DJ / Producer / Remixer

★ www.lntg.co 
[LNTG DJ mixes available in DL's section]

★ Hi Soundcloud friends, thanks for your support. Jump over and 'Like' my Facebook page.  
I will be using it for any news and updates on new edits, downloads and tour/live DJ performance info.
Thanks for listening.
LNTG.

★ LNTG FACEBOOK http://www.facebook.com/LateNiteTuffGuyOfficial?ref=tn_tnmn

★ BOOKINGS AUSTRALIA+NEW ZEALAND:
'Poster Child' trent@posterchild.com.au

★  BOOKINGS US+CANADA+MEXICO+SOUTH AMERICA: 
'TUFF MUSIC MANAGEMENT' tuffmusicmgmt@gmail.com

★ BOOKINGS UK+EUROPE: 'THE UNITY AGENCY' paul@theunityagency.co.uk

★  BOOKINGS ASIA: 'WARUNG AGENCY' jonathan@warungagency.com

★ MANAGEMENT: 'TUFF MUSIC MANAGEMENT': tuffmusicmgmt@gmail.com 

★ TWITTER: @LateNiteTuffGuy

★ INSTAGRAM: latenitetuffguy

★ TUFF MUSIC MANAGEMENT FACEBOOK
http://www.facebook.com/pages/tuff-musc-management/367270516628833

♥ LNTG.

'Stellar Drifting', the new album out now.
http://george-fitzgerald.com

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


For over two decades Groove Armada has been established as one of the planet's best loved and biggest selling dance acts. As comfortable on the big stages as they are in sweat soaked basements, the boys cross genres and styles with ease.

Bookings live/Dj WW / FR: agent.e@bi-pole.org

Hello: dk.music.contact@gmail.com

Lovebirds, the dynamic duo of Sebastian Doering and Daniel Klein, have been shaping the dance music scene since their debut in the vibrant 90s. Their influence spans diverse projects, from Kneedeep to Kiez Kids, leading to their current musical endeavor - Lovebirds. Their journey has resulted in a repertoire of timeless classics.

Their 2011 masterpiece, a collaboration with Stee Downes titled "Want You In My Soul," stands as a testament to their extraordinary talent. This hit single resonates so deeply with listeners that it has become an anthem, with weekend spins across the globe since its release.

The unique LOVEBIRDS' sound is steeped in soul and depth, eliciting rich emotions. Their reach is expansive, garnering over 60 million Spotify streams, despite not targeting the mainstream audience.

Trading Hamburg for Berlin in 2015, they forged numerous new relationships, broadening their sound to a more diverse, live interpretation of dance music. Their foundation in the black music of the 70s and 80s is evident in their diligent efforts to transpose the depth of that era into contemporary soundscapes. Their studio, a treasure trove of coveted analog production gear, mirrors a museum.

Renowned for their B2B DJ sets that bridge diverse genres and eras with pure joy, LOVEBIRDS prioritize crowd connection, guiding listeners on a captivating journey through a spectrum of sound - from house and disco to Italo, new wave, yacht rock, and 80s pop, and everything in between.
Their 2011 masterpiece, a collaboration with Stee Downes titled "Want You In My Soul," stands as a testament to their extraordinary talent. This hit single has never stopped creating unforgettable moments on dancefloors across the globe eversince.

The unique LOVEBIRDS' sound is steeped in soul and depth, eliciting rich emotions. Their reach is expansive, garnering over 60 million Spotify streams, despite not targeting the mainstream audience.

Trading Hamburg for Berlin in 2015, they forged numerous new relationships, broadening their sound to a more diverse, live interpretation of dance music. Their foundation in the black music of the 70s and 80s is evident in their diligent efforts to transpose the depth of that era into contemporary soundscapes. Their studio, a treasure trove of coveted analog production gear, mirrors a museum.

Renowned for their B2B DJ sets that bridge diverse genres and eras with pure joy, LOVEBIRDS prioritize crowd connection, guiding listeners on a captivating journey through a spectrum of sound - from house and disco to Italo, new wave, yacht rock, and 80s pop, and everything in between.
bookings: charlie@circuit.tours
australia & NZ: james@watartists.com

i dont use the messenger here

Bookings: 

UK / International - Javier@analog-a.com
North / South America - aysh@thebullittagency.com

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Hot Creations / Solid Grooves / Relief Records / Emerald City / Wow! Recordings
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Latmun, the moniker of Joe Bradley is making his mark through a unique interpretation of the electronic music landscape. Both his DJ sets & own productions have a coherent energy, infectious grooves being the key component for crowds to be captivated worldwide.

Being a staple on the worldwide circuit since 2016, Latmun has shown his sound is diverse and adaptive, with regular appearances in world acclaimed venues such as Amnesia, DC10, Hi, Manchesters Warehouse Project and Printworks London. His sound has been experienced at staple parties such as Music On, Paradise, EDC, The BPM Festival.. and the list goes on!

Aside of the DJ sets, Latmun’s music has reached many fans worldwide resulting in multiple Beatport number ones and ending up in the record bags of artists such as Jamie Jones, Marco, Carola, Paco Osuna, Micheal Bibi and many others.

Latmun is an all round lover of music, the rest can be denoted by virtue of listening and experiencing what he brings for yourself, on a dance-floor near you!

Record label from Hot Since 82

kdisdemos@gmail.com

Robert Carter is following