Lava Lamp

Discover Weekly

heal

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels.

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

Pre-order

Ripperton - Contrails - ESP Institute 084

Plaid - Zamami

"seesaw 
pearls drop on my skin
unshod feets graze the ground"

Vocals: LUC
Music: NINZE & OKAXY
Pic: Hanna He

FACEBOOK

Rain - NINZE & OKAXY

Moon Pride
---
Original by Revo ft. Momoiro Clover Z
Cover by Sayur Moon :: @cannaria // @shiraxshira // @megumegu 
Mixing by @rikuu-p
cover illustration by :: @Kiyoshin_
youtube link :: http://www.youtube.com/watch?v=lkH9Cpb6jhY
- -

BTW HAPPY BIRTHDAY SHIRA ! HUEHUEHUE

【３女合唱】 Moon Pride【Summer☆Triangle】

This is the stream of 'minipops 67 [120.2][source field mix]' from Aphex Twin's 'Syro', available from Bleep - http://smarturl.it/syro?IQparams=IQid%3Asource&IQid=warp%20soundcloud

This is the first Aphex Twin dong fore 13 years between the publication of the first a formal music.

If you have preordered Syro on iTunes or Bleep, log in to your account to download 'minipops 67 [120.2][source field mix]' immediately. The song is also available for individual sale.

Bleep - http://smarturl.it/syro?IQparams=IQid%3Asource&IQid=warp%20soundcloud
iTunes - http://smarturl.it/syro-itunes
Amazon - http://smarturl.it/syro-amazon
Google Play - http://smarturl.it/syro-googleplay
Beatkart - http://smarturl.it/syro-beatkart

http://syro2eznzea2xbpi.com/?utm_source=minipops%20stream&utm_medium=soundcloud&utm_campaign=syro

Syro

Available at Bleep

Aphex Twin - minipops 67 [120.2][source Field Mix]

Valentin Stip -Nwia

Mooryc - Take 'em All - 02 - Myself

One music legend leaves us...
Tribute for this wonderful artist...
Rest In Peace Susumu Yokota...

FREE DOWNLOAD HERE : https://irezumi.bandcamp.com/track/kodomotachi-irezumi-remix

Original track by Susumu Yokota available on the album "Sakura" & "Skintone Collection" 

Susumu Yokota - Kodomotachi (Irezumi Tribute Remix)

TT001 - Mauerblümchen

https://soundcloud.com/bongbeck

https://www.facebook.com/Bongbeck-601784376549397
www.facebook.com/tontoepferei

Bongbeck - Winter Sleep

Recorded @ Sofar Sounds Sydney on 31/03/2016
https://www.sofarsounds.com/sydney

Recording Team: Jye Hannan, Steph Louise and Joe Sharratt
Mixing Engineer: Bryce Taylor


Flowers

Coastlines

Message of Dolphins

you light an incense as i watch the world through your window

Mokragora

Ficus II

Spaces

Says

Above & Beyond - Sun in your eyes (Tomac's progressive edit)

Music composed and produced by Caterina Barbieri between September 2015 and January 2016. Mixed at Elektronmusikstudion in
Stockholm (SE). Composed with an ER-101 Indexed Quad 
Sequencer and a Verbos Harmonic Oscillator. 
Images by Giovanni Brunetto 
Photography by Angelo Jaroszuk Bogasz 
Mastered by Giuseppe Ielasi 
First edition pressing of 500 double LPs packaged in a gatefold jacket. An edition of 200 sets on transparent blue vinyl is available for Important mailorder customers: http://importantrecords.com/imprec/imprec449
Bandcamp: https://caterinabarbieri.bandcamp.com/album/patterns-of-consciousness
"...has an imperial, exacting beauty." (The Wire)
“…few albums have hit us as hard as Caterina Barbieri’s 70-minute opus, Patterns Of Consciousness. On her debut full-length, Barbieri commands tsunami-height waves of arpeggiated analog synths." (Fact Mag)
"Patterns Of Consciousness finds Caterina Barbieri at her best, elegantly moving between melodically pleasant yet twisted sequences and comforting, reassuring sonic spaces. Every piece, while given a singular identity, is part of the bigger picture: a work of art that will push you, pull you, and then eventually leave you with your back against the wall once you get to the last track. " Alessandro Cortini (Nine Inch Nails)

SOTRS

Singularity

Feel First Life

A1 - Kuniyuki Takahashi - Island (5:01)

From "Imperishable", out July 6th on Innovative Leisure.

