“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

Behold Finders Keepers, a British record label, 40 years in the making, introducing fans of psychedelic, jazz, folk, funk, avant-garde and whacked-out movie musak to a lost world of undiscovered vinyl artifacts from the annals of alternative pop history.

Catering to record collectors and DJ-producers alike with a huge emphasis on sample friendly soundscapes, rocksteady back-beats and primitive electronic experimentalism. Discerning purveyors of the bizarre and abnormal should expect the Japanese choreography records, space-age Turkish protest songs, Czechoslovakian vampire soundtracks, Welsh rare-beats, bubblegum folk, drugsploitation operatics, banned British crime thrillers and celebrity Gallic Martini adverts... presented on CD, 7" and traditional black plastic discs in authentic packaging.

Following in the very same footsteps as the mind boggling "Music To Watch	Girls Cry" and "Songs In The Key Of Death" mix CDs for Fat City Records and the original 5-star rated Finders Keepers compilation LP in 2001, Manc-based vinyl-vulture, recording artist and record producer Andy Votel enlists the skills of fellow B-Music DJ and Rare Disc Detective Doug Shipton to form a team of psychedelic librarians and cosmic-pop-quiz-elitists to run their new Twisted Nerve distant sister-label, leaving no progressive pebble unturned or record collection un-rifled.

Future compilations and re-issues will feature collaborative curators such as David Holmes, Cherrystones and Bob Stanley and further contributions from mystery A- / B+ pop-celebrity fanatics of outsider music and ultra-rare bakelite discs. Finders Keepers is an 'accidental world music label' with a punk aesthetic and DJ friendly ethos which allows the desperate listener to sit back while we deliver schizoid cultural channel-hopping compilations and rocking-horse-shit & hen's-teeth re-releases to the comfort of your psych-starved living room...

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Hotel Eden is the genre-blending music of Kelly Warner, a songwriter, producer, and sound designer who lives in Sarasota, Florida, USA. His 2013 San Francisco-released debut album "Rewind" is a recording described by East Bay Express as "remarkable," which dives headlong into a wide range of pop-motivated styles, orbiting around layers of head-nodding beats, piano, Greenwood-esque guitar and groovy basslines all blended together with unmistakable tinges of vintage psychedelic rock, soul, and hiphop.

 

“Echoes,” Hotel Eden’s first 2020 single, brings sentimental, bittersweet yet beautiful melancholy to pulsing rhythms and atmospheric pianos, weaving an intricate confession of what a lost love should be… but what never was. Listen at Spotify and all other platforms.

Born and raised in Sandpoint Idaho, Shook Twins are an Indie folk-pop band now hailing from coniferous forested Portland, Oregon. Identical twins, Katelyn and Laurie Shook, Kyle Volkman and Niko Daoussis form the core quartet. Central elements of the Shook Twins' sound are a wide range of instrumentation, including banjo, guitar, electric and upright bass, mandolin, electric guitar, electronic drums, face drum (beatbox), glockenspiel, ukulele, banjo drumming  and their signature golden EGG. Beautiful twin harmonies, layered upon acoustic and electric instrumentation coupled with Laurie’s inventive use of percussive and ambient vocal loops, and Katelyn’s repurposed telephone microphone, set their sound apart, creating a unique and eccentric blend of folk, roots, groove and soul.   

Each Shook Twins song tells a story, distinctive, sharp, genuine, and well – sometimes quirky. Drawing from their life experience, select subjects include, being potters’ daughters, imagined superpowers and a chicken named ‘Rose’ they befriended. Shook Twins also pull out unexpected takes on classic hits, retellings of their musician friends’ songs, heartfelt ballads and rhythm driven dance numbers.   

After releasing their first album "You Can Have the Rest," the twin sisters moved to Portland in December of 2009, conceptualizing their 2011 release "Window" (featuring Bonnie Paine and Bridget Law of Elephant Revival). Both albums were recorded and produced in Santa Cruz, California, at InDigital Studios. Favorable reviews, extensive radio airplay and a busy tour schedule have created an ever growing fan base & kudos from many major musicians. Shook Twins and their full band, including Niko Daoussis (mandolin, electric guitar, vocals), Kyle Volkman (bass), Anna Tivel (violin, vocals), and Russ Kleiner (drum kit, percussion), recently finished recording their third album “What We Do” (releasing 4/8/14) with Grammy nominated producer Ryan Hadlock at Bear Creek Studios as well as partnering and recording an album, with fellow Portland musician Ben Darwish on his epic concept piece, "The Clear Blue Pearl."  

National and regional press accolades have poured in since the April 8th, 2014 release of "What We Do," including USA Today touting, "The Portland, Ore., folk group is ready to rattle the music world with its 'What We Do' album." Acoustic Guitar Magazine says, "'What We Do' is a nearly flawless album that pushes the band into unexplored sonic territory…this is a band that packs a tremendous amount of artistry and talent into their compositions." Indie-music mecca Portland, OR's weekly newspaper Portland Mercury states, "'What We Do' is the sound of two preternaturally talented siblings making the music they want to make with a wide-eyed sense of wonder and the good sense to absorb whatever the world puts in their path."  

Shook Twins have shared the stage with artists including: Gregory Alan Isakov, Elephant Revival, Langhorne Slim, Laura Veirs, Indigo Girls, Mason Jennings, Ryan Adams, Blitzen Trapper and many more!

Eclectic, amusing and whimsical, Shook Twins' laid-back and fun stage presence draws the listener in, allowing them to take the audience away on the adventure that is their live show.


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