Fast & Furious

HK_SCloud-Archeology_11

HK_Tradacoustic_36

Fantaisies series

- short tracks
- family friendly songs
- anything you want, but dancing is difficult on these, much imagination needed

The tracks were uploaded from 02/2021 to 05/2021, except the following older ones (REF DATE: 2021/06/09):
. . - Robert Paterson (String Quartet No.1 "Love Boat")(#13): 8 years,
. . - Audiologist "Falling Awake"(#7): 7 years,
. . - Skin Vehicles "Vibrations in Blue"(#1): 10 months,
. . - Jacket Of Turtle "Turtle's first journey"(#8): 4 months,
. . - Kuzman "Goodbye Sun"(#9): 4 months.

Contemplate.

HK_Fantaisies_tracks_114

String Quartet No. 1
Duration: 22'
Publisher: BIll Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1026
For More Information: https://robertpaterson.com/string-quartet-no-1
For more information on album: https://www.americanmodernrecordings.com/the-indianapolis-quartet-robert-paterson-string-quartets-1-3

PROGRAM NOTES
My original intent with this work was to write a set of four independent miniatures. After writing the first maximally-sized one, I decided to change course: these four "miniatures" are now my String Quartet No. 1.

Although these four movements are designed to be independent, small amounts of material are used interchangeably between each movement. Most notably, material from the first two movements is used in the third, and material from the third movement is used in the fourth.

The most prominent aural feature of the first movement, Fast and Sprightly, is the recurring "clarion" motive. This motive evolves into various thematic gestures and also reappears in the next two movements. Another prominent feature of the first movement is the use of jazz references. The string quartet is required to "swing," a style of playing usually only utilized by jazz musicians and big bands.

The second movement, Logy, begins by parodying North American, southern-style country waltzes. While composing this movement, I had visions of my mother interrupting "Three good ol’ boys fiddlin’ on a porch in Rabun Gap, GA," quipping at them to stop. The quipping is represented by the first violinist interjecting the "Rob–ert" theme. This strange, surrealistic daydream probably originates from memories of my mother calling my name from the other side of the bedroom door when I was a boy.

A section called "Andrew Lloyd Webber Disease" occurs in the middle of the second movement. This section is a schizophrenic alternation of a sick, dissonant, violin duo with an Andrew Lloyd Webber-sounding viola and cello duo. By the end of the movement, my mother joins the "Good ol’ boys" for a final song, after they have all become sick from eating too many boiled peanuts.

The third movement, Sad, Luscious Adagio, uses material from the first and second movements, but at a much slower tempo. Each player has a featured solo in this movement: the cellist plays a solo in double-stops and the violinist plays one made up of almost entirely artificial harmonics. The second violin and viola solos are intended to highlight the instruments’ singing qualities and the performers’ lyrical abilities. As with Logy, I use material recycled from previous movements.

Although the fourth movement, Energetic Polka, is not a strict polka, it has a polka-like beginning. It also contains a few short "quotes," the most notable one being the appropriation of the melodic line from the theme song from the television show The Love Boat.

Material from other movements is also used in Energetic Polka, particularly by the cello. The cellist never has a chance to play the "Pseudo-fugato" theme in Logy, so the cellist "aggressively" reintroduces it in this movement. Energetic Polka ends with a section entitled "Hyperfast shimmy and shake."

String Quartet No. 1 ("Love Boat")

all we shall keep our fire to ourselfes to stay good and healthy and calm, but always shine for the world gave us light

Eyes On Fire a

Here is something different for you... A very special mix-session filled with early 90's tekkno rave classics! 🛸🚀

Take a trip to the past with 18 amazing classics from the years 1990 & 1991! 🌌⏰ 59 minutes of pure rave music for your mind (and body if you wish). 🧠 

Now hit that play-button, because it's time to party like it's 1991! 🎈😉

Unknown Album

HardtraX - Special Session 90's Rave Mix (15.4.2021)

Stefano Martino - FLDRCRRDS

Say It

Rain sample by World Listener

Photo by eetushi (edited by black moon ate the unicorn)

to the moon & black (excerpt)

MAN BENOIT VINET,i'm The God Of The Underground (1999)

Taken from [S27-127] Various - Sectioned v4.0
Release 27/02/2014
Pic by Cza.

Falling Awake

Kold Konexion & Luna - Return to zero

Denys Bouliane - Rumore Sui
i. Via prima
ii. Via seconda

En janvier 2006, la SMCQ présentait “La Quadrature du cercle”, un concert du Quatuor Bozzini à la Salle Redpath. Ont été entendues lors de cette soirée trois oeuvres majeures de compositeurs bien établis de la scène montréalaise. Au programme, Le grand méridien  de Walter Boudreau, le Quatuor à cordes No.3  de Jean Lesage (toutes deux des créations) et Rumore Sui de Denys Bouliane. Ce fut une expérience enlevante: jouer des oeuvres de substance devant un public de plus de 300 personnes. Un moment marquant de nos 15 ans!
Il nous fait plaisir de partager pour la première fois la trame intégrale inédite de ce concert! Cliquez ici pour écouter. 

Denys Bouliane - Rumore Sui

Specular Reflection

Welcome To Brazil

Lo-Fi Preview
Riding To India Single - 22.5 | New Kicks Records

Fast & Furious - Riding To India (Original Mix) - New Kicks Records | OUT NOW!

Fly Or Die

She Wants To Move

I hope you all enjoy my first ever mash-up of 3 great songs

Rain Over Me vs Danza Kuduro vs Rabiosa

A Little Bit of Me

Close Your Eyes

I found this old house mix from way back in the day.  Selected and mixed by yours truly, this is a selection of  Shelleys, Hacienda and Legends inspired tunes which were banging at the time.

13 Landlord - I like it

Track 1 in "Tender Snow" (2020) by Alex M: composed, played, arranged, edited and recorded by Alex M in GarageBand iOS, 15 October 2019, and mixed/re-recorded in Logic Pro X, 15 October 2019; posted on SoundCloud on 17 October 2019 (before the release of the album as a whole).

Duration: 2:37 minutes
Tempo: 116 bpm
Time Signature: 4/4
Key Signature: E minor

Digital instruments used, in the order of playing and recording:

1. Piano - Steinway Grand Piano
____________________________

The album artwork cover, also used as the cover of each constituent track, is based on a photo taken on 8 January 2019, then resized, edited in terms of image colours and properties, annotated and saved in PNG format in MacOS Preview, in its final form on 16 October 2019.

Do You Remember That Tender Snow? (Piano)

Hack No. 1

Taken from the album NIGHT DUBBIN' presented by Dimitri From Paris.
Written by A. Stone, L. Stewart and W. R. Bryant.
Mixed by John Morales & Sergio Munzibai.
ⓟ&ⓒ 1983 Are 'n Be Records

Radiance feat. Andrea Stone ‎– You're My Number 1 (Dub) 1983

Goodbye Sun

String Quartet No. 1
Duration: 22'
Publisher: BIll Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1026
For More Information: https://robertpaterson.com/string-quartet-no-1

PROGRAM NOTES
My original intent with this work was to write a set of four independent miniatures. After writing the first maximally-sized one, I decided to change course: these four "miniatures" are now my String Quartet No. 1.

Although these four movements are designed to be independent, small amounts of material are used interchangeably between each movement. Most notably, material from the first two movements is used in the third, and material from the third movement is used in the fourth.

The most prominent aural feature of the first movement, Fast and Sprightly, is the recurring "clarion" motive. This motive evolves into various thematic gestures and also reappears in the next two movements. Another prominent feature of the first movement is the use of jazz references. The string quartet is required to "swing," a style of playing usually only utilized by jazz musicians and big bands.

The second movement, Logy, begins by parodying North American, southern-style country waltzes. While composing this movement, I had visions of my mother interrupting "Three good ol’ boys fiddlin’ on a porch in Rabun Gap, GA," quipping at them to stop. The quipping is represented by the first violinist interjecting the "Rob–ert" theme. This strange, surrealistic daydream probably originates from memories of my mother calling my name from the other side of the bedroom door when I was a boy.

A section called "Andrew Lloyd Webber Disease" occurs in the middle of the second movement. This section is a schizophrenic alternation of a sick, dissonant, violin duo with an Andrew Lloyd Webber-sounding viola and cello duo. By the end of the movement, my mother joins the "Good ol’ boys" for a final song, after they have all become sick from eating too many boiled peanuts.

The third movement, Sad, Luscious Adagio, uses material from the first and second movements, but at a much slower tempo. Each player has a featured solo in this movement: the cellist plays a solo in double-stops and the violinist plays one made up of almost entirely artificial harmonics. The second violin and viola solos are intended to highlight the instruments’ singing qualities and the performers’ lyrical abilities. As with Logy, I use material recycled from previous movements.

Although the fourth movement, Energetic Polka, is not a strict polka, it has a polka-like beginning. It also contains a few short "quotes," the most notable one being the appropriation of the melodic line from the theme song from the television show The Love Boat.

Material from other movements is also used in Energetic Polka, particularly by the cello. The cellist never has a chance to play the "Pseudo-fugato" theme in Logy, so the cellist "aggressively" reintroduces it in this movement. Energetic Polka ends with a section entitled "Hyperfast shimmy and shake."

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 1 ("Love Boat") - I. Fast and Sprightly

String Quartet No. 1 ("Love Boat") - II. Logy

String Quartet No. 1 ("Love Boat") - III. Sad, Luscious Adagio

String Quartet No. 1 ("Love Boat") - IV. Energetic Polka

Music for the video. The turtle comes to life for the first time. The first meetings, impressions, understanding of what is happening.Chapters: 1) going into the forest. 2) Observations and dreams about the future 3) meeting with gnomes in a cave 4) coming to the city, meeting robots and mechanisms. 5) talking with a drop. 6) dancing of melting icicles. 7) happy meeting.
A. Tomashev: Idea, orchestration, all parts, music for 1, 2, 3, 4, 5, parts, arrangements for 1, 2, 3, 4, 5, 6,7 parts, drums- part 5, vocals - part 3, calimba, vibraphone F. Grigoriev: music 6.7 parts. Marimba, solo on bottles, bells. A. Devyatykh: recording, mixing
December-January 2020-2021

Turtle's first journey --music video

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

String Quartet No. 1 ("Love Boat") - I. Fast and Sprightly

Robert Paterson Composer