A dazzling succession of techniques in the service of a captivating and appealing solo piece. Wow 🤩

Une magnifique synthèse de la musique baroque jusqu'à la musique romantique.

Very Baroque in this style, rich with expression and generous with melody.

I am always impressed when people write such engaging and emotive pieces so minimally. My temptation is to throw layer on layer. Well done. There are some phrases in here that I love, catch your ear immediately.

Excellent composition and expressive performance! Very attractive production.

Tired of writing lyrics, we used the text of an old Johnny Cash song for this one.

Video: https://youtu.be/EeLcCvJMVYY
Lyrics by June Carter & Merle Kilgore (1963)
Music by Interpret Unbekannt (2022)

Fire (Reimagination of a Johnny Cash Song)

Created and produced by SA (Rosemary Bensko).

Chimera

Sugarloaf Hill is one of the Malvern Hills here in England, between the two highest peaks of that range. I have walked it a lot and it always gives me a melancholy feeling, hence this song.

Sugarloaf Hill

A cover of this festive jazz song from A Charlie Brown Christmas

Christmas Time is Here [Vince Guaraldi cover]

LYRICS

I'd give your pretty head a little shake.
Cos maybe i'm not such a fool.
Ah now, you're out there hanging with the super freaks.
The ones who abhorred you at school. 

There's no reason to be this excited by.
Oh, it's only some shit up your nose.
You look in the mirror from your pallid eyes.
Good lookers never give you a rose. 

The cows in the fields,
Oh they get it for free,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me. 

Overestimating your thinking time.
It's seconds not the years that you thought.
The days that you gave in waiting on the line.
Can't count all the shit that you bought. 

Perfecting a lazy impression of.
The dandiest man on the town.
Might fool all the others with your dirty clothes.
Someday everybody comes down. 

The cows in the fields,
Oh they get it for free,
They get it for free.
The birds and the bees,
Oh the cows and the trees,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me. 

You think you'll have it down
your nose at us.
Now that it bleeds take a pass.
The wolf is laying right there in your grandma's bed.
My girl what big teeth that he has. 

I'd give your pretty head a little shake.
Cos maybe we're not such a fool.
Ah now, you're out there hanging with the super freaks.
The ones who abhorred you at school. 

The cows in the fields,
Oh they get if for free,
They get it for free.
The birds and the bees,
Oh the cows and the trees,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me.


Cows (Get it)

LYRICS

Phone on the sofa, 
oh you're taking in nothing,
vaguely listening to the scene.
I would kinda love it if you'd give me something, 
something to work with, 
something to grow.
I would kinda like it if you showed some feeling,
or if there's nothing you would let us know. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

The beer bottles pile up by your feet, 
your grieving; isn't aimed above but rather just below.
Any excuse to feel collective meaning, 
just laying back to enjoy the show. 

We're heading out to see the queen.
We're oh so worried what's gone wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

Your eyes barely flicker as you light up your cigarette,
take a drag and survey the scene.
I was kinda hoping that you'd be my princess.
kinda hoping that you'd be my queen.

The Queen [with The Fall of Saigon]

Written: 2021
Duration: ca. 5'
Instrumentation: solo violin (MIDI Version)
World Premiere: TBA
Sheet Music Currently Unavailable
For more information:  https://robertpaterson.com/adagio

PROGRAM NOTE
Adagio for solo violin was composed as a surprise birthday present for my good friend Adam Abeshouse who is an excellent violinist, and also one of the world’s greatest classical recording producers. Since I enjoy creating pieces that musicians have a personal connection with, I asked Adam’s wife Maria which pieces Adam likes to play, and she mentioned the first movement of J.S. Bach’s Sonata No. 1 in G Minor. I have quoted phrases from various pieces by Bach in a few of my other works (my Elegy for Two Cellos and Piano, for example), so I decided to embed a few phrases from that movement in this piece, so that when Adam plays it, he will be reminded of his favorite piece by Bach. I also included motifs based on Adam’s first name (A, D, A, and Mi, the solfège name for E) and also on Maria’s name, and his daughters Sarah and Emily.

Adagio for solo violin was commissioned by Steve and Hildy Martin in honor of Adam Abeshouse’s 60th birthday.

Adagio for Solo Violin (Pre-Premiere Version)

ALFONSO LLORENTE: VOCALS, ACOUSTIC GUITAR & STRINGS
MRS A: VOCALS

IF I WERE A CARPENTER (Tim Hardin)

I THROW MY HANDS UP 👐 
I NEED 😲 Y'ALLS HELP HONESTLY PRETTY PRETTY PLEASE 🙏 
● CAN YOU LISTEN TO THIS ONE
& 
● COMPARE TO THESE OTHER TWO : 

● 'DOUBLE SHOT CAN PRACTICE SESSION NUMBER 1

● 'DOUBLE SHOT CAN PRACTICE SESSION NUMBER 2'

UNDER MY TRACK LIST posted hmmmmm
LEMME SEE IF I CAN PUT LINKS ON HERE.....derp 🙃

LET ME KNOW WHAT Y'ALL THINK ABOUT 🤔 THEM
Y'ALLS SUPPORT AND CONSTRUCTIVE FEEDBACK/OPINIONS ARE HONESTLY HAVE GOTTEN ME THIS WAY 
THANK Y'ALL SOOOOO VERY MUCH 

I MISS Y'ALL 
I HAVE A LOTTA CATCHING UP TO DO ! 
AND MORE COLLABS ECCCKKKKKK
 HOLY MOLYYYY 
I AM SO BLESSED AND 🙌 RICH THANK Y'ALL 

MUCH LOVE AND PEACE ✌️ TO Y'ALL XOXOXOXO 💙

my thoughts & good vibes & prayers are with y'all 🤗

KRAE- 'BE PROUD TO BE YOU' (PROD. BY HEAR ME BEATS) PRACTICE (SERIOUSLY)# THREE😶🆘️🆘️🆘️

Depths And Hights

An epic orchestral super-hero style track. Written in Cubase with HZ Strings/Percussion/NI Rise/HZP and ZebraHZ.

V2 - has a different EQ to bring out mid-range sound that was lost in the original mixdown.

Urban Savior

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Adagio for Solo Violin (Pre-Premiere Version)

Robert Paterson Composer

Recent comments

StoryMusic Prod

Haleen Music

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

dominiquefrench

Related tracks