sehr schönes Themen, und der Aufbau. das Erinnert an alte Klassiker aus dem 90igern!

Amazing soundtrack work... You really paint a picture with your arranging skills!

Gaanz großes Kino, Robin! Amazing work! I love it!

Grosso is the best instrument we have produced to date. Period.

With Grosso, Sonokinetic BV is changing the paradigm for orchestral phrase-based instruments… again! Before our Minimal library, the level of control, whilst retaining the authentic sound that live recordings bring to the party, was unheard of. We have gotten so much positive feedback on Minimal that a ‘sequel’ was unavoidable. Mere sequels is not what we do though at Sonokinetic, so if you look at what Grosso brings to the table, you will see an evolved entity that is a homo-sapiens to Minimal’s homo-erectus. 
We have conceived this instrument from the ground up, using parts of the Minimal engine and reimagining many other things to accommodate for the added flexibility Grosso brings to the table. The main difference, apart from the obviously upbeat nature of the recorded material and the addition of a choir part and a taiko and non-melodic percussion section, is that we split out the orchestral sections into more parts. Strings and choir are split in low - mid - high, woodwinds and brass into low and high, percussion into taiko and more traditional orchestral percussion. All of these elements have been carefully composed to work well with all of the others, resulting in millions of possible combinations of sounds.
The nature and sheer amount of this raw material, and the added flexibility we needed to offer to you in an intuitive way, led us to a completely new interface style, and it made us split up the instrument into different Kontakt .nki’s. Don’t worry though, we have laid out the keyswitches in a way that still makes it possible to play this instrument ‘Minimal-style’ with the whole orchestra on one midi channel.
Grosso is a 12/8 feel library, and we have configured the engine to work in both 4/4 and 12/8 time signatures within your DAW. Though the instrument was conceived with trailer and action styles in mind, the finished product is capable of so much more, limited only by your imagination.
Check out our demo section to hear some of the compositions made by the incredibly talented composers in our beta team, inspired by Grosso. In fact, much of the early feedback we got from these guys included the word ‘inspirational’ as much as the word ‘exceptional’. If there’s ever an instrument that can help you get out of a funk when you need it most, it’s this one. We have even included a randomiser button to provide you with different pattern combinations at the click of a button.
To top off the collection we have added a ‘transition builder’ instrument that is aimed at gluing parts together, and building up towards climaxes. It includes brass and woodwind crescendo chords, and recognises different chord types, like diminished, augmented and dominant 7th. Chords are constructed on the spot from a collection of recorded intervals. This builder instrument also contains percussion and taiko fills, and a fully playable multisampled taiko ensemble patch, both as an ensemble and individual drums. Please look at the video to see its capabilities in action.

We, at Sonokinetic BV, are very proud to introduce GROSSO to you, and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.

We wish you the best inspiration and creativity


Grosso Demo - Le Avventura Grosso - By Sascha Knorr

composed and orchestrated by Robin Hoffmann

performed by Brandenburgisches Staatsorchester Frankfurt
conducted by Bernd Ruf
recorded and mixed by GENUIN
(c) 2015 by Robin Hoffmann. All rights reserved.

A Big And Bold Adventure

official demo for Orchestral Tools' "Metropolis Ark 1"

Born To Protect (official demo for Orchestral Tools' "Metropolis Ark 1")

This composition was recorded at AIR Studios in London, UK. Session Orchestra contracted by Hilary Skewes. 

Watch the recording session here:
https://www.youtube.com/watch?v=vtiYmmp1ti4

Purchase this track here:
www.enriqueponcemusic.com/store/airship-duel

Airship Duel

Purchase Track

Airship Duel (Lyndhurst Hall - AIR Studios Recording)

Music for 2017 promotional clip of "Laurette Fugain" association that fights leukemia.

Recorded at Smecky Studios.
Performed by The City Of Prague Philharmonic Orchestra
@James Fitzpatrick

Conducted by Nic Raine and Pierre Noguéras
Mixed by Jerome Devoise

Laurette Fugain - Vous Aussi

Demo for Musical Sampling that showcases Adventure Strings.

http://www.musicalsampling.com

Dragon Land (Adventure & Soaring Strings) - Jean-Gabriel Raynaud

Journey To Another World (Benny Oschmann) - The Orchestra - Demo

Music composed by Ho-Ling Tang

Final recording project at the Berklee College of Music
Recorded at London AIR Studios

Eternity

One of the pieces I wrote for an Adventure album for FPM Music UK. 
Performed by Sofia Session Orchestra
Conducted by Lyubo Denev Jr. 
https://www.youtube.com/watch?v=12Nrh92T1J4

Final Frontier

Oh my, she's gonna fly!

"End Credits Suite" from my score for "The Book of Unwritten Tales 2".

Composed & Orchestrated by Benny Oschmann
Performed by "The City of Prague Philharmonic Orchestra"
Conducted by Adam Klemens

Recorded by Jan Holzner at Smecky Studios, Prague
Mixed by Gareth Williams
Mastered by Jörn Druhmann

Copyright 2014 by Benny Oschmann
"The Book of Unwritten Tales 2" Copyright 2014 by KING Art GmbH, Published by Nordic Games GmbH

The Book of Unwritten Tales 2 (Original Game Soundtrack)

The Book of Unwritten Tales 2 - End Credits Suite

Specialized in working on projects with real orchestras with more than 20 years of experience.

I worked on film scores for many international productions, including the Golden Globe 2024 nominee SUZUME, STAR WARS VISIONS, SAVE ANGEL HOPE, TELL, A WAR WITHIN and LIEBLING, LASS UNS SCHEIDEN. I co-composed the multi award winning musical DÄLLEBACH KARI, (co-)arranged the hit show THE ONE and VIVID at Friedrichstadt-Palast Berlin and worked on highly successful game music scores such as BATMAN – ARKHAM SHADOW, LINEAGE W, ANNO 1404, BLACK PROPHECY, and HALO LEGENDS. My scores for HERO and A FATHER’S JOB won several awards around the world.

Besides my work for media I also write music for several international artists such as ANASTACIA, GARY BARLOW, RONAN KEATING, BONNIE TYLER, SOPHIE ELLIS-BEXTOR, SARAH CONNOR, THE LONDON SYMPHONY ORCHESTRA and others. I won a Golden Record for my arrangements for ALEX CHRISTENSEN.

I’m holding a diploma in composition, arrangement and piano from the music university in Dresden, Germany.

A Big And Bold Adventure

Robin Hoffmann

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