LYRICS

Phone on the sofa, 
oh you're taking in nothing,
vaguely listening to the scene.
I would kinda love it if you'd give me something, 
something to work with, 
something to grow.
I would kinda like it if you showed some feeling,
or if there's nothing you would let us know. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

The beer bottles pile up by your feet, 
your grieving; isn't aimed above but rather just below.
Any excuse to feel collective meaning, 
just laying back to enjoy the show. 

We're heading out to see the queen.
We're oh so worried what's gone wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

Your eyes barely flicker as you light up your cigarette,
take a drag and survey the scene.
I was kinda hoping that you'd be my princess.
kinda hoping that you'd be my queen.

The Queen [with The Fall of Saigon]

Jay Olivine is Ziggy Stardust’s fourth favourite lyricist in Northeast Brisbane. 

He is a hitless wonder who scratches out demos in a dark booth beneath his kitchen. 

Sometimes he adds distortion to cover the snores of his dog. Sometimes he gets away with an acoustic number. 

His dream (not his dog’s dream) would be to license his lyrics to someone who would take them somewhere beautiful. He keeps dreaming. 

Olivine is a common green rock. Jay Olivine is not.

Music is not about precision or the good voice or the right notes. It's just about soul and emotions.

“Music is energy. A mood, atmosphere. Feeling.” Kurt Cobain

musician, song writer and producer based in Scotland. Played and written for years but never released anything. Recently started going through my old material, rerecording and releasing them. Will cover lots of genres....eventually. Bear with me 

aimlessambience is the culmination of my 25 years of musical exploration, a project driven by a relentless desire to evolve and grow in both musicianship and production. With a deep-rooted passion for sound design and composition, I craft immersive landscapes that blend ambient, electronic, and experimental elements—each piece unfolding like a cinematic journey through emotion and soundscapes.

Music has always been a space for me to aimlessly explore, to capture fleeting moments of introspection, tension, and beauty. My sound is constantly shifting, shaped by a love for synthesis, glitch aesthetics, and the raw imperfections that make music feel alive. From intricate synth layers to hypnotic textures and evolving soundscapes, I aim to create something that resonates—not just as background ambiance, but as an experience that pulls listeners into a world of emotion and movement.

This project isn’t about staying in one place, it’s about growth and taking on new elements and techniques. Every track is a step forward, an experiment, a challenge to break past creative limits. aimlessambience is a reflection of that journey, and I’m excited to see where it leads next.

Now available on all major platforms.

https://www.facebook.com/aimlessambience/

https://www.tiktok.com/@aimlessambience

https://www.instagram.com/aimless4111/
 
https://open.spotify.com/artist/23UMSuRDwu5TYFRrh39NME

https://music.apple.com/us/artist/aimlessambience/1801413918

https://www.iheart.com/artist/aimlessambience-46068925/songs/

https://www.youtube.com/channel/UCgidoj5GXsdpcWgpA62UZ8A

lolothebee@yahoo.com

[ Dudellic😱Ah! ] > mixes varied "Funky" and "Heavy" stuff, that you can bang your head to 😝 ...
-------------------------------------------
< M. O. > Passau, Lower Bavaria

New single, 'Among The Ruins', out now! 
linktr.ee/vassilismusic

Vassilis is primarily a passionate music enthusiast. He is also an independent singer/songwriter and producer based in Manchester, UK.

With over two decades of live performances under his belt, Vassilis has long been a fixture in the music scene. More recently, he has made a notable impact as a recording artist, as his self-produced debut single, "A Quest For Long Lost Memories", released in 2020, marked the beginning of a series of well-received tracks, including the 2021 EP "Return To Innocence".

Through his music, Vassilis reflects on the nuances of everyday life, adopting the perspective of a curious and thoughtful observer. His songs offer a window into a personal yet open-ended interpretation of the world. Tracks such as Better Days Are Here, All We Have Is Now, and Are You Ready To Move On? highlight his knack for crafting memorable melodies and delivering them with a warm, sincere vocal style.

His sound spans genres - from indie folk to rock and dream pop - and is characterized by rich vocal harmonies, atmospheric synths, and resonant guitar lines. Inspired by the freedom of independent pop aesthetic and sensibilities, his music places the focus on creating an immersive listening experience rooted in both emotion and melody.

As he continues to captivate audiences with his soulful, genre-blending style, Vassilis remains true to his artistic vision. His work reflects a deep dedication to his craft and a genuine love for music.

All of Vassilis’s releases are now available on major digital platforms, as well as on his personal online music spaces.

Free Palestine, eat the rich, and fuck A.I.
Alternative Goth/Post-Punk/Noise/Industrial Grunge type thing. Hope you enjoy what I've made so far, and thank you for listening, as well as for any kind of support 🖤 Feel free to use/sample.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

We are the music makers. We are the dreamers of dreams.





The Queen [with The Fall of Saigon]

SpukSchreibMaschine