Coups de cœur étrangers

Reel & Speakers (playlist)

Ladat’s Support Sep’25 vol.2

Good Classical I Found 9

Wound Up/Unwind for String Quartet and Percussion
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Wound Up/Unwind for String Quartet and Percussion

Pissing in the Sink - Single by Turbo-Laser

Pissing In The Sink

Merry Christmas everyone! This song was done live, at the RL Olympia, Living Stage, a few years ago.  The video is available also. Link Below...
God Bless ✝️ 

https://youtu.be/NkwIJa1l7BQ?si=dQ6uaINN_naxQch6

Santa Claus is back in Town

My Harmonic Journey, old guitar piece I wrote in high school. #ambient

Orphic

Alison Theme [ Orchestral ]

Just arrived at the address,
A voice said, “wait I’m wearing a dress.”
I smoked a cig while I waited,
When an old woman soon came out.


With a suitcase by her side,
A face that hid her sadness inside.
She closed the door to the past,
"Bye, my home," were her last words cast.


Drive me through the city lights,
Show me where my heart felt bright.
The neighborhood where I used to live,
Where my daughter was conceived.



She spoke of places she once knew,
Of her love and what she had viewed.
We traveled through her history,
That I will keep in my memory.



In the dark, she shared her past,
How quickly her life had passed.
In the taxi, the time stood still,
As I drove, her dreams were fulfilled.


Drive me through the city lights,
Show me where my heart felt bright.
The neighborhood where I used to live,
Where my daughter was conceived.

Drive me through the city lights,
Show me where my heart felt bright.
The neighborhood where I used to live,
Where my daughter was conceived.


Once at the hospice, her end was near,
In her mind, everything was clearer.
This would be her last night,
Her eyes closed with morning light.


Drive me through the city lights,
Show me where my heart felt bright.
The neighborhood where I used to live,
Where my daughter was conceived.


Drive me through the city lights,
Show me where my heart felt bright.
The neighborhood where I used to live,
Where my daughter was conceived.

DYKMN

City Lights (Remaster)

Dream of Peace

Dream Of Peace

Obsidian Reflections for Small Orchestra - Marco Polo Orchestra (Live World Premiere)

Aries (prod.neverl0se)

Written/Produced/Recorded by Nico Zaca
Mixed by mTwenty
Additional Electronic Production by Slshgrl on Track 7 - "Man2Machine:

She's 27

Wound Up/Unwind - Unwind for String Quartet and Hand Pan
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Unwind for String Quartet and Hand Pan

Wound Up/Unwind - Wound Up for String Quartet and Cajón
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Wound Up for String Quartet and Cajón

LoNe WolF - "Terrain"

Album: "Avant-Garde" (2025)


Mixed & Mastered By: LoNe WolF



#stitches #tracksoftheweek #newmusic

Avant-Garde

Terrain

This song is about an X we almost all had a one time.

Five Minutes

Love 93

This is a reworking of a older folk song of mine as rock and roll.  I think it works better like this.

Lyrics:

Verse 1:
Looked mighty fine, couldn't help but see
How bout that? she's looking back at me
Ignorant, lonely, I was all of that stuff
She smiled at me, that was enough
We gave it time, we had some fun
Decided she should be my only one
Screwed up my nerve, decided to ask her
Knew that we'd be happy         ever after

Chorus:
I couldn't have been more mistaken
I was travelling a road I never should have taken
it's my own damn fault that my heart is breaking
I'm Never going to do it again

Verse 2:
Fake it 'till you make it, they said to me
Never pass up an opportunity
The point of the process is how much you can make
It's a zero sum game a little give a lot of take
Get a lot of money then make a little more
After all it's only a way of keepin' score
Gonna find  my happiness in wealth and fame
Going figure out the rules of the game

Chorus:
I couldn't have been more mistaken
I was travelling a road I never should have taken
I see what I did and my confidence is shaken
I'm Never going to do it again

Bridge:
Mistakes are made
Life's like that
but mostly we recover 
we find our way back
But you never know
if one day or another
we'll screw up so bad 
we never recover

Verse 4:
Uncovered this stuff, burned real good
Used it to power anything we could
It looked to be something that could satisfy
A hunger for power that would - never run  dry
All we had to do was drill and dig
Power would be cheap, profits would be big
We'll never have to worry about expenses
Cuz there'd never be any consequences

Chorus:
We couldn't have been more mistaken
We're travelling a road We never should have taken
it's our own damn fault that our world is breaking
We're Never going to do it again


Couldn't Have Been

Girl grit over glory. Pop country female anthem, Strong when it all falls down

Girl Grit Over Glory

Billie Eilish - Everything I Wanted (Marat Mode Remix)
FREE DOWNLOAD!

Free Download

Billie Eilish - Everything I Wanted  ( Marat Mode Remix)

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Wound Up for String Quartet and Cajón

Robert Paterson Composer