great track! Our record of the month in our latest KD Music Podcast ;)

Techno

Not Enough / Praise Up

Not Enough

Acid King

Acid King (F.U.S.E. Bass Dub)

TL Premiere #652 (2021.08.03) : 13130 Space Project - International Problem (Blaktony Global Issue Remix) [Seclusion]

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For this 204th Premiere of 2021, we have a massive Remix by Detroit Electro legend Anthony 'Blaktony' Horton of the track by "13130 Space Project" titled ‘International Problem’ from their forthcoming EP "International Problem" on the new digital label from France : Seclusion.

"13130 Space Project - International Problem" will be available in digital only from August 6, 2021 here : 

▶︎ Bandcamp : www.seclusion13130.bandcamp.com
▶︎ Beatport : www.beatport.com/label/seclusion/95851
▶︎ Juno Download : : www.junodownload.com/products/13130-space-project-international-problem/5176998-02

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Release Info :

13130 Space Project - International Problem [Seclusion - SEC002]

Recently launched French label, Seclusion is back for its second outing. The inaugural release by Detroit’s HLX-1 garnered impressive support from DJs and the media including Bandcamp’s Best Electronic Music in May, and plays in Titonton Duvante’s XLR8R podcast, Dave Clarke’s White Noise, James Ruskin’s EPM podcast, Ben Sims’ Run It Red show, Rolando’s Better Days mix and Tom Ravenscroft’s BBC 6 Music show.

But one of the ‘Come To Me’ EP’s standouts was in fact the remix by 13130 Space Project, which is the DJ and production moniker of Seclusion founders, Damien Lapéna and Anouar Hemissi. Now they return with an EP of their own, entitled ‘International Problem’.

‘International Problem’ features two originals – the title track and ‘Kismet’ which enforce their love of deep tech with interstellar leanings and a nod to Detroitesque techno. Forming a further bond with the Motor City, they enlist Blaktony who has been a member within various groups and collectives, including Optic Nerve, early Aux 88, Aux Men, Alien FM and Scan7, to deliver a remix that bridges the gap between Techno Bass and Electro.

Tracklist :
1. International Problem (Original Mix)
2. International Problem (Blaktony Global Issue Remix)
3. Kismet

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Follow Seclusion :
Bandcamp : www.seclusion13130.bandcamp.com
Facebook : www.facebook.com/seclusion13130
Instagram : www.instagram.com/seclusion13130

International Problem

International Problem (Blaktony Global Issue Remix)

TL PREMIERE : 13130 Space Project - International Problem (Blaktony Global Issue Remix) [Seclusion]

FJAAK proudly presents SYS03, the third instalment in the series the producers have put in place to help venues that hold a dear place in their hearts.
This edition is dedicated to Fabric in London, Blitz in Munich, Fuse Brussels & Cologne‘s Gewölbe, all with rich history behind them & all seriously endangered by the ongoing pandemic.
Get your slab - Do your part - Support Your Scene <3

FJAAK - Blitz

Taken from Biemsix 'Find Your Own Meaning' LP - on Symbolism
Buy/Stream: https://fanlink.to/SYMDIGILP001

Biemsix - Peeps (Lo Res Snippet) - Symbolism

CCTN5

Music in Spotify: https://open.spotify.com/intl-pt/album/58WRCefArIJKHTtDxXMLUW

Buy:  https://www.beatport.com/pt/release/joker/5231595

Release Date: 08/08/2025

Instagram CCTN5: www.instagram.com/cctn.5/

► Fabian B ♫
https://www.instagram.com/fabianb.music/
https://open.spotify.com/intl-pt/artist/1XqUlCTYUMbyB08BGeqhie
https://www.beatport.com/pt/artist/fabian-b/997233
https://soundcloud.com/fabianbmusic

Playlists CCTN5 Releases: open.spotify.com/playlist/13pgvw8…a61cf79917bb4da4

Joker EP

Abyss

Fabian B. - Abyss

One,Two,Three (Løuis EDIT)

Soma Track Series Vol 3 (Soma 467d)
Jack Master aka Richie Hawtin – Bang the Box (Slam / @paragraph Remix)

Slam have remixed Richie Hawtin's Jack Master classic Bang The Box as number 3 in their new Track Series project. The release will drop on their Soma Records imprint on the 8th of August.

“Released in the early 90s, the original Jack Master EP was a pseudo-name that I used to record fun classic Chicago inspired tracks that were made for my DJ sets.  SLAM’s new updated take on the original, uses the original voice sample (that’s actually mine) and reworks the track into a full throttle stomping jack track perfect for todays dance floors!” - Richie Hawtin.

Mastered by Conor Dalton @ Glowcast Mastering


Jack Master – Bang The Box (Slam Remix)

Jack Master - Bang The Box (Slam Remix) (Soma Track Series Vol 3)

GREEN VELVET - Preacher Man

'For this landmark Pets Recordings debut EJECA launches two motorcity-honed thoroughbred house sledgehammers and an exceptional remix from dark soul mechanic Addison Groove...'

Read More : http://whenwedip.com/2018/07/premiere-ejeca-pets-recordings/

Follow: @ejeca // @pets_recordings

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Ejeca - Find Me (incl. Addison Groove Remix)

Premiere: Ejeca - Mesh [Pets Recordings]

Joey Beltram - Slice (Carl Cox Remix)

Out now on vinyl & digital release - lnk.to/REKIDS132

UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP.

Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more.

‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.

Break 97

Mark Broom - EFB

Out now on Rekids: https://lnk.to/REKIDS159

Radio Slave returns to his Rekids imprint with the explosive ‘Stay Out All Night’.

As the artist behind ‘Grindhouse’, ‘Don’t Stop No Sleep’, ‘Another Club’, and many other timeless cuts, Radio Slave’s knack for crafting Herculean club tracks is unlike any other. ‘Stay Out All Night’ could be one of his biggest yet. With its cleverly arranged breakdowns, it's a high-octane track built on syncopated drums, lively breaks and chopped-up vocals. An absolute bomb. On the flip, ‘Wait A Minute’ thuds onwards with deafening kicks, rattling percussion, and an infectious stuttering vocal exclaiming the track’s title.

Proving to be one of the Berlin-based Brit’s most fertile years, the renowned producer continues to drop a broad range of releases and remixes on Rekids and beyond, including his three-part ‘Radio Silence’ album.

Radio Slave - Wait A Minute

Favourite Colour

Favourite Colour (Original Mix)

Underground Hard Techno

https://music.apple.com/profile/akashpillai

https://on.soundcloud.com/vBnH3LnLpK4vU9qf6

https://soundcloud.com/akash-pillai-1

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Not Enough

Robert Hood - Floorplan

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