Superpitcher Meets Repeat Orchestra

Monks In The Sky

Advance of our upcoming album "Distances"

Pablo Bolivar & Nacho Sanchez -  Distant Planets

OHM & Octal Industries - Bára (Pablo Bolivar Remake)

Feines Tier veteran Johannes @klingebiel introduces @franz-matthews to the family and together they bring us “Ce Moment” EP, a basket of tunes full of colorful harmonies, bouncy grooves and poetic French lyrics. What more could one wish for?
The two producers and multi-instrumentalists met some years ago in their chosen
hometown Berlin and decided to fuse their producing and multi-instrumentalism game.
The first fruit of this labor was the much-loved and -played “Signs” on Heimlich records, now being followed by this EP here.
The title tune is an amalgamation of groovy electric bass riLs, spicy Prophet synth
sounds, melancholic vocals and certainly has something of that magic ingredient
people call the French Touch. A good tune to pick for House DJs who dig some Disco now and then and for Disco DJs in need of some solid House.
“La Traversée” is a crossing (multi-language pun intended) of bazillions of quirky synth sounds and melodies that somehow form a coherent whole, the sum of its part being a light and friendly but not cheesy house tune, that will make the sun go up on any dancefloor.
The mighty Kompakt overlord @michael-mayer-kompakt takes “Ce Moment” under his spell. The result is a grander and more mysterious aLair, made for bigger and darker dancefloors. The Sound of Cologne™ this is indeed!
Parisian up-and-comer @shimon-earthly adapts „La Traversée” into his sonic world. When Matthews and Shimon discussed the finished remix on the phone in French, all that le dilletant Johannes could understand from it were the words “très cool” and “after-hour vibe” , which… yes, completely tracks!

Ce Moment

Ce Moment (Michael Mayer Remix)

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On Rollerstate, Belgian duo Mosley Jr. (Niels Blondeel & Ijsbrand De Wilde) embrace a sound that’s raw and free, yet impossibly refined. This 7-track EP offers a journey through their unfiltered creativity, where analog imperfections, captivating grooves and nostalgic soundscapes collide. 

Rollerstate is creatively underground, yet undeniably catchy, capturing an era of old-school dance influence, TV-commercials and vague hazy distant airwaves. Rollerstate is both the state of mind and fictional place we all tend to escape to.

Released on Moodfamily, the EP is available digitally and physically on vinyl and limited edition cassette.

Rollerstate

buy/stream

Mosley Jr - Rollerstate

Originally released in 2009, this standout remix package followed the release of Steve Bug’s fourth full artist album, Collaboratory, which dropped earlier that year to widespread acclaim. The album captured Steve’s dedication to forward-thinking house music, teaming up with a stellar cast of collaborators including Gigi, Donnacha Costello, and Simon Flower.
Collaboratory Remixes Vol.1 brought fresh interpretations from Ribn, Motor City Drum Ensemble, and Sven Tasnadi, and still holds up today.

Ribn (aka Manuel Tur and Langenberg) deliver a deep, dubby, Detroit-tinged take on “Like It Should Be” featuring Gigi. Their Translucent Vox Remix builds with patience, drawing you in with a long, atmospheric intro before locking into a driving, bass-led groove that honors Gigi’s sultry vocals.

Motor City Drum Ensemble brings the heat with a raw house twist on “Still Music,” the Bug and Costello collaboration. Loaded with late 80s and early 90s drum machine attitude and bubbling keys, it’s an acid-tinged workout that still burns.
Sven Tasnadi rounds things out with a tight, tracky remix of “Passing Clouds” (Bug and Simon Flower), fusing melancholic synth lines with solid drums and a modern tech-house edge.

Collaboratory Rемiхs Vol. 1

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Steve Bug & Simon Flower - Passing Clouds (Sven Tasnadi Rемiх - Long Version)

Artist: Aimes
Track: Wah La (Thomass Jackson Remix)
Label: Natural Selections
Release date: 20/06/2025
Buy: www.junodownload.com/products/aimes-falls/7124353-02/?srsltid=AfmBOor7rgPB-pcd-Hj11Ga9ewgrtd7yXXMz0oofCV1noaiXc7nx5d7i

PREMIERE: Aimes - Wah La (Thomass Jackson Remix) [Natural Selections]

A betrayal is an unexpected twist. A moment of schizophrenia where the world is turned upside down. We feel the curvature of the earth and it becomes explicit to us that there is something on the other side of our world that we didn't know. Or that we don't really know our world as we thought we did. It feels like a wobbling of the ground on which we tread, frantic, torn and passionate at the same time. But we can also betray ourselves. We betray ourselves by taking different paths that lead to places we did not think of. How does a betrayal sound, how does it feel, in what frequencies and energies does it vibrate? Ultimately, what is there is always an unforeseen. "Traiciones" plays with the idea of what we can feel when we feel betrayed, but also that the tracks themselves betray us, or by taking different paths than expected, by changing the bpm in the middle of the track, or by promising a track that will never exist.

https://soundcloud.com/ludmila-fuks-bosoer
https://soundcloud.com/thomassjackson
https://soundcloud.com/calypsorecs

Premiere : Ludmila Fuks - Traicion Numero 3 (Thomass Jackson Remix) [Calypso Records]

@amounttechno - Noir Residue
Label - @darkroomdubs

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective

♫ Info + Buy ♫

PREMIERE - Amount - Noir Residue (Darkroom Dubs)

Moodmusic Records Classics 1996 - 2012

Will Be Gone

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

A1 - First Snow - SNIPPET

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton