A haunting and atmospheric track that blends electronic and acoustic elements to create a lush and immersive soundscape. The slow and deliberate rhythm builds up to a climactic finale, with layers of synths, percussion, and guitar creating a sense of tension and anticipation. The middle section of the song features a more ambient sound, with a wash of synths and atmospheric effects creating a sense of space and openness. The track's powerful and evocative sound is both modern and timeless.

A haunting and atmospheric track that blends electronic and acoustic elements to create a lush and immersive soundscape. The slow and deliberate rhythm builds up to a climactic finale, with layers of synths, percussion, and guitar creating a sense of tension and anticipation. The middle section of the song features a more ambient sound, with a wash of synths and atmospheric effects creating a sense of space and openness. The track's powerful and evocative sound is both modern and timeless.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. www.pond5.com/artist/covertacoustics?ref=covertacoustics

Nebula

Vino El Amor

Maple Syrup

GORGO & TANGO

Giorni trascorsi rivolto nel fango
il freddo scalfisce la pelle vissuta
la sua voce affonda nell'indifferenza
ritenuto sporco, quasi un esser di troppo

La vita che sfugge velocemente
prima di gustarne a fondo il piacere
un colpo di polso, baglior di pugnale
dichiarano Gorgo
martire maiale

Se c'è un sentimento 
Non capisco il senso
di questo mondo che gira in un cerchio
di fuoco sbiadito, l' umanità

Echi lontani di terre africane
nel bianco rumore di un laboratorio
senza una madre, senza un abbraccio
un mesto destino attende ormai Tango

Se c'è un sentimento 
Non capisco il senso
di questa terra in cui regna il sonno
per farsi beffe di chi non è un re

A concludere questa storia
sono io coi miei bisogni
necessità, libero arbitrio
ho reso il mondo un vero schifo
La corsa è senza fine
Si deve andare avanti
l'orango ed il maiale in fondo
sembran solo degli avanzi

Gorgo & Tango

LYRICS

Phone on the sofa, 
oh you're taking in nothing,
vaguely listening to the scene.
I would kinda love it if you'd give me something, 
something to work with, 
something to grow.
I would kinda like it if you showed some feeling,
or if there's nothing you would let us know. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

The beer bottles pile up by your feet, 
your grieving; isn't aimed above but rather just below.
Any excuse to feel collective meaning, 
just laying back to enjoy the show. 

We're heading out to see the queen.
We're oh so worried what's gone wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

Your eyes barely flicker as you light up your cigarette,
take a drag and survey the scene.
I was kinda hoping that you'd be my princess.
kinda hoping that you'd be my queen.

The Queen [with The Fall of Saigon]

acceptance

ALFONSO LLORENTE: LYRICS, VOCALS, ACOUSTIC GUITAR, ELECTRIC GUITAR, BASS, DRUMS & SYNTH
TOBIAS GONZALEZ: ORGAN & STRINGS

MARIA LA LOCA

Maria la loca no conoce el tiempo
Su vida discurre con sosiego
Ella cree que vuela, pero solo sueña
Pero su delirio nunca la encuentra

Maria la loca llora frente al espejo
Al ver que su sueño le da rejo
Su lugar no está en el espacio
Solo aparece cuando queremos libres
Los niños se nos escapan a bailar con Maria La Loca
Y se esconden en el sol

La llama de la libertad
Quema nuestros sueños

Maria La Loca baila en la luna
Cuando despierta con el sol
Nos canta, nos susurra, nos invita a jugar
Nuestras almas la siguen, nuestras almas la añoran

Maria La Loca vive en nosotros
Cuando somos libres
Siempre seremos los niños de Maria La Loca
Y bailamos con su canto!

MARIA LA LOCA (Alfonso Llorente)

Eyes of the World

Duration: ca. 6'
Instrumentation: flute and harp
Performed by:
John Romeri, flute: https://www.broadwaychamberplayers.org/about
Kathryn Andrews, harp: http://www.kathrynandrews.com/
Commissioned by Aletheia Duo, Ann Yeung, harp and Jonathan Keeble, flute
World Premiere: Alethia Duo, American Harp Society's National Harp Conference in New Orleans, June 1, 2014; World Harp Congress International Conference in Sydney, Australia, July 1, 2014.

PROGRAM NOTE
Pegasus is a winged, usually white stallion, and one of the best known creatures in Greek mythology. He is the son of Poseidon, and at birth, sprang forth from the bloody neck of the Gorgon Medusa when she was beheaded by the god Perseus. According to legend, everywhere the winged horse struck his hoof to the earth, a spring would burst forth. The imagery of springs bursting forth and Pegasus flying through the skies are what inspired this piece. Pegasus was commissioned by the Aletheia Duo, Ann Yeung, harp and Jonathan Keeble, flute.

The Queen [with The Fall of Saigon]

SpukSchreibMaschine