It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Hey everyone!  I'm predominately a singer songwriter, my style is an intimate acoustic folk. Most of my tracks on here are sketches, in their most raw and vulnerable state. My truths. My therapy. The incredible support from this community gives me the courage to keep writing and posting, imperfections and all. SoundCloud has kind of changed my life and for that I will be forever grateful. I've also had the opportunity to work on some incredible collaborations with some amazingly talented artists. Some tracks are free downloads and some others are available for purchase on itunes, CD Baby and Bandcamp. Thanks so much for listening..... 

Much Love,
Cyra



I wrote this bio years ago now, but broadly its the same. The main difference is I have relocated in the country and now live with a professional musician and try and toot away at the Clarinet. I learned to read music, which has given me a boost of confidence. Anyway, the old Bio below:

Home recordings of original songs, using the instruments around and about the house, a computer, some new software and cables I trip over. The concertina was a recent addition and dulcimer, accordion, mandolin, piano, the saw and others feature. I'm a little instrument obsessed (I dream about them regularly and probably obsess about them like most women covet shoes) and love the fact that I finally have the facility to record - it's not just my own four walls that hear my musical venturing. A friend has let me borrow a Celtic harp and I've tentatively started a recording with that...so I hope to get quite a diverse range of twanging, plucking, wheezing and strumming up here over time. 

The consequence of an instrument obsession is that I have very few shoes. But that's probably a very good thing.

Some people ask: can one make a living from music? Let me ask back: can one make a living without music?

Sometimes people are beautiful.
Not in looks.
Not in what they say.
Just in what they are
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Classical, Ambient, and Dramatic music, exploring contemporary soundscapes with dreamy pianos, lush strings, and evocative synthetic textures. A sonic journey, often enhanced by collaborations with a diverse range of musicians and producers, making each piece a fresh exploration of emotional depth and atmospheric beauty.&#13;
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Contact: vbueso@gmail.com&#13;

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