Love the atmosphere and clarity of the recording, booming out over my monitors. The siren is great, it obviously didn't go well. Adds a nice discordance. Top stuff.

This is so good, Robert! Edge of the seat excitement! I am quite familiar with the Coast Guard Band, a fine organization!

Those firecrackers sound such good ! Very well acompanied by de brass fanfarre !

broo you should sample tge beginning into a hard trap beat

I absolutely love this one Rob - so evocative - the orchestral colours are spot on.

Amazing !! - So many instruments, love the deep drums and crackling sounds :) - Very impressing and inspiring, love it  ❤️

Unbelievable realism in this work, 👏 congratulations

very big, busy sound! kinda like a firework :)

Castles In The Air - NewPrimitive
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https://octavebelowrecords.bandcamp.com/track/castles-in-the-air-newprimitive
https://www.youtube.com/watch?v=qYCDo3jJT1o

Castles In The Air - NewPrimitive

This one is a reference to the horsemen of Apocalypse. It was composed just before the invasion of Ukraine by the Russian Army. Robert, gently accepted to add his amazing guitar playing on it.

Lead guitar by Robert Grigg : https://soundcloud.com/robert-grigg

The horsemen (lead guitar by Robert Grigg)

QUANDO ELA CHEGOU WHEN SHE ARRIVED

This a version of Palabras Correctas on the voice of Johana Valderrama
Esta es una versión de Palabras Correctas en la voz de Johana Valderrama

Palabras Correctas ft. Johana Valderrama

Rêverie

A slightly country-rock-esque song about arguments and compromise

LYRICS:

Again we're starting over in another town
The friends we made, they drift away
like clouds on the wind
I'm tired of waiting
My body's aching and broken
The separating
This meditation is over
and now I'm open to suggestions

November brings a chill into our open minds
It's when we'll take our pills so we can try to find
some relief from it all
You're always hating
but it remains unspoken
And you can stare at the painting
but this conversation's over
unless you're open to suggestions

We can't ignore it
We're gonna have to explore it
And I'm gonna call it:
This one's a forfeit

We can't ignore it
We're gonna have to explore it
And I'm gonna call it:
This one's a forfeit

Nothing else for it..

Forfeit

A push of determination. They will not be conquered. Evil has come, and it pursues its goal with a burning passion. But this wall shall stand.


Soli Deo Gloria!

This Wall Will Stand

Duration: ca. 20'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation: baritone and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Jorell Williams, Baritone

Purchase Sheet Music: (Version for Soprano and Chamber Ensemble): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778

Purchase Sheet Music: (Version for Baritone and Chamber Ensemble): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2777

For more information:
Version for Baritone and Chamber Ensemble: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-chamber-ensemble
Version for Baritone and Piano: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-piano

In Real Life I for soprano and chamber ensemble and soprano and piano also available. (In Real Life I consists of different songs than In Real Life II.)

PROGRAM NOTE
As a follow-up to our song cycle for soprano and chamber ensemble (or piano), Robert and I  agreed the concept of five characters looking for love online should have a male counterpart. Written for baritone and chamber ensemble, In Real Life II looks at five contemporary men clicking their way to second chances and romance. In “No Frog” we meet a prototypical player, a guy who fluffs his profile, but the truth keeps slipping out. The tone shifts with “Sola Fide,” in which a U.S. veteran of the war in Afghanistan explains the tattoo on his chest and the wounds inside. An older gentleman envisions one last fling in the irreverent “Die with Me.” In “Still Vamping,” a gay man muses on his start-and-stop romantic history. Finally, in “Nice-Plus,” an everyday guy reveals a hidden passion. In Real Life II was commissioned by American Modern Ensemble with funding from the Doctorow Family Foundation.

American Modern Ensemble: In Real Life

In Real Life II - I. Ain't No Frog

Music Video

Stratus

Satisfied With Jesus

Duration: ca. 7'
Performed by U.S. Coast Guard Band (Live Performance), Richard Wyman, Conductor
For more information: https://robertpaterson.com/firecracker-alley
Publisher - Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=firecracker

PROGRAM NOTES
Growing up, one of my favorite pastimes was setting off firecrackers with friends. We knew our parents wouldn't approve and would punish us if they found out—which made it all the more exciting—so we would meet in a secluded neighborhood alley. We had all sorts of firecrackers with crazy sounding names like Thunder Bombs, Crrackfires, Cherry Bombs, Sonic Booms, and so on, not to mention bottle rockets.

Setting off firecrackers made us feel empowered. We were literally playing with fire and knew we were doing something dangerous—after all, we could lose a finger, or even an eye—but it was exciting all the same. We would purchase fireworks from shops across the Canadian border where they were legal. Or, more accurately, we would find teenagers with cars and a penchant for mischief; they had quite a racket selling fireworks on the sly to younger kids in the neighborhood.

Part of the fun in creating Firecracker Alley was figuring out which effects sound firecracker-like. Of course, I call for multiple slapsticks, but there are also loud drums, rim shots, whistles, lines in the winds that are reminiscent of bottle rockets. Through it all, there are fanfare-like brass passages that capture the excitement and joy of setting off firecrackers.

Firecracker Alley for Wind Band (Live)

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Firecracker Alley for Wind Band (Live)

Robert Paterson Composer

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