I always enjoy these remixes - get to do stuff I don't usually do... I tried a bunch of stuff: Paul Stretched and Hourglassed the samples, played, folded and reversed the life out of them...but ended up with the three samples loaded into Borderlands on my iPad. I recorded the outcome into Ableton - added a little pingpong delay on one track and some mastering to the whole thing and voila...

Disquiet Junto Project 0177: Netlabel Portrait
Use samples of recent Dark Winter Records releases to produce a sonic image of the label.

Every couple of months the Disquiet Junto hosts a netlabel remix. All of the source audio for a netlabel remix is available for free, non-commercial download and creative reuse thanks to a Creative Commons license. This series of “netlabel remixes” is intended to promote that sort of thoughtful, collaborative sharing.

The netlabel Dark Winter has already released three albums this year. We’re going to use a snippet of one track from each of those records, and in combining them produce a kind of sonic snapshot of the label.

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

Use the first 30 seconds from “Part 1″ off Scott Lawlor’s World of Ice and Snow:

http://www.darkwinter.com/dw095.html

Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:

http://www.darkwinter.com/dw096.html

Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:

http://darkwinter.com/dw097.html

Step 2: Upload your track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, May 21, 2015, with a deadline of 11:59pm wherever you are on Monday, May 25, 2015.

Length: The length of your finished work should be roughly between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0177-netlabelportrait” in the title of your track, and as a tag for your track.

Download: Set your track as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution), per the license of the source audio.

Linking: When posting the track, please be sure to include this information:

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:
http://disquiet.com/junto/
Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/
Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

“disquiet0177-netlabelportrait” on the border of black ice

Ambient/Experimental/Techno

Demos/Queries:
twoandtwo.records@gmail.com


'Holograms' Compilation 25/7/15


Working in mixed media...fieldrecordings, analog soundgenerators homemade "tossekasser" creating soundscapes, a,bi & non tonal pieces with or without instruments. Graduated with a degree in (electric) guitar from the Carl Nielsen Institute in Odense, Denmark in 2000.
Masters degree in Electronic Music Composition from DIEM, Aarhus Denmark
Work among others with Acustic Laptoist Tore Honore Boe - saxophonist Peter Brem, soprano Ge-Suk Yeo, poet Richard J. Rizzi, Thomas Jakobsen, drums






Active from 2009 - 2015, Virtual Proximity was a project of saxophonist, electronic musician and producer James Annesley. Based in Melbourne, Australia, the project  incorporated elements of jazz, ambient, triphop and experimental electronica. 

The live edition of Virtual Proximity included Tristan Courtney on Bass and drum programming (he also featured on many of the productions), with VJ Robert Jarvis providing a psychedelic visual backdrop. Playing heavily improvised sets, the group played small shows around Melbourne, with occasional appearances in other parts of Australia and Europe.

Layers of piano, tape loops, samples, and noise.

Plasticien et assembleur sonore. Enregistrement nomade et utilisation de synthèse numérique. Support sonore pour installation, film expérimental, et albums thématiques(soundscape / soundtrack).

Plastician and sound assembler. Nomadic recording and use of digital synthesis. Sound support for installation, experimental film, and thematic albums (soundscape / soundtrack).

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

C H E A P  C O N C R E T E  |  C O N T R I V E D  G L I T C H E S™ | C O N T EN T  S O L U T I O N S

“disquiet0177-netlabelportrait” on the border of black ice

rizzi