Label: Dekmantel

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

techno illy B

TECHNO  (old)

boum boum ⚡️

[-]Techno 126

Green Velvet - La La Land

Araya

Sector II: Acid

Arrival

Más Profundo

Selva Cósmica

Paradygm Shift - Volume 3

Transform

Plantas Falsas

In Gold

From Media In The Service Of Terror due June 10 via Hospital Productions

Vatican Shadow - 'More Of The Same'

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional. 

Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Kevin de Vries - Eternity - Drumcode - DC159

Truesoul regular Reset Robot has returned and yet again hasn’t disappointed with his incredible new EP. Three tracks meander between the hard drums and floating synths of ‘A Thousand Billion Photons’, to the more out and out techno sounds that can be heard within the song structures of ‘Bust’, before finally landing on ‘Wee Bridge’ where the musical scope shifts to a more afterhours feel using detuned horns and a rolling bass line.

A Thousand Billion Photons

Reset Robot – Bust – Truesoul – TRUE1289

Rhymes

Follow Chloé on socials - www.listentochloe.com/
FB - www.facebook.com/listentochloe
TWITTER - twitter.com/ChloeDjProducer
INSTAGRAM - www.instagram.com/listentochloe/

Photo By Noémié Goudal - noemiegoudal.com/
Artwork by Dune Lunel - www.dunelunel.com/

(uk)Sounding the promise of long days ahead and late nights to follow with its opening salvos, Chloé’s The Dawn heralds the return of the Paris-based DJ and producer, and a new dawn in her ever-evolving career.

Indeed, The Dawn is her inaugural release on her own label Lumière Noire, which she recently set up as a separate entity – after using the name for a collection of releases over the last few months, and of course for her infamous Rex Club night, which has since 2014 become a bit of a club house for Parisian electronic music fans.  Operating Lumière Noire as a fully-fledged label will enable Chloé to release a new full-length album (of which The Dawn is the lead single) sometime in the next few months.

Over the ten-plus minutes of The Dawn, a spoken-word track languishes over melodic washes in a dramatic progression that evokes a novel, or noir-ish cinema – a method that the producer has taken a shine to since Take Care. This cultivation of the strange and the beautiful has become her calling card, putting her in a league with likeminded producers, who take the basic tenets of techno and inject them with their own singular poetic visions. A visual-arts analogue could be found in Noémie Goudal’s photographs which grace the EP’s cover as they will Chloé’s upcoming releases.

This stirring aesthetic gives The Dawn a slightly cerebral dimension, which is taken to new depths by Dixon’s stubbornly technoid remix. The Berlin-based whiz kid, who has over the last few years risen to the top of the international electronic music scene, inverts Chloé’s light-drenched, full-bodied production into a tense, captivating chiaroscuro.

The Dawn can also be explored via the “Chloé * IRCAM V2: The Dawn Interactive Mix” installation, which embodies Chloé’s music as an intimate interactive experience. It is one of the first offshoots of a constantly mutating collaboration between Chloé and the IRCAM Institution (www.ircam.fr/) that began in 2015.

Chloé - The Dawn (Dixon Remix)

Amelie Lens - Drift

The Game

Techno Rausch (Retro Acid Mix)

Detroit Beatdown Remixes 1: 2

Falling Up (Carl Craig Remix)

Brazil-born, Barcelona-based DJ and producer ANNA has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), ANNA had the opportunity to perform at iconic clubs such as DC-10 and Fabric. 
This passion for the dancefloor was fuelled by a youth spent in the DJ booth of her father’s night club – and it now leads to her first outing with Kompakt: SPEICHER 101 carries the DNA of both the studio head and the club dweller, crafting two propulsive, massive belters out of simple, but effective ingredients. HIDDEN BEAUTIES dominates the A-side with raw bass power and sizzling drops of acid, while the flipside brings you THE DANSANT, one of these spiralling minimalistic techno bangers that just seem to grow indefinitely. The release is also a personal milestone for ANNA, as Kompakt’s records have always been a staple in her sets: “I have so many records from Kompakt, I’ve had them since I started, and even though I played so many different styles through the years, I can safely say that Kompakt has always been in my crate.” Her very own release on the label, however, seemed “like a distant dream”, she says. Turns out it wasn’t that distant after all – thanks to her knack for seriously catchy techno with a punch, nurtured by hard work and persistent focus. A perfect fit for Speicher.
Available here: https://KompaktRecords.lnk.to/Speicher101SD

Buy/Stream

ANNA - Hidden Beauties

▸ Drumcode:
Facebook ► https://www.facebook.com/drumcoderecords
Soundcloud ► https://soundcloud.com/drumcode

▸ Adam Beyer:
Facebook ► https://www.facebook.com/realadambeyer/?ref=br_rs
Soundcloud ► https://soundcloud.com/adambeyer

▸ Bart Skils:
Facebook ► https://www.facebook.com/djbartskils
Soundcloud ► https://soundcloud.com/bart-skils

▸ SleepLess:
Facebook ► https://www.facebook.com/SleepLessMusique/
Youtube ► https://www.youtube.com/channel/UCxrBvMakeT6JBfQK8zwP_bg/featured
Soundcloud ► https://soundcloud.com/sleeplessmusique
Instagram ► https://www.instagram.com/sleepless.musique/

Your Mind

Adam Beyer & Bart Skils - Your Mind

Diminuendo

Diminuendo (Edit)

Pre-order here — bit.ly/DC200BP

Techno’s most influential label hits 200 releases with two powerful Amelie Lens interpretations of an Adam Beyer classic.

Over the course of its lifespan, Drumcode’s vision has remained resolute, crafting techno that’s both functional and forward-thinking. It’s a philosophy that extends to the stable of artists who release on the label and play its showcases, with Adam Beyer’s eyes and ears always focused on the future. 

One artist in his viewpoint in recent years is Amelie Lens. Supporting her early productions on Lyase and Second State, a kinship naturally developed between the two artists, with Beyer asking her to contribute to 2017’s A-Sides Vol.6 compilation. Her blistering acid cut ‘In Silence’ blew the collective techno world out of the water.

Eighteen months on and now a regular on Drumcode showcase line-ups, Beyer has sought the Lenske Records boss to apply her energetic take on techno and remix ‘Teach Me’, his deep, Detroit-influenced cut from 2014. The Main Mix highlighted the Swede’s Drumcode Halloween set in London and is an exhilarating peak-team weapon driven by a grinding bassline that undulates with intensity, while Lens has made smart work of the vocal, teasing out the sample to harmonic perfection. The Acid Mix sees the Belgian deliver a stripped back 303-led affair, utilising the looped vocal to build energy in the first half of the track, before rapid-fire percussion and squelchy stabs take control and push the atmosphere into darker and more ominous realms. 

Tracklist: 

1. Adam Beyer – Teach Me (Amelie Lens Main Mix)
2. Adam Beyer – Teach Me (Amelie Lens Acid Mix)

Buy all

Adam Beyer — Teach Me (Amelie Lens Acid Mix) — Drumcode — DC200

Buy: https://bit.ly/2Q4ryUv

Solid Groove co-founder Michael Bibi has teamed up with UK dance music pioneer Skream for his debut on Bibi's highly respected imprint.

Bibi and Skream transform this infamous Hollywood chant into 'Otto's Chant' - a springy and driving dancefloor slammer that just won't quit. It's a highly anticipated collaboration that is bound to get rinsed all over the globe this summer.

Otto's Chant drops on May 24 via Solid Groove Records.

Otto's Chant

More exclusive music

Premiere: Skream & Michael Bibi 'Otto's Chant'

DJ Kon’, who currently focuses on his label Eleatics Records, still gets his groove on for Senso Sounds, dropping a pair of heavy bangers on Oliver Huntemann’s much-lauded label. Fire, which features the vocals of Cari Golden, is a pounding floor-worker. A thick, heavy groove is punctuated with Golden’s environmentally inspired narration, somehow both menacing and seductive at
the same time.

Dark Matter which appears in two equally great versions is similarly driving, edgy and trippy. The acid bubbles up from its place low in the mix to land front and center, while a heavily-treated vocal adds to the atmosphere of menace and pressure.

Tracklist:
01. Fire feat. Cari Golden
02. Dark Matter
03. Dark Matter (Warehouse Mix)

digital
Releasedate: 22.11.2019
Label: Senso Sounds
Cat. Nr. : senso058
Contact: kontakt@senso-sounds.net

Buy Now

DJ Kon' feat. Cari Golden - Fire

Warehouse Memories

Daydream

Totsuka No Tsurugi

Eternal Loneliness

Molly Hates This

Molly Hates This (Original Mix)

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Transform

Robert Hood - Floorplan