Cool track, bud. Especially given the loss of my beloved pet. So this resonates with me.

Lovely sounding track with good vocal, nice lyrics and quite a bit of emotion!

Beautiful song, I'm sure that Buddy loves it...

nice country guitar sound I like this and yes I have a dog 😉

Love dogs, and this song. Maybe a little country rock sound.

Very cool acoustic song, great lyrics and awesome entertainment as always!

Nice folk-rock vibes. Pleasantly easy-going

Ladat’s Support August’23 vol.1

This EP contains 4 original songs I've produced few years ago focused on "music for videogames". All these songs have a kind of "forest fantasy" athmosphere inspired on Brazlian folklore.  
Enjoy!  ^_^

Dancing On The Leaves

Christopher Woodiwiss Original Music - Since I was young

I have a fondness for loud guitars, synthy bass and harmonized horns. Why not include them all in a crunchy tune? #Fusion #Jazzguitar #Psychedelic #MRMT #Jazzsolo #saxsynth #shredguitar

Metajuk3

This is a fun, more acoustic-based song I wrote about a week ago! The lyrics are in my vision about a conflict I'm having with a friend, though they are up to interpretation.

It won't be
Intro
(ooh-ooh-ooh-ooh-ooh-ooh-ooh)
verse 1:
Help me for a while
save me just in time
have your final wish
count on it you bitch
chorus:
(it won't be, that easy
it won't be, that far) x2

interlude (bass moment)

verse 2:
take a stroll down there
where the lights were
featherly flight
you might see it, you might

verse 3:
we're not enemies
we just don't agree
this life's not my plan
but I'll meet you, I can

chorus:
(it won't be, that easy
it won't be, that far) x2

outro chorus (mix verse + chorus melody)
It won't be (ooh-ooh-ooh-ooh-ooh-ooh-ooh)
that easy (ooh-ooh-ooh-ooh-ooh-ooh-ooh)
It won't be (ooh-ooh-ooh-ooh-ooh-ooh-ooh)
that far (ooh-ooh-ooh-ooh-ooh-ooh-ooh)
x2

It Won't Be

Medicin Man

Medicine Man

produced by Artist Dave
art by Sara Giachetti

once again

Tired of writing lyrics, we used the text of an old Rolling Stones song for this one.

Video: https://youtu.be/gHMPoX66xxw
Lyrics by Nanker Phelge (1965)
Music by Interpret Unbekannt (2023)

Play with me (Reimagination of a The Rolling Stones Song)

Flute Joke

Wrestling Down The Frame [Prod by. Warmshelter]

Celtic Dreams

"Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!"

( saying at the bottom of the Statue of Liberty )


this is a song recorded through the clean channel of a #MarshallValvestate8100 mostly.

Recorded with #Ableton Live 9, though I used the external #GTA3 plugin-container for most effects.

Earth Patriot - Nutshell

Written: 2019 | Duration: ca. 5'
Instrumentation: solo harp
Commissioned by Joseph Rebman: http://www.josephrebman.com/
Performed by Kathryn Andrews: http://www.kathrynandrews.com/

BUY SHEET MUSIC
http://billholabmusic.com/store/index.php?main_page=product_info&cPath=151&products_id=3099http://billholabmusic.com/store/index.php?main_page=product_info&cPath=151&products_id=3099

PROGRAM NOTE
A ‘glitch’ may be defined as a sudden, usually temporary equipment malfunction or irregularity, and it also means to suffer from such a malfunction or irregularity. In Glitch, my primary goal was to create a fun, highly rhythmic piece with lots of twists and turns, using a few extended techniques to emulate glitches in the musical tapestry. Each glitch interrupts the current section a couple times, triggering the next section. Glitch was commissioned by Joseph Rebman.

Buy Sheet Music

Glitch (Harp Solo)

This was my first track using a leitmotif, an extremely common technique in video game and film music. Basically you take a short musical idea and tweak and twist it and explore all kinds of variants of it until you've turned one idea into several minutes of music!

I really like the writing and arranging I did for this piece, I just found my production execution (as usual) to be a bit lacking. I was a little too aggressive with my HP filters because I was trying to free up maximum room for the bass, which really grounds the rhythm the whole way through.

Also most parts are recorded using a keyboard. I'm not a keyboard player so some of it feels a little sloppy despite my best efforts in editing.

All in all, though, it's the most complex and lush piece I've ever written and I hope you can enjoy it despite its faults.

Faith

Homecoming

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - III. Auction Chant

I lost Buddy (My Dog) many years ago and I was so sad I wrote a song about it. 10+ years and a still can't perform live.
Lyrics By Robert and Marianne Grigg.

Video Link!
https://youtu.be/bPUUJPdiEGo

Buddy's Song

It's a blessing to be able to create music and if someone enjoys my work, that's icing on the cake! All blessings come from God.

As a retired DOD Civil Service worker, I have time to record some. I have been recording at home sice around 1990 and some of my tracks are very old.  I‘ve had 50+ years in bands playing music of many types. I still play the club scene 3 to 4 times a month. Life is good!

I'm a Guitarist who likes to write, record and sing many styles of music. Please check out my tracks. I'm also enjoying the occasional collaborations.  Meeting some good friends on here and continuing to grow. Thank you for listening!


Es una bendición poder crear música y si alguien disfruta de mi trabajo, ¡eso es la guinda del pastel! Todas las bendiciones vienen de Dios. Como trabajador jubilado del Servicio Civil del Departamento de Defensa, tengo tiempo para registrar algunos. He estado grabando en casa durante unos 23 años y algunas de mis pistas son muy antiguas. He tenido más de 50 años en bandas tocando música de muchos tipos. Todavía juego en la escena del club de 3 a 4 veces al mes. ¡La vida es buena! Soy un guitarrista al que le gusta escribir, grabar y cantar muchos estilos de música. Por favor, echa un vistazo a mis pistas. También estoy disfrutando de las colaboraciones ocasionales. Conocer a algunos buenos amigos aquí y seguir creciendo. ¡Gracias por escuchar!

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Buddy's Song

Robert Grigg

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