a gift, and I know those moments are still reverberating today. Raffa thinks about that time of experimentation, of exploration, of shared love of sound and music as a place that they can go to, a place we can all go to, whenever we choose.

4 e and a

Spirits Of Menghuanhu

To Live In Piece

Umbrae Vitae is a ritual descent into shadow — not as death, but as the hidden vessel of life.
This chapter of the Arkanæa continuum summons ancestral memory through deep drones, cavern percussion, duduk laments, and layered whispers that echo like breath across stone.

Each track is a rite:
⟐ Corpus in Umbra — the body revealed in shadow
⟐ Fons Obscurus — the dark fountain flowing beneath
⟐ Sanguis Vetus — the ancient blood remembering
⟐ Anima in Tenebris — the soul, eternal in darkness

The sound is sacred, heavy, and intimate — a communion with the unseen, where every echo is a heartbeat and every shadow carries breath.

⟐ Genre: Sacred Dark Ambient • Ritual Electronica • Cinematic Chant Fusion
⟐ Mood: Ancestral • Shadowed • Eternal • Reverent
⟐ Instrumentation: Frame drums • Duduk • Cello • Whispered chants • Cavern reverb • Breath loops

This is not the end.
It is the hidden life within shadow.

Obscurus

Originally composed 2022. This version has been enriched with extra instruments and a remix.

Salt Road D1

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

LOUNGE NOISE - SYPHILITIC EXOTICA - RAW AMBIENT - SADBIENT

 ### Makes the show "Nya Ljud" on Camp Radio: http://arkivfeber.se/nyaljud.html

https://linktr.ee/rikardfvs

Twitter and Bluesky: @rikardfvs

Youtube: https://www.youtube.com/@sadbient

TikTok: @rikard157

Mixcloud: https://www.mixcloud.com/rikardfvs/

Bandcamp: https://rikardfvs.bandcamp.com

Spotify: https://spotify.link/EyeMydE7Oyb

Earlier project / Colloboration:
https://hetdonkseoog.bandcamp.com/album/dp016-hamnskiftet
https://soundcloud.com/great-learning-orchestra
https://soundcloud.com/twooegg
https://myspace.com/rikardd/

Carpet the Water-naviarhaiku514

rikardfvs

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