...my angel gave me up...

"iT" (Irena Tomažin)
album "Crying Games"; Zavod Atol, 2011
voice, lyrics, dictaphones/tape recorders: Irena Tomažin
mix, production, mastering: Aldo Ivančič
studio: TRAK, Kranj
design, photos: Mina Fina


Outro - give up your crying game

Free composition written in Gnu Lilypond Note Engraver. 
Orchestrated in LMMS (in Linux) by Sonja Busch in 2016.
This piece gradually immerses from the Western Music 
into the Eastern one  (as I imagine it).
Instruments (20 tracks):  Analog Piano + Cello +  Dobro + 
Sarod (Indian Lute)  + Veena (Indian Stringed)   + Nay FLute (Persian)  
+ Erhu  (Chinese 2-stringed fiddle) + Kanun  ( Quanun Middle East Stringed) 
+ Tabla Percussion (Indian) + Luan or Ruan (Chinese Lute) + Synth Dark Pad  
+ Pip(Chinese Lute)  + Baglama (Turkish Lute) + Kamancheh (Iranian Bowed Stringed)   + Japanese Flute + Aeolian Harp.

Ethno Fugal Fantasia

The Modifications of Clouds_Nina Whiteman (trio)

Kiti le Step vs MCLD - Paris

Slub live at Maison Rouge, Paris, 30th August 2011

(C) Slub 2011
(P) Chordpunch 2012

Slub Live in Paris

Another electroacoustic improv track from Devices and Desires, Carla Rees - 1/4 tone flute and Scott Miller - electronics.

Bending reed excerpt

body voice again and again...
" there is a body in my body the body of voice is in my body is my buddy the voice but...
two bodies at the same time can not always be good buddies sometimes somebody does not bear the other body as a buddy but..."

My two body are buddy

EVP (Electronic Voice Phenomenon) describes the deliberate or inadvertent capturing of the voices of ghosts on electronic media such as tape recorders, video or radio. Around the world many thousands of people participate in projects to investigate spectral presences in haunted spaces by recording and then painstakingly analysing recordings. Whether this is a real phenomenon or an example of mental pattern recognition—finding structures in random data, like an aural Rorschach Test—is a matter of opinion. In this work, a collage is generated from a number of EVP recordings. The performers emulate the sounds with extended techniques on their instruments with the aid of a scrolling score that shows relative the pitch, duration and dynamics of the EVP samples in real-time. For reasons that are not entirely clear to me this is my the third recent work, following Ghosts of Departed Quantities (2010) and The Talking Board (2011), to explore the supernatural.
Also listen at: http://lindsayvickery.bandcamp.com/album/questions-written-on-sheets-of-glass-chamber-music-ix-2011-2012

EVP (2012)

Griffmadar

I composed this piece for a competition that required short demo pieces that demonstrate the microtonal capabilities of the software Ethno 2 by Motu.

This demo borrows chord types from La Monte Young's The Welltuned Piano, and arranges them for Indonesian instruments. The tuning is a superset of the tones in La Monte Young's piece. I borrowed some of his chords, but handle them in a different way. I quasi added the ratio 5 – which is missing in the tuning system – but only to the rhythmic dimension, by having a 5/4 time signature in the metric sections.

Three and Seven Only (2010)

Continuum for Amplified Bass Clarinet, Delay and Tape. (2000)
Clarinet :Paul Roe
Commissioned as part of the Containers Project curated by Sean McCrum and Hilary Morley.

Continuum (2000) for Amplified Bass Clarinet, Delay and Tape.

robcanning

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