Professional vocalist looking for management and label opportunities! Originals, covers. Pop, Rock, Country. Nursery rhymes, too.

Violinist Lynn Kuo has appeared as soloist, recitalist, and chamber musician across Canada, United States, Wales, Austria, Hungary, Serbia, Croatia, Bulgaria, Romania, Poland, and Ukraine. As guest soloist, she has performed with the Quebec Symphony Orchestra, Newfoundland Symphony Orchestra, Thirteen Strings, Canadian Sinfonietta, Brandon Chamber Players, Nexus percussion ensemble, Orpheus Chamber Orchestra (Bulgaria), Cantus Ensemble (Croatia), Lviv Philharmonic, Lviv Virtuosi (Ukraine), and as special guest soloist with Hungary’s gypsy orchestra, Rajkó Band.

In demand as an interpreter of new music, Lynn has given numerous world premieres of acoustic and electroacoustic works written for her and various ensembles by international composers: Michael Pepa (seven works), Dennis Patrick, Daniel Foley, Elizabeth Raum, Scott Godin, James Harley, John Oliver, Constantine Caravassilis, Avalon Rusk, Felipe Ramírez-Rodríguez (Canada), Séan Clancy (Ireland), Katarina Miljković (Serbia/USA), and Viktorija Ćop (Croatia). 

These works have been written for her and various ensembles that have included the Les AMIS Ensemble, Duo Vita (with John Oliver, guitarist/composer), and for her and pianist Marianna Humetska. In 2012, Lynn, joined by Marianna Humetska, piano; Anna Guo, yangqin; and Ottawa’s Thirteen Strings (directed by Kevin Mallon), gave the world premiere of Si Yi – The Four Arts, a commissioned work by Alice Ho for violin, piano, yangqin, and string orchestra. Frequently a guest artist at the University of Toronto New Music Festival, Lynn has co-created multi-disciplinary performances featuring the works of American composer Steven Mackey (Interior Design with collaborative painter Daisuke Takeya) and Gabriel Prokofiev (Sleeveless Scherzo for solo violin and dancer with dancer/choreographer  Angela Blumberg).

Maintaining a busy performance schedule, Lynn is also Chef de l'ensemble Les AMIS and has performed in six Les AMIS European concert tours. Lynn continues to collaborate with leading artists, having performed solo and chamber works with such artists as the Fitzwilliam String Quartet, the Penderecki String Quartet, Christoph Eschenbach, the Gryphon Trio, Mark Fewer, Lori Freedman, and with other eminent artists at the University of Toronto New Music Festival, Tuckamore Festival, Gros Morne Summer Music, and Music Biennale Zagreb Festival (Croatia). 

Lynn’s performances have been broadcast on Canadian, Serbian, and Hungarian radio and television. In 2010, Lynn recorded music of Nino Rota for the Naxos label, recording with pianist Mary Kenedi. With pianist, Marianna Humetska, Lynn will be releasing their debut CD, LOVE: Innocence, Passion, Obsession on April 23, 2014.

Based in Toronto, Lynn is the Assistant Concertmaster of the National Ballet of Canada Orchestra, in addition to performing with the Canadian Opera Company and the Toronto Symphony Orchestra. Lynn has also performed as guest concertmaster of orchestras that have included the National Arts Centre Orchestra, Newfoundland Symphony Orchestra, and Opera Hamilton. Lynn also serves as adjudicator, guest artist, teacher, and lecturer at Canadian festivals and universities. 

Lynn completed her Doctor of Musical Arts at the University of Toronto dedicating her research to the subject of holistic health and injury prevention in orchestral string musicians.
Updated 02/010/14 (Please visit www.lynnkuo.com for updated, electronic press kit materials.)

I'm a Toronto musician and music-lover. I perform in various guises, including as one-man blues-band Broke Fuse (http://www.brokefuse.com/). I'm also co-founder of the Scarborough Uke Jam (http://www.scarboroughukes.com/).

The Druckfarben story began in the Toronto suburb of Scarborough in the mid 1980s, where guitarist Ed Bernard and drummer Troy Feener began exchanging musical interests in grade 9 art class. Ed introduced Troy to the progressive rock of Yes and Gentle Giant—---and soon the two started playing music together. One day, outside their store-basement rehearsal space, the young musicians discovered some black barrels with a strange word stenciled on them...… Druckfarben. As they tried to imagine the contents of the mysterious barrels, Ed joked that one day they would be in a band together, and they would call it Druckfarben. 

Meanwhile, at a nearby high school, young keyboardist  Will Hare was working out on Bach and Rachmaninoff; at Jarvis Collegiate in downtown Toronto, young bassist  Peter Murray was gaining a reputation as the guy who could play “"YYZ"” by Rush; and, further south in Rochester, New York, singer Phil Naro was already a full-fledged professional front-man in the metal band Talas, alongside legendary bass virtuoso Billy Sheehan. The five musicians, still for the most part unknown to each other, shared two notable traits: all were very talented on their chosen instruments, and all were big fans of progressive rock.

Years went by—---and not surprisingly, all five became professional musicians. This entailed separate stints with unsigned and signed original bands and artists; cover bands and tribute acts; teaching and writing; jingles and studio work. All became highly respected in their local scenes. But the prog rock that had initially inspired them all seemed to be left behind---the stuff of nostalgia, of fantasy. It wasn't commercially or professionally viable; to form a prog band was simply unthinkable. At least for a while...…

Many years later, Troy became the main drummer for Classic Albums Live, a collective of musicians who perform classic records note-for-note. He longed to put on a prog show, and eventually the powers-that-be agreed to stage a recreation of the Yes albums Close to the Edge and The Yes Album. Predictably, all the future members of Druckfarben were called for the gig. Peter had to pass because he was producing an album in Germany at the time, but he attended the now-historic show at the Phoenix Concert Theater in Toronto on September 20, 2007. Performing this challenging, brilliant music inspired the forming of a band... and Druckfarben was born.

Druckfarben started off performing covers of prog classics by Yes, Genesis, King Crimson, Gentle Giant, Kansas, Rush and others, and the band's first set (March 1, 2008 at Roc ’'n Doc’'s in Port Credit, Ontario) kicked off with the tour-de-force “"Close to the Edge."” The band solidified their chemistry with a monthly gig at Toronto'’s Orbit Room (co-owned by Alex Lifeson of Rush) and a monthly prog jam (perhaps the world's one and only!) at Roc ’'n Doc’'s. Area prog fans had much to celebrate, as a new community of musicians and fans was born, with Druckfarben at the center. As the band’'s reputation grew, audiences included Kim Mitchell, Nick D’Virgilio (Spock’s Beard), Terry Brown (Rush producer) and other prog luminaries. 

Although Druckfarben built up their collective performance chops on prog classics, the band always intended to apply the fruits of those labours to their own music. Work on original material soon started, with Ed leading the songwriting and production charge, and in October, 2011, the band's debut self-titled CD emerged in all its glory. It’'s a tribute to the enduring love that all members of this quintet have had for progressive rock since their high school days. Maybe they should have been doing this all along... but two things are for sure: firstly, there could have been no shortcuts to where Druckfarben is now—---the band is the sum of its varied and extensive collective experience. And secondly: the road ahead is long and scenic!

Rob Wolanski is following