String Quartet No. 1
Duration: 22'
Publisher: BIll Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1026
For More Information: https://robertpaterson.com/string-quartet-no-1

PROGRAM NOTES
My original intent with this work was to write a set of four independent miniatures. After writing the first maximally-sized one, I decided to change course: these four "miniatures" are now my String Quartet No. 1.

Although these four movements are designed to be independent, small amounts of material are used interchangeably between each movement. Most notably, material from the first two movements is used in the third, and material from the third movement is used in the fourth.

The most prominent aural feature of the first movement, Fast and Sprightly, is the recurring "clarion" motive. This motive evolves into various thematic gestures and also reappears in the next two movements. Another prominent feature of the first movement is the use of jazz references. The string quartet is required to "swing," a style of playing usually only utilized by jazz musicians and big bands.

The second movement, Logy, begins by parodying North American, southern-style country waltzes. While composing this movement, I had visions of my mother interrupting "Three good ol’ boys fiddlin’ on a porch in Rabun Gap, GA," quipping at them to stop. The quipping is represented by the first violinist interjecting the "Rob–ert" theme. This strange, surrealistic daydream probably originates from memories of my mother calling my name from the other side of the bedroom door when I was a boy.

A section called "Andrew Lloyd Webber Disease" occurs in the middle of the second movement. This section is a schizophrenic alternation of a sick, dissonant, violin duo with an Andrew Lloyd Webber-sounding viola and cello duo. By the end of the movement, my mother joins the "Good ol’ boys" for a final song, after they have all become sick from eating too many boiled peanuts.

The third movement, Sad, Luscious Adagio, uses material from the first and second movements, but at a much slower tempo. Each player has a featured solo in this movement: the cellist plays a solo in double-stops and the violinist plays one made up of almost entirely artificial harmonics. The second violin and viola solos are intended to highlight the instruments’ singing qualities and the performers’ lyrical abilities. As with Logy, I use material recycled from previous movements.

Although the fourth movement, Energetic Polka, is not a strict polka, it has a polka-like beginning. It also contains a few short "quotes," the most notable one being the appropriation of the melodic line from the theme song from the television show The Love Boat.

Material from other movements is also used in Energetic Polka, particularly by the cello. The cellist never has a chance to play the "Pseudo-fugato" theme in Logy, so the cellist "aggressively" reintroduces it in this movement. Energetic Polka ends with a section entitled "Hyperfast shimmy and shake."

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 1 ("Love Boat") - II. Logy

Gustave Deresse (Lee G. Dupont) is a writer and experimental producer of neoclassical, ambient, and new age compositions.



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Igor Iofe is a
composer whose musical
paths lead to diverse stylistic destinations. Currently Igor's focus in music is Armenian traditional duduk repertoire which he performs on trumpet. He brings the beauty and warmth of the duduk into his trumpet playing.

At the Conservatorium van Amsterdam he studied with  Wim Hendrickx,Richard Ayres,  Fabio Nieder,Willem Jeths and Jorrit Tamminga. Igor attended masterclasses with Misato Mochizuki, Dmitry Kourliandski, Tristan Murail andTan Dun. His music was performed at the Composers’ Festival Amsterdam (2012 and 2013), Atlas Academy (2010-12),  Looptail XXX and at such venues as De Link, De Duif, Het Bethaniënklooster, Het Veem, STEIM, Muziekgebouw aan 't Ij and CvA in Amsterdam and other cities of the Netherlands. His piece Y+Ywas performed by the Joint Venture Percussion Duo at several venues in the USA and Europe.

Parallel to his Classical Composition studies Igor studied Composing Music for Film with Jurre Haanstra and graduated as a Master in Composing for FIlm at the CvA. During his studies he wrote music for several movies which were shown at the Beeldbuis Filmfestival, Keep an Eye Film Festival, VERS Awards, Cinekid Filmfestival, M2M Filmfestival and Pleinbioscoop Rotterdam.

Igor is one of the organisers of the Toets des Tijds Concert Series

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
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American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

DJ,/Producer & founder of @We-Are-The-Party (WATP), an independent electronic label, podcast, genre crossing dance night and collective of like-minded up and coming DJs and producers from around the world based out of Belgrade, Serbia.

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Leaving Humanities Final Words. 

When Great Music Isn’t Heard
Then Everybody Loses.

Imagination causes Creation
Through Vibration.

Music is a Force for Creation

Banding Musicians Together Today

The Last Human Songwriters 

How sad to realize that we are in the last days of the human race. Meaning the final Composers, Artist & Performer are currently on this planet. Ai will be responsible for all the muzak within five years. They are weaning emotions out of music. 