Imperishable

III Encounter

I Was Arthur

Dreams Of Another Reality

Luna

Silent Shores

A Glowing Heart

Read about the 150th Street Ritual release from DeeZNauts:

https://www.theuntz.com/news/deez-and-smigonaut-debut-escape-pod-from-their-deeznauts-project/

DeeZ:
http://DeeZtunes.net
soundcloud.com/deez
instagram.com/deeztunes
twitter.com/Deez_tunes

Smigonaut:
https://www.facebook.com/pg/smigonaut/
http://www.soundcloud.com/smigonaut
https://twitter.com/sMiGoNaUt
https://www.instagram.com/lesmigonaut/

Street Ritual:
http://www.streetritual.com
https://music.streetritual.com/
https://www.facebook.com/pg/StreetRitual
@street_ritual

Disruptor

Escape Pod

disruptor 10/16

DeeZNauts - Escape Pod [PREMIERE]

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

A1 - First Snow - SNIPPET

A2 - Pendant Qu'ils Dorment - SNIPPET

A3 - Ghetto Berlino - SNIPPET

B1 - Lonely Walk - SNIPPET

B2 - Vespa - SNIPPET

Order 'Nonlin' at:  https://ghostly.com/products/nonlin
Or at the retailer of your choice:  https://Ghostly.lnk.to/Steve-Hauschildt-Nonlin

Nonlin

Steve Hauschildt - Subtractive Skies

PRE-ORDER: https://safe-trip.org/products/trans-4m-sublunar-oracles-album

Trans-4M - Sublunar Oracles - Safe Trip (ST014-LP) - 2xLP

a1.	Arrival
a2.	Dencity
b1.	Depth Probe
b2.	Surfacing
c1.	Atharvaveda
c2.	Amma
d1.	Mount Void
d2.	Singularity

The history of underground electronic music is littered with inspired releases that, for one reason or other, slipped through the cracks. It would be fair to say that Trans-4M’s 1992 debut album, Sublunar Oracles, is one such release.

The full-length originally appeared on Belgian dance music megalith Buzz, an imprint whose output tended towards the more commercial end of the dance music market. Initially, Sublunar Oracles failed to make much impact and was championed only by a small group chill-out DJs; these days, it’s rightly considered a lost classic and one of the most overlooked albums of the ambient house era.

It’s certainly an inspired set with a story to tell. It was the product of the blossoming studio relationship between brothers Stefan and Dimitri Van Elsen. The former, the elder of the two, had been making a living as a club DJ on the Belgian scene since the early 1980s, taking up electronic music production following years spent playing experimental and industrial fare on local pirate station Radio Centraal. Dimitri, meanwhile, spent his days studying jazz piano and his evenings working on tracks.

The chance to release a collection of their bedroom productions came via a friend who worked for Buzz. The Van Elsen brothers grasped the opportunity, sequencing and tweaking a set of evocative, otherworldly tracks that had initially been written and produced over the best part of four years.

Despite Stefan’s status as a working club DJ, Sublunar Oracles largely looked towards the vibrant chill-out and ambient house scenes for inspiration, combining their own manipulated synthesizer sounds, dreamy jazz chord progressions and gentle beats with a smorgasbord of spoken word samples and home-made field recordings.

The Antwerp-based brothers designed the set as a concept album of sorts, with a clear narrative thread running through the album’s eight intoxicating and ethereal tracks. However, they never made this concept public, and it’s down to a new generation of listeners to piece together the story themselves.

26 years on from its initial release, the Van Elsens’ lost classic is getting a new lease of life via a Safe Trip reissue that stretches the original’s eight inspired tracks over two heavyweight slabs of wax. Beginning with the breakbeat-driven bliss of “Arrival”, the album bobs and weaves its way through deep ambient house, sublime horizontal soundscapes, saxophone-laden electronic mysticism, dusty downtempo grooves and glassy-eyed positivity.

Sublunar Oracles

Arrival

Amore Amaro is taken from the forthcoming studio album VOLUME MASSIMO. 
Released on Mute 27 September 2019.

Volume Massimo Live-AV tour includes:

30 August - Atonal, Berlin
8 September - Up to Date Festival, Białystok
14 September - Draaimolen, Tilburg
22 September - TBA, Japan
28 September - Sonica, Ljubljana
19 October - Barbican, London
20 October -  LEV Matadero, Madrid
21 October - St Paul`s Sessions, Athens
25 October - Semibreve, Braga
6 November - Slaktkyrkan, Stockholm
8 November - Mira Digital Arts Festival, Barcelona
30 November - KoncertKirken, Copenhagen
6 December - Monk, Rome
7 December - Argo 16, Venice
11 December - Bozar Electronic Series, Brussels
11 April -  Concertgebouw, Bruges



Facebook:  https://www.facebook.com/AlessandroCortiniOfficial/ 
Twitter: https://twitter.com/blindoldfreak 
Instagram: https://www.instagram.com/alehan/

AMORE AMARO

Bleep

materialize

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

Follow Floating Points -
Spotify: https://found.ee/floatingpoints-sp
Apple Music: https://found.ee/floatingpoints-am
Instagram: https://found.ee/floatingpoints-ig
Facebook: https://found.ee/floatingpoints-fb
Twitter: https://found.ee/floatingpoints-tw
Youtube: https://found.ee/floatingpoints-yt
Bandcamp: https://found.ee/floatingpoints-bc
Soundcloud: https://found.ee/floatingpoints-sc
Songkick: https://found.ee/floatingpoints-sk

Crush

Bias

Join filmmakers Josh & Benny Safdie for a behind-the-scenes conversation about their new film Uncut Gems. The brothers discuss how they used sound design and music to create the perilous, uncomfortable world of Adam Sandler’s character, Howard Ratner. They are joined by composer Daniel Lopatin, who talks about using the classic 1970s Moog synthesizer to create the movie’s emotional score, and re-recording mixer Skip Lievsay, who talks about how he used Dolby Atmos to give the audience the experience of being in the world of the characters. Recorded in front of a live audience at the New York Film Festival Artist Academy.

Josh Safdie, Co-writer, Co-director 
Benny Safdie, Co-writer, Co-director 
Daniel Lopatin, Composer 
Skip Lievsay, Re-recording mixer

The Sound of Uncut Gems

Celeste

Illusion Of Time

'Yelli' is the opening track on 'Cape Cira' - the forthcoming debut LP by K-LONE.

Out on 24th April. Pre-order direct at wisdomteethuk.bandcamp.com/album/k-lone-cape-cira-lp

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The result of a short creative burst during a grim British winter, Cape Cira explores music as escapism, comprising a series of lush, warm vignettes that demonstrate music’s unique transportive power.

Cape Cira takes place in a sensuous sonic world between the natural and digital realms: FM synthesisers mimic acoustic instruments, tuned percussion and bird song; and found sounds and field recordings are processed with a hyperreal sheen.

In contrast to his clubbier productions, Cape Cira sees K-LONE explore the full melodic and textural potentials of his sound, drawing influence from ambient, fourth world, and modern classical music to create a work more closely related to the outputs of SND, Jon Hassell, Burnt Friedman, or - more recently - Don’t DJ and Visible Cloaks.

K-LONE - 'Yelli'

Soundtracks: Capri-Revolution

Silia

Nils Frahm - First Defeat from Empty.

Video recording and Piano sheet music are here: https://youtu.be/i4PsRjRHYvE

Playlist https://soundcloud.com/alexkrasnoskulov/sets/nils-frahm-empty

Nils Frahm: First Defeat | Empty | Piano Cover

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton