To Each Its Own - Grigg/Butts/Combstead

Bard, storyteller, song maker, star walker and author of books on the sacred mysteries.

All the lyrics of my songs are written by me. I put them to music with A.I. and then I spin up the whole lot in the Magimix with samples and loops. I can't sing for toffee, so if you fall in love with a singer on one my tracks, it's likely to be a robot!  Just sayin'...😎

All my socials: https://hyperfollow.com/anniedieuleveut

It's a blessing to be able to create music and if someone enjoys my work, that's icing on the cake! All blessings come from God.

As a retired DOD Civil Service worker, I have time to record some. I have been recording at home sice around 1990 and some of my tracks are very old.  I‘ve had 50+ years in bands playing music of many types. I still play the club scene 3 to 4 times a month. Life is good!

I'm a Guitarist who likes to write, record and sing many styles of music. Please check out my tracks. I'm also enjoying the occasional collaborations.  Meeting some good friends on here and continuing to grow. Thank you for listening!


Es una bendición poder crear música y si alguien disfruta de mi trabajo, ¡eso es la guinda del pastel! Todas las bendiciones vienen de Dios. Como trabajador jubilado del Servicio Civil del Departamento de Defensa, tengo tiempo para registrar algunos. He estado grabando en casa durante unos 23 años y algunas de mis pistas son muy antiguas. He tenido más de 50 años en bandas tocando música de muchos tipos. Todavía juego en la escena del club de 3 a 4 veces al mes. ¡La vida es buena! Soy un guitarrista al que le gusta escribir, grabar y cantar muchos estilos de música. Por favor, echa un vistazo a mis pistas. También estoy disfrutando de las colaboraciones ocasionales. Conocer a algunos buenos amigos aquí y seguir creciendo. ¡Gracias por escuchar!

Milo Ray Moore | German producer shaping HipHop & Downtempo soundscapes.

m@tro-music is my life I grew up in Yucaipa CA. My musical influences are the rolling

Stones,faces,Ronnie,wood,also men at work, Colin hay and Bruce Springsteen.Colin hay and Bruce Springsteen are my favorite song writers.Another artist I enjoy is j.mascis I grew up in the 80s so i had a lot of music in my life.Im just a working class guy making music from my heart my solo stuff can be found @ https://share.amuse.io/jSUEL2CnWzqz
also my m@tro YouTube link👇
https://www.youtube.com/@matro951


STH (band)-STH-(small town heroes) 2 best friends,matt hanson aka m@tro  (vocals) and Jeff pippin aka p@radigm(guitar)write songs and play music together since 2004 with long hiatuses in between we just started playing together again most of our songs where recorded in 2004 and 2008.STH project acoustic album can be found @ https://share.amuse.io/QIuo-GJgsVnK also on bandcamp@ 
sthmusic3.bandcamp.com
YouTube link------👇
https://www.youtube.com/@sth8453
Donations 
https://www.paypal.com/donate/?hosted_button_id=JB3T2ZU6PLUX8
to buy our CDs here is our store
http://Kunaki.com/MSales.asp?PublisherId=189585&PP=1

Garage rock, Space rock,Grunge and punk rock inspired noise.  

Give us a follow on the socials! We never send nudes!

I am a singer-songwriter who writes, performs, produces, records, mixes and masters all my own music.  I am open to collaboration and any licensing of my music.  Would love to hear from you!

Hard Rock punk composer, producer.... I love work with original free acapella tracks, I give them the music that I have always liked listen to.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

To Each Its Own - Grigg/Butts/Combstead

Robert Grigg