blue hrs

The Final Frontier

The Final Frontier (Nomadico Remix)

heavy drop feat. Nik Mantilla for Standard Deviation VA 💕💕 
mixed by Paul Georg

Lyrics:

Estoy tan fucking pissed contigo.
Teniendo las bolas de decirme que la chica de la plata todavía me la debe. 

Y encima, la casa se ve como un puto junk hole, cada hora del día. 
Cuando me despierto en la mañana,
Y cuando regreso a la casa en la noche. 

La cocina
Dejas todas tus cosas tiradas por toda la cocina.
Repartiendote de esa manera que siempre es difícil de hacer algo de comer, 
O poder sentarme en algún lugar. 

Las ollas siempre ocupadas.
Pero de una forma asquerosa. 
La forma de cómo lavas las cosas siempre las dejas sucias. 

Siempre dejas quemar a tu comida.
Y todo el apartamento apesta. 
Nunca secando o ordenando las cosas en el armario. 

Las superficies, igual que el suelo, cubierto con las partes de cebollas, cigarillos y porquerias que ni siquiera puedo identificar.

Bolas de pelo, un asco.
La cocina, un asco.
La ducha, un asco.
El baño, un asco.
Todo pegajoso y mugroso.
Un asco.
Y mugrosa.

Gruesas lineas de mierda.
Mugrosa, pegajosa, asquerosa. 
Asquerosa, asquerosa, asquerosa.
Mugroso, pegajoso, asqueroso y apestoso.

Todo pegajoso y mugroso. 
Ya quiero vomitar.

Estas mal chaval, estas mal.
Te detesto. 
Al suelo!
Pal piso puta a limpiar! 
Pal piso puta a limpiar!

Translation:

I'm so fucking pissed at you.
Having the balls to tell me that the money girl still owes me. 

And on top of that, the house looks like a fucking junk hole, every hour of the day. 
When I wake up in the morning,
And when I come back home at night. 

The kitchen.
You leave all your stuff lying all over the kitchen.
Spreading you out that way it's always hard to make something to eat, 
Or even be able to sit down somewhere. 

The pots and pans always busy.
But in a disgusting way. 
The way you wash things you always leave them dirty. 

You always let your food burn.
And the whole apartment stinks. 
Never drying or tidying things in the closet. 

The surfaces, just like the floor, covered with the parts of onions, cigarettes and crap I can't even identify.

Hairballs, disgusting.
The kitchen, disgusting.
Shower, disgusting.
Bathroom, disgusting.
All sticky and filthy.
Disgusting.
And filthy.

Thick lines of shit.
Filthy, sticky, disgusting. 
Filthy, nasty, gross, disgusting.
Grimy, sticky, gross and stinky.

All sticky and filthy. 
I want to puke already.

You're bad boy, you're bad.
I detest you. 
Get down on the floor!
Get on the floor, bitch, clean up! 
Get on the floor, bitch, clean up!

BANDCAMP

Nene H - ASCO Ft. Nik Mantilla

SubBerlin (The Story of Tresor)

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Oblak

@whrikk

Tricky Grain is back with a V/A CD presenting a selection of sonic sorcery for the initiated.
This V/A features 9 psychedelic trance tracks, for gatherings in enchanted forests and excursions into hallucinatory landscapes.
Chaotic yet surprisingly sneaky, this collection of quirky still highly functional dance floor music, will guide you through wild growth, into dreamlike territory lost to time.

Mastered by Nikolaj Jakobsen @ Soundstuff Studio
Artwork by Arna Beth
Distributed by Triple Vision <3

WHRIKK - Amoeba Music

Selections 2020, Vol. 01

F__k with the Android

MISS YOU

14 - Jeff Mills - Call of The Wild

Bedrooms And Cities

Tension In New York (Original Mix)

Infinition

Minimal Nation

Museum

Rhythm of Vision

Protein Valve EP

A.M. Track

Moveable Parts Chapter 1 EP

Untitled 4

Invisible

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

soundcloud:tracks:944873386

Museum

Robert Hood - Floorplan

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