We are humanity’s last breath. Let’s remind them future trans humans of what they lost. If they are ever allowed to hear it at all. We need to leave our Mark! 

My name is Dave Hanrahan. I was born and raised in Watertown, Massachusetts. I was the only son in a family of four children. At 7 years old my father was killed. I was the only son and now I would navigate my life rudderless. An alien in the house of estrogen. It was the weekend the Beatles played Ed Sullivan, February 9, 1964. Thus tying my life to theirs. Instant male role models. 

At 20, I was serving in the Navy. I was stationed at NAS Whidbey Island, Wa. In 1976. When I was heading into my barracks I heard someone playing Hotel California across from me. I met my mentor that day, Terry Walters. I bought a Yamaha 6 string acoustic guitar and one music book. The Beatles Compleat. I practice for hours upon hours. After a few months I wanted to try writing. On my first attempt I wrote 3 songs.  I believe I found patterns in playing only the Beatles for those first few years. I was off and running. 

I am a singer/songwriter from a different era. I had written close to 80 songs when I laid everything down to become a husband and a father in 1989. I laid it down because I desired a family more then anything in life, certainly more then fame.  My Guitar I had written the majority of those songs on was stolen and I walked away. 

In November of 2019, I unpacked my instruments after a 30 year hiatus. I bought a Taylor 12 String and began to earn my calluses. I wasn't certain if I could even recall the chords to most of my music. It was all in my head. I can't read or write a note to this day. Muscle memory I was happy to find is a fact even after 30 years. My musician friend Dean when I told him my 1977 Giannini Craviola 12 String got stolen in 1987. He asked me if I checked eBay. This is 32 years later. That is a rare guitar. I went on eBay that day and found it. It was my serial number. 

I began practicing countless hours a day for about six weeks when suddenly, a song popped into my head. It was in a style that even I was unfamiliar with. My Giannini and I picked up where We left off. Then Covid gave me more time to practice. I haven't stopped writing since that day just over three and a half years ago. I have well over 50 more songs to produce to ensure my entire catalog has been recorded. I have that many on my page for all to hear now for free.

 Vision 👀
To create a new Music Industry run and operated by Human Artists only. I am a Life Path 1, so have no doubt I will get it done or it’s artificial intelligence soulless Muzak for everybody. New artist are being ignored. This is by design. Music comes from the heart. Filled with emotions which A. I. The heartless, soulless machine with never be able to produce. Music is a force of creation given by The Creator. The Authentic Intelligence God. 

I am here to do a job, At my juncture in life I hope it obvious it isn’t for the fame and fortune. We are musicians and artists first and foremost. We are those who help steer the collective consciousness. I picked up this mantle in December of 1980. The night I wrote ‘Dear John’. 

Music is a force for creation.


Dave Hanrahan

PayPal.Me/DaveHanrahanMusic

Twitter @DHanrahanMusic

My YouTube page:

https://youtube.com/channel/UCbPR0PUkT7JK51CsBu9RjDw

An independent casual pianist and a music artist who loves to create gentle melodies of a song, with the piano as my first musical instrument. 

I started my music journey with a classical piano teacher from 2010-2014. During these years I improved my hand coordination and finger dexterity for my piano playing, as well as learning the techniques in classical piano that would be useful for my later years in terms of piano playing.

After that, I joined a jazz piano school from 2014 to 2016 to learn more contemporary music pieces. I learned more in improvising my own style to the piano. I learned some basic foundations as well that allow me to play basic beginner-level jazz music.

From 2016 to 2019, I have been playing an electronic keyboard with a music band in a local church in which most of the dominant genre is rock, and also acoustic music in a Christian community at my university. I occasionally play the electronic keyboard solo as well during the worship session of the church. Here I experienced live collaboration with my bandmates as well and learned to play music on wide audiences. I learned how different musical instruments have different purposes and different textures to the overall music. 

From 2019 to 2020, I have been spending my years discovering several genres of music that suit my taste and finding my personal branding. I explored and listened to different styles during these years. These include heavy metal, EDM, a-cappella, and many other genres that I have not listened to actively before. This also includes learning the basics of music production and the general components that made up a piece of music.

Now, in the late 2020s, I started my journey by covering some of the songs I find it touching to the heart and moves my emotion. I started my music production and cover in SoundCloud as my first stepping stone. I’m planning to create music that touched the emotions of people intimately.

String Quartet No. 1 ("Love Boat") - II. Logy

Robert Paterson Composer