Natasa Paulberg is an award-winning Australian/Irish composer with compositions for the concert hall, television, film, advertising and gaming. Natasa has scored many projects including the acclaimed The Hunger documentary, narrated by Liam Neeson, and performed by the RTÉ Concert Orchestra, the National Australia Bank What do you want? advertising campaign and Screen Ireland's Irish Stories on Screen promotional trailer. She has won two Best Original Score awards for the film The Yellow Dress, Best Original Score and Best Music Award from the International Sound & Film Music Festival for The Hunger, and has been nominated for two Jerry Goldsmith Awards in music for film and advertising. Natasa's piece Atomic Hope, performed by the RTÉ Concert Orchestra, was premiered at the New Music Dublin 2021 festival. Natasa scored the RTÉ'series' The Island and The Irish Civil War, narrated by Brendan Gleeson, in 2022.

Music composer for film and visual media, from South Korea, based in Jeju Island

This is my podcast show Migrants in ireland, where I interview a migrant at least once a week about his/her  migration story and  experiences in Ireland. Hoping to get rid of prejudices and create a bit more understanding.


Post-production sound for film, television, commercials and more. Independent audio producer for radio and podcasts.

Independent radio and audio production. Creating award-winning short features, ear-grabbing inserts, reports, long-form documentaries, and innovative programme series.

RTÉ Radio 1, RTÉ 2FM, ABC RN, NPR, BBC World Service, East Coast FM

The Cinema Audio Society was formed in 1964 for the purpose of sharing information with Sound Professionals in the Motion Picture and Television Industry.

The Cinema Audio Society’s goal is to be THE organization for Sound Professionals in the Motion Picture and Television Industry. We need your support and involvement to make it happen!

Experiments in audio fiction | Anthology series by Ross Sutherland

Tribeca Independent Fiction Award 2025 (for “They Will / They Won’t”)

British Podcast Award Winner: Best Fiction Series

“Few people are as skilled at turning moments of regret into transcendent, artistic works (…) One of podcasting’s brightest lights” —AV Club

“As close as you can get to an audible psychedelic trip” —Stylist

“Sutherland’s laboratory for various experiments in audio fiction, full of strange excursions and sublime turns of phrases” —Vulture, Ten Essential Fiction Podcasts that Shaped the Genre

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