Akai vx 600
Teisco 60f
Roland tr 808
Roland tb 303
Yamaha a4000 as FX unit
Elektron analog four as midi sequencer and din sync only

Umbrexciya 210922 0106

(re) Flux

Long Gone

OTOROKU is proud to present the first vinyl reissue of Blue Notes for Mongezi, one of the most passionate celebrations of a life in music ever laid to tape. Recorded in late 1975 by Blue Notes, then reduced to a quartet - Dudu Pukwana on  alto sax, whistle, percussion, and vocals; Johnny Dyani on bass, bells, and vocals; Louis Moholo-Moholo on drums, percussion, and vocals; and Chris McGregor on piano, and percussion - and issued the following year by Ogun, the album is a kairos; the first commercial release by one of free jazz’s seminal ensembles, captured them 13 years after their founding - at the height of their powers - delivering an explosive dirge dedicated to Mongezi Feza, their former bandmate and friend. 

Blue Notes were founded in Cape Town in 1962 and stand among the most important ensembles in the history of jazz. Artistically brilliant and groundbreaking - gathering, within a few short years, a devoted following that included Don Cherry, Steve Lacy, Abdullah Ibrahim, Dexter Gordon, Kenny Drew,Keith Tippett, Evan Parker, John Stevens, and numerous others - they were also the first widely visible multiracial band in South Africa.

As a mixed race band under South African apartheid; this group of friends and like-minded artists - Chris McGregor, Mongezi Feza, Dudu Pukwana, Nikele Moyake, Johnny Dyani and Louis Moholo-Moholo -  existed within a context that viewed their mere existence as a dangerous and subversive act. In 1964, as the pressure mounted, they joined an exodus of musicians leaving for Europe, eventually settling in London during the following year. Sadly, not long after arriving and facing continued economic peril, the group buckled. Johnny Dyani left to join Don Cherry’s band. Moholo-Moholo and Dyani followed suit and joined Steve Lacy on tour, and the remaining members morphed into a number of ensembles that eventually grew to become Chris McGregor's Brotherhood Of Breath.

In late 1975 however, Mongezi Feza - in the midst of a fruitful period collaborating with Dudu Pukwana, Johnny Dyani, and Okay Temiz - suddenly passed away at the age of thirty from pneumonia. Nine days later, on the 23rd December, following the memorial service to their friend, Pukwana, Dyani, McGregor, and Moholo-Moholo gathered in a rehearsal room in London and set out to play. Fittingly, no discussion took place before or during the session. The music was left to say it all.  

The resulting double LP coalesced into four long-form movements that occupy a side each, collectively unleashing an onslaught of free jazz fire, fluidly covering a remarkable range of moods and tactical approaches across it’s length. For anyone encountering the Blue Notes for the first time, the album must have felt like being blindsided by a brick, adding a profound sense of credence to Moholo-Moholo’s belief that free improvisation was intrinsically linked to the Pan-African temperament. In the band’s hands, the idiom sounds like nothing else and exactly as it should. 

A frenzied funeral dirge, a cry, and catharsis, the record rises and falls between playful and joyous movements of deconstructed song, rhythmic and vocal tribalism, and churning, instrumental free expression. It indicates not only a possible future for musical expression - as all truly avant-garde music does - but also the very roots of music itself, illuminating, through abstraction, the far-flung, ancient roots currently carried by the New Orleans “first line” march to the grave. It is a decidedly African vision of free jazz, coalescing as a collective expression of celebration and loss on a cold London day. It is a masterpiece unfolding in real time - out on a limb and laden with risk - created by four of the most talented voices the idiom has known.  

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DUDU PUKWANA / alto sax, whistle, percussion, vocals

CHRIS McGREGOR / piano, percussion

LOUIS MOHOLO / drums, percussion, vocals

JOHNNY DYANI / bass, bell, vocals and most of the words

ROKURE005 - Blue Notes For Mongezi "First Movement"

Active volcano recorded from the top, at the edge of the crater, during the night. 

Recorded by a DoubleMS Setup by Schoeps, CCM41+CCM8+CCM4 (in a Cinela Windscreen),
an AB Setup by DPA Microphones, 2 x 4006,
and a Geofon by LOM Audio.
On a Sound Devices 833 recorder.
Original recording in 192kHz, 24bit.
This sound has been edited and mixes the different sources.

GPS: -19.530189, 169.445493
Recorded on 6th of November 2022, between 6:30pm and 8:30pm.

Tanna Island

Volcano Mount Yasur, Tanna Island

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-212-liz-draper-crystal-myslajek-live-session/

**This episode includes an interview and solo live performances by Liz Draper and Crystal Myslajek and in their duo configuration as Chama Devora**

Liz Draper solo set:
1. “October” [1:11:05-1:17:02]
2. “Hopewick North” [1:17:07-1:22:20]
3. “Mem Marigold” [1:22:24-1:28:58]

Crystal Myslajek solo set:
1. “Imminence” [1:29:00-1:32:55]
2. “Radio Song” [1:32:57-1:40:15]

Chama Devora set:
1. “Awake” [1:40:25-1:46:35]
2. “Haga” [1:46:44-1:53:20]
3. “Embrujada” [1:53:31-1:59:00]

FFFoxy Podcast #212: Liz Draper & Crystal Myslajek live session

001 — Пурпурный Дядя (Purpurniy Diadia)

Pre-order: 12th January 2023
Release date: 20th January 2023
Format: CD, Digital

Everyday life is often filled with many small anxieties that we deal with by simply pretending they do not exist.
Sometimes they thicken beyond the horizon of our field of vision, turning into a sense of impending danger, a floating leviathan, an immense bird of prey hiding in the clouds above the skyscrapers ready to grab us. Our only defence is to try to ignore it, hoping that oblivion will slowly devour it, relegating it to another plane of existence.

And sometimes, it is simply like dreaming of suffocating...

Copyright © 2023 ROHS! RECORDS, All Rights Reserved

previews. Macrogramma - Asphyxia | Lᴏɴᴛᴀɴᴏ Series

New Linear Music
Code SACEM :111568208867

EPHEMERAL TIMES

so far,so high - romain deschamps - septembre 2025

✨ Classic songs reimagined with a glitch-electronic twist — a journey between nostalgia and futurism. ✨

Re[al]Works[50]BYborjamoskv
by Borja Moskv

(re) Flux

R/nо