How would the world be if it was not controlled by greed and suppression.

Image from Pixabay

Someday Utopia

This playful yet calm ambient track has dreamy guitars playing over ethereal pads accompanied by ambient-like keyboards. A playful bass gives the track a somewhat playful and hopeful quality while the overall mood has a yearning feel to it. It’s ideal for video games, documentary films, spa, relaxing retreats, yoga, or meditation. Basically wherever a calm, relaxing, and atmospheric vibe is called for.

For commercial and derivative licenses, please visit us on Sounzone, where you can buy this track for a number of additional uses. https://www.sounzone.com/artist/covert-acoustics?id=36829&format=producer

Thermal Drift

The Manager Is Ready To See You

Gonden - Realm

Night. Stars. Cool wind. And subtle feeling of the loneliness.

Enjoy listening :)

Production, Mixing and Mastering: Uładzimier Kuźniacoŭ (the lone warbler)
Art Cover: Maryja Šumanskaja
Guitar and Piano: Uładzimier Kuźniacoŭ (the lone warbler)

Composed by the lone warbler


Feel free to add this track into playlists on any platform, but contact me first, so I share the mix with my friends. And don't forget to add the link on my profile ;)

This a remastered version of the original piece released on digital platforms.
There is also an alternative mix of the song with more of low-end: https://soundcloud.com/thelonewarbler/singing-in-the-night-lofi-mix

Singing In The Night

Into the darkness (Ft. CLICK!)

Stun hunt is going on safari in a ridiculous location where i must stun on sight. I'm quite blind and you may here me talking batshit, but quite often, my batshit turns batfact, now, you must not go round bat caves to get their shit... 1,you will be disturbing and scaring the bats and even if you cleaned the cave in full, you will never be as
  Batshit crazy... Oooh.. Oohh. Ooh
Batshit crazy... Oooh.. Oohh.. Oooh

  Batshit crazy, as i keep telling myself

Sadisorder

By Myself But Not Alone

Appeal

# 8 [Appeal] (feat. Sasha Bonn)

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - IV. Effects Pedal

(Image by Tumisu from Pixabay)

This song is written using the same video game style techniques I've been using recently, namely mode mixture and motivic development. I start in D minor and end up touching every parallel mode except Lydian and Locrian.

The chorus is very laid back and easy listening while the verses delve into the more interesting territory. The whole song is kind of ambiguous and there's never really a satisfying resolution, kind of like life itself.

That's why I decided to call the song  'Existential Crisis'. You have good and bad, easy times and hard times, yet life just keeps going on and you have to keep being you, whether you want to or not.

Faith

Existential Crisis

(c) 2011
Guitar, Bass, Vocals, Programming, mixing, producing and mastering by Robert Grigg
We were all going through the 2012 hype

The Jokes On You

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

String Quartet No. 3 - IV. Effects Pedal

Robert Paterson Composer