Lovely song, love the instrumental break with the long notes over the running notes, find it slightly amusing. And of course the harmony vocals are fabulous as usual. Great work

Nother fabulus collab if you two guys! very good stuff!

A blues in Swiss dialect language. I love the night. How do you feel sitting like that at night. What do I hear, what do I see?



http://karlheinzheimgartner.com

Ich Liäbä Di Nacht

This alt rock song deals with the theme of freedom, led by strong guitar sounds. The single has been recorded, mixed and mastered in May 2022 at Rare Elements’ own studio in Tampere, Finland. The song has been composed, written and arranged by Harri Sarpavaara. He plays all instruments and sings on the single. He has also recorded, mixed and mastered this single.

About To Be Free

Natural Attraction

LYRICS

Phone on the sofa, 
oh you're taking in nothing,
vaguely listening to the scene.
I would kinda love it if you'd give me something, 
something to work with, 
something to grow.
I would kinda like it if you showed some feeling,
or if there's nothing you would let us know. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

The beer bottles pile up by your feet, 
your grieving; isn't aimed above but rather just below.
Any excuse to feel collective meaning, 
just laying back to enjoy the show. 

We're heading out to see the queen.
We're oh so worried what's gone wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

Your eyes barely flicker as you light up your cigarette,
take a drag and survey the scene.
I was kinda hoping that you'd be my princess.
kinda hoping that you'd be my queen.

The Queen [with The Fall of Saigon]

This is the second part of a future soundtrack EP "And they march again", induced in some way by the current geopolitical situation we have to live.

83 - And they march again, Part II - At The Camp

Fog descends over me
When you're arousing to me
Melt into madness
Desire so sweet
Intoxicating
Wakes me up at night
I bite your name into my pillow
Clouded judgement inspires touches
I can almost taste your lips
Would have kissed you then and there
Dreams folded in haze
Your eyes
Time warp
In the night a shadow descends over me
Hologram embrace
The light of day too close
I want to hold on to this moment
Taking in your beauty, inhaling all of you in dreams
Just be with me
Just a moment to imagine what could be and will not be
Just let me breathe
Melt into smiles and laughter, stroking your hair
Caught in a bubble, before I let you go
Imagination 
How soft your skin might be

Limerence

A song for the weekend at the end of the world

LYRICS:

You got the last space
on the red-eye to the rat race
but they went and lost your suitcase now
Give me some headspace
and I'll keep it in my bad place
So you can wipe that look on your face out

The weekend's here
and they're calling time at the bar now
We're gonna salsa dance in the fallout
And there's another bomb on the way
Okay

You got a new name
so you can take the last one in vain
You know profanity's a new way out

The dog is too tame
to protect you from your own shame
They're gonna beat you at your own game now

The weekend's here
and they're calling time at the bar now
We're gonna salsa dance in the fallout
And there's another bomb on the way
Okay
Asleep all year in a Dali-painted aurora
Between the neon flora and fauna
You'll feel your sanity fading away
Saturday
The weekend's here
and they're calling time at the bar now
We're gonna salsa dance in the fallout
And there's another bomb on the way
Okay
Asleep all year in a Dali-painted aurora
Watching the city lights getting smaller
On a midnight plane from the bay
Saturday

Saturday

Jeff Is Home Now - Robert Grigg & Combstead

Wet My Whistle

Going Home (See end for Credits)
Your eyes are fixed upon the window
my eyes are glued upon the door
guess we've come to this decision
a thousand times before
I know exactly how your feeling
but not exactly what it's for
yesterday's just like tomorrow
today we're back for more
And if I count the times I should have walked away
we're surely better off alone
today's tomorrow's are tomorrow's yesterdays
think I'm going home!
I wasn't built for disappointment
you wasn't made for all this pain
shall we book our next appointment
and start it all again?
And if I count the times I should have walked away
we're surely better off alone
today's tomorrow's are tomorrow's yesterdays
think I'm going home!
Your eyes still fixed upon the window
my eyes still glued upon the floor
yes we've come to this decision
a thousand times before

Andrew Smith: Songwriting, Vocals, Acoustic, Mix&Master
Josh Smith: Synth
Vitor Pegas (Purtugal) Electric Guitars, Strings, Synth
Jim (Windsor UK) Bass
Dean W (Australia) Drums

Going Home

Duration: ca. 21'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation: soprano and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Marnie Breckenridge, Soprano
Formerly titled "In Real Life."

Purchase Sheet Music: (Version for Soprano and Chamber Ensemble): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778

Purchase Sheet Music: (Version for Soprano and Piano): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2777

For more information:
Version for Soprano and Chamber Ensemble: https://robertpaterson.com/in-real-life-version-for-soprano-and-chamber-ensemble
Version for Soprano and Piano: https://robertpaterson.com/in-real-life-version-for-soprano-and-piano

In Real Life II for baritone and chamber ensemble and baritone and piano also available. (In Real Life II consists of different songs than In Real Life.)

PROGRAM NOTE
Forty million Americans do it: join a dating site hoping to find true love in digital space. In Real Life is a song cycle for soprano and piano that explores the humor and heartbreak of this modern ritual. Five women fill out their dating-site profiles, opening a window into their worlds. The first song is “A Regular Woman,” in which a lady outlines the exact sort of man she’s looking for with comical specificity, perfect for today’s on-demand culture. “Late Bloomer” is a sweet and wistful portrait of a woman who learns in her 40s that her romantic tastes have changed radically. Next, in “Anastasia,” we hear from a Russian looking for a husband—with all the broken English that entails. With “Collateral,” the mood turns dark, as a war widow contemplates returning to the dating pool. Finally, “Rewind” is a nostalgic anthem by a 35-year-old whose divorce has made her feel like an awkward teen again. Can she learn something from her younger self? Funny and sad yet full of hope, In Real Life is about reality, fantasy and second chances. In Real Life was commissioned by Austin Chamber Ensemble Artistic Director Martha Mortensen Ahern, in honor of its 35th season.

American Modern Ensemble: In Real Life

In Real Life I - II. Late Bloomer

We are the music makers. We are the dreamers of dreams.

Spotify. What a world.
https://open.spotify.com/artist/0XS1P2tk3avKzQUZx6j45Z?si=h7Zz_lgKSm2WZZyjEblxXg

You can also add me on Instagram if you like. I hardly post anything... 
www.instagram.com/spukschreibmaschine



The Queen [with The Fall of Saigon]

SpukSchreibMaschine

Recent comments

Hellenic Bavarian Lad

The fallen archangel

PZK UNRELEASED

Earth Patriot © post punk / alternative rock

Related tracks