Very interesting pilot project from St. Petersburg. Music "ALTER FORM" implicated in post-apocalyptic-Gothic style, based on the broken rhythms. Bestsellers "Generation Time" and "Fiend" from Alter Form entered the top 100 of the first half of 2010, Juno Record.&#13;
Compilation of genres contain in Alter Form tracks making him very unique and what's most important.......? This is just a beginning of his international DJ &amp; producer career.&#13;
As is the resident of label NFB music&#13;
At 2011 joined Beat Rude Records with his original track called "Ghost Town".&#13;
Remix requests <a href="mailto:mix8206@mail.ru" rel="nofollow" target="_blank">mix8206@mail.ru</a>&#13;
Ph. 89119001078&#13;
► LABELS :&#13;
&#13;
✯Ego Shot Recordings✯&#13;
✯NFBmusic✯&#13;
✯Beat Rude Records✯&#13;
✯Flextone Recordings✯&#13;
✯Morphosis Records✯&#13;
✯Scarcity Recordings✯&#13;
✯Divergence✯&#13;
✯Kind Crime Recordings✯&#13;
✯RkDeepLove Records✯&#13;
✯Break Wind Productions✯&#13;
✯Music Dark Records✯&#13;
✯Definition Breaks✯&#13;
✯Breakz R Boss Records✯&#13;
✯Religion Breaks Records✯&#13;
✯13breakz ✯&#13;


British-born Lee Coombs has been DJing since 1989, when he got his start at acid house parties in London and Cambridge. He went on to run several of his own labels and collaborate with some of the most respected artists and producers in his field, combining breaks, house, electro, techno, and acid to create groundbreaking mixes in his own signature style. Coombs is a talented and innovative fan-favorite around the world, whether he’s releasing music through his own Thrust Recordings or as part of the Lot49 team, or mesmerizing massive audiences filling dance floors from Australia to Burning Man.

Dancefloor Disobedience since 1995

http://www.skintentertainment.com

Demos - skint.demos@bmg.com

Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.

https://instagram.com/introcut
https://carepackage.bandcamp.com/music
https://introcut.bandcamp.com/
http://www.mixcloud.com/introcut/
https://www.twitch.tv/introcut
https://www.youtube.com/user/introcut
http://introcut.tumblr.com/

- Stop Biting Every last Tuesday at Lo-Fi 
(Since 2004)
https://www.facebook.com/StopBiting
http://twitter.com/StopBitingLoFi

-Trashy Trash DJs
https://www.facebook.com/TrashyTrashDJs
http://soundcloud.com/trashy-trash-djs
http://twitter.com/TrashyTrashDJz

-Care Package Music
http://carepackage.bandcamp.com/
https://twitter.com/CarePackageRecs

-SNAP! 90s Dance Party 
Every 3rd Saturday at Lo-Fi (Seattle) 
& every last Friday at Holocene (Portland)
+ Now in DENVER!
https://www.facebook.com/SNAP90s

boss of Trippy Ass Technologies
all bookings: bookings@trippyasstechno.com

Please check out my new music project:
soundcloud.com/iteratemusic

Bookings: andrei.iterate@gmail.com

Definition:breaks

Hardcore breaks (definition) : “a genre of electronic music written in the style of old skool rave music or breakbeat hardcore using modern technology”

Nu skool breaks (definition) : “(often abbreviated to nuskool or breaks) is a term used to describe a sub-genre of breakbeat. The sub-genre is usually characterized by its darker and heavier bass lines that are normally dominant throughout the track.”

(Quotes taken from Wikipedia)


Definition:breaks (definition) : a new digital label which aims to demonstrate that genres which may be years apart can have much in common, and shows that quality music can gain influence from the old and nu skool, defying both age and boundaries.


